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Legal Weapon: Death Of Innocence 12"
Pioneering LA punk band Legal Weapon was formed in 1980 from the ashes of the Silencers, which Steve Reiner formed with guitarist Brian Hansen and vocalist Kat Arthur. By the time of this riveting 1982 debut LP, the band had Arthur, Hansen, future Adolescents/Agent Orange bassist Steve Soto, and drummer Charlie Vartanian. Just as Exene Cervenka was a primary draw in X and Penelope Houston in the Avengers, Kat Arthur is the major lure that kept this band outstanding, as Hansen and Soto vary the musical action, keeping their hardcore on the melodic side throughout. Essential listening for west coast punk fans!
Our take: For years, Legal Weaponās 1982 album Death of Innocence was a record I could put on and blow peopleās minds. No one seemed to know about it, but itās so good that, if I had it playing in the background, inevitably someone would pipe up and say, āwhat are we listening to? This RULES!ā Legal Weapon was from LA and if the release date of 1982 didnāt already pique your interest, perhaps telling you that Steve Soto and Frank Agnew were from the Adolescents were the bassist and guitarist will? If youāre a fan of early 80s SoCal punk (and who isnāt?), smash that buy button right now, because this shit will blow your mind. Itās in the same stylistic wheelhouse as records like the Adolescentsā self-titled album, Social Distortionās Mommyās Little Monster, TSOLās first EP, and Bad Religionās first album, i.e. energetic punk with big hooks and a hazy, sun-bleached vibe. Those hooks hit all the harder thanks to Kat Arthurās sultry, charismatic vocals and the subtle death rock overtones that pervade Death of Innocence, both of which help Legal Weapon carve out their own lane among the legions of brilliant young bands SoCal was producing in the early 80s. Itās a front-to-back banger, not a dud among its 10 tracks, and if you donāt like it, thereās probably something wrong with you. I couldnāt be more excited that this hard-to-find record is back in print and that we can help get it into more peopleās hands.
Our take: For years, Legal Weaponās 1982 album Death of Innocence was a record I could put on and blow peopleās minds. No one seemed to know about it, but itās so good that, if I had it playing in the background, inevitably someone would pipe up and say, āwhat are we listening to? This RULES!ā Legal Weapon was from LA and if the release date of 1982 didnāt already pique your interest, perhaps telling you that Steve Soto and Frank Agnew were from the Adolescents were the bassist and guitarist will? If youāre a fan of early 80s SoCal punk (and who isnāt?), smash that buy button right now, because this shit will blow your mind. Itās in the same stylistic wheelhouse as records like the Adolescentsā self-titled album, Social Distortionās Mommyās Little Monster, TSOLās first EP, and Bad Religionās first album, i.e. energetic punk with big hooks and a hazy, sun-bleached vibe. Those hooks hit all the harder thanks to Kat Arthurās sultry, charismatic vocals and the subtle death rock overtones that pervade Death of Innocence, both of which help Legal Weapon carve out their own lane among the legions of brilliant young bands SoCal was producing in the early 80s. Itās a front-to-back banger, not a dud among its 10 tracks, and if you donāt like it, thereās probably something wrong with you. I couldnāt be more excited that this hard-to-find record is back in print and that we can help get it into more peopleās hands.
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Legal Weapon: Death Of Innocence 12"
Legal Weapon: Death Of Innocence 12"
Pioneering LA punk band Legal Weapon was formed in 1980 from the ashes of the Silencers, which Steve Reiner formed with guitarist Brian Hansen and vocalist Kat Arthur. By the time of this riveting 1982 debut LP, the band had Arthur, Hansen, future Adolescents/Agent Orange bassist Steve Soto, and drummer Charlie Vartanian. Just as Exene Cervenka was a primary draw in X and Penelope Houston in the Avengers, Kat Arthur is the major lure that kept this band outstanding, as Hansen and Soto vary the musical action, keeping their hardcore on the melodic side throughout. Essential listening for west coast punk fans!
Our take: For years, Legal Weaponās 1982 album Death of Innocence was a record I could put on and blow peopleās minds. No one seemed to know about it, but itās so good that, if I had it playing in the background, inevitably someone would pipe up and say, āwhat are we listening to? This RULES!ā Legal Weapon was from LA and if the release date of 1982 didnāt already pique your interest, perhaps telling you that Steve Soto and Frank Agnew were from the Adolescents were the bassist and guitarist will? If youāre a fan of early 80s SoCal punk (and who isnāt?), smash that buy button right now, because this shit will blow your mind. Itās in the same stylistic wheelhouse as records like the Adolescentsā self-titled album, Social Distortionās Mommyās Little Monster, TSOLās first EP, and Bad Religionās first album, i.e. energetic punk with big hooks and a hazy, sun-bleached vibe. Those hooks hit all the harder thanks to Kat Arthurās sultry, charismatic vocals and the subtle death rock overtones that pervade Death of Innocence, both of which help Legal Weapon carve out their own lane among the legions of brilliant young bands SoCal was producing in the early 80s. Itās a front-to-back banger, not a dud among its 10 tracks, and if you donāt like it, thereās probably something wrong with you. I couldnāt be more excited that this hard-to-find record is back in print and that we can help get it into more peopleās hands.
Our take: For years, Legal Weaponās 1982 album Death of Innocence was a record I could put on and blow peopleās minds. No one seemed to know about it, but itās so good that, if I had it playing in the background, inevitably someone would pipe up and say, āwhat are we listening to? This RULES!ā Legal Weapon was from LA and if the release date of 1982 didnāt already pique your interest, perhaps telling you that Steve Soto and Frank Agnew were from the Adolescents were the bassist and guitarist will? If youāre a fan of early 80s SoCal punk (and who isnāt?), smash that buy button right now, because this shit will blow your mind. Itās in the same stylistic wheelhouse as records like the Adolescentsā self-titled album, Social Distortionās Mommyās Little Monster, TSOLās first EP, and Bad Religionās first album, i.e. energetic punk with big hooks and a hazy, sun-bleached vibe. Those hooks hit all the harder thanks to Kat Arthurās sultry, charismatic vocals and the subtle death rock overtones that pervade Death of Innocence, both of which help Legal Weapon carve out their own lane among the legions of brilliant young bands SoCal was producing in the early 80s. Itās a front-to-back banger, not a dud among its 10 tracks, and if you donāt like it, thereās probably something wrong with you. I couldnāt be more excited that this hard-to-find record is back in print and that we can help get it into more peopleās hands.
$26.00
Legal Weapon: Death Of Innocence 12"ā
$26.00
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Product Information
Shipping & Returns
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Description
Pioneering LA punk band Legal Weapon was formed in 1980 from the ashes of the Silencers, which Steve Reiner formed with guitarist Brian Hansen and vocalist Kat Arthur. By the time of this riveting 1982 debut LP, the band had Arthur, Hansen, future Adolescents/Agent Orange bassist Steve Soto, and drummer Charlie Vartanian. Just as Exene Cervenka was a primary draw in X and Penelope Houston in the Avengers, Kat Arthur is the major lure that kept this band outstanding, as Hansen and Soto vary the musical action, keeping their hardcore on the melodic side throughout. Essential listening for west coast punk fans!
Our take: For years, Legal Weaponās 1982 album Death of Innocence was a record I could put on and blow peopleās minds. No one seemed to know about it, but itās so good that, if I had it playing in the background, inevitably someone would pipe up and say, āwhat are we listening to? This RULES!ā Legal Weapon was from LA and if the release date of 1982 didnāt already pique your interest, perhaps telling you that Steve Soto and Frank Agnew were from the Adolescents were the bassist and guitarist will? If youāre a fan of early 80s SoCal punk (and who isnāt?), smash that buy button right now, because this shit will blow your mind. Itās in the same stylistic wheelhouse as records like the Adolescentsā self-titled album, Social Distortionās Mommyās Little Monster, TSOLās first EP, and Bad Religionās first album, i.e. energetic punk with big hooks and a hazy, sun-bleached vibe. Those hooks hit all the harder thanks to Kat Arthurās sultry, charismatic vocals and the subtle death rock overtones that pervade Death of Innocence, both of which help Legal Weapon carve out their own lane among the legions of brilliant young bands SoCal was producing in the early 80s. Itās a front-to-back banger, not a dud among its 10 tracks, and if you donāt like it, thereās probably something wrong with you. I couldnāt be more excited that this hard-to-find record is back in print and that we can help get it into more peopleās hands.
Our take: For years, Legal Weaponās 1982 album Death of Innocence was a record I could put on and blow peopleās minds. No one seemed to know about it, but itās so good that, if I had it playing in the background, inevitably someone would pipe up and say, āwhat are we listening to? This RULES!ā Legal Weapon was from LA and if the release date of 1982 didnāt already pique your interest, perhaps telling you that Steve Soto and Frank Agnew were from the Adolescents were the bassist and guitarist will? If youāre a fan of early 80s SoCal punk (and who isnāt?), smash that buy button right now, because this shit will blow your mind. Itās in the same stylistic wheelhouse as records like the Adolescentsā self-titled album, Social Distortionās Mommyās Little Monster, TSOLās first EP, and Bad Religionās first album, i.e. energetic punk with big hooks and a hazy, sun-bleached vibe. Those hooks hit all the harder thanks to Kat Arthurās sultry, charismatic vocals and the subtle death rock overtones that pervade Death of Innocence, both of which help Legal Weapon carve out their own lane among the legions of brilliant young bands SoCal was producing in the early 80s. Itās a front-to-back banger, not a dud among its 10 tracks, and if you donāt like it, thereās probably something wrong with you. I couldnāt be more excited that this hard-to-find record is back in print and that we can help get it into more peopleās hands.














