Warp: Traffic Control 12"
"Real punk from America's cruelest town. Hatched in 2017 via an assemblage of FLESH WORLD, MALLARD and BLANK SQUARE personnel, WARPās from-the-hip attack immediately streamlined The Bayās skulls, prompting sudsy devotion across spiked and freaked schools alike, a vibrant punk band operating amidst all the scooter-share inhumanity.
Ā
The damage spills from the central screaming dual-guitar tangle, a riff tract neighboring the elegantly bruised and dynamic AGNEW / BAIZA axis, exerting too much power for the troposphere. Rhythms twist and barrel depending on need, always leaping forward, propelling each taut composition into realms unthinkable from count-off. Tikaās smarm-centric vocal steering ā wonderfully absurdist and unreservedly pissed ā offers exactly the sort of punky exfoliation so very needed in these days of constant cringe." ā Mitch Cardwell
Ā
Thrilling Living quite gleefully presents āTraffic Controlā to an ill-prepared populace. Limited to 400 copies on black vinyl, housed in full color sleeves with a double-sided Risographed insert.
Our take: Debut vinyl from this Bay Area punk band. Warp plays music thatās right in my sweet spot, with all the catchiness of a classic punk band, the energy of a great hardcore band, and the complexity of something you could labelĀ āpost-ā something or another. Maybe Iām flattering myself since I play guitar in the band, but Warp reminds me of Sorry Stateās own No Love, particularly on tracks like āSheet Cakeā and āMakeup,ā which are both catchy but tough-sounding rather than melodic. That being said, they throw some unexpected ingredients in to the mix like the staccato anarcho rhythms on the title track and the swirling, psychedelic double-tracked guitars on the climactic closer āGoat.ā The lyrics are also brilliant, surreal yet thought-provoking. The lyrics to āTraffic Control,ā āCellophane,ā and āSheet Cakeā are worth the price of admission alone. For instance, hereās the full lyric for āCellophane:ā āStick of butter, butterball. Throw a brick of butter, butter on the wall. Broken bucket with a big ol hole. Donāt bet on a bucket thatāll never get full. Sorry, baby, heās silver cellophane.ā I used to teach a college-level introduction to poetry course, and I could haveĀ spent an entire class period on that one. I doubt youāre surprised Thrilling Living has put out another record I Love, but Iāll confirm this oneās a keeper.
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Warp: Traffic Control 12"
Warp: Traffic Control 12"
"Real punk from America's cruelest town. Hatched in 2017 via an assemblage of FLESH WORLD, MALLARD and BLANK SQUARE personnel, WARPās from-the-hip attack immediately streamlined The Bayās skulls, prompting sudsy devotion across spiked and freaked schools alike, a vibrant punk band operating amidst all the scooter-share inhumanity.
Ā
The damage spills from the central screaming dual-guitar tangle, a riff tract neighboring the elegantly bruised and dynamic AGNEW / BAIZA axis, exerting too much power for the troposphere. Rhythms twist and barrel depending on need, always leaping forward, propelling each taut composition into realms unthinkable from count-off. Tikaās smarm-centric vocal steering ā wonderfully absurdist and unreservedly pissed ā offers exactly the sort of punky exfoliation so very needed in these days of constant cringe." ā Mitch Cardwell
Ā
Thrilling Living quite gleefully presents āTraffic Controlā to an ill-prepared populace. Limited to 400 copies on black vinyl, housed in full color sleeves with a double-sided Risographed insert.
Our take: Debut vinyl from this Bay Area punk band. Warp plays music thatās right in my sweet spot, with all the catchiness of a classic punk band, the energy of a great hardcore band, and the complexity of something you could labelĀ āpost-ā something or another. Maybe Iām flattering myself since I play guitar in the band, but Warp reminds me of Sorry Stateās own No Love, particularly on tracks like āSheet Cakeā and āMakeup,ā which are both catchy but tough-sounding rather than melodic. That being said, they throw some unexpected ingredients in to the mix like the staccato anarcho rhythms on the title track and the swirling, psychedelic double-tracked guitars on the climactic closer āGoat.ā The lyrics are also brilliant, surreal yet thought-provoking. The lyrics to āTraffic Control,ā āCellophane,ā and āSheet Cakeā are worth the price of admission alone. For instance, hereās the full lyric for āCellophane:ā āStick of butter, butterball. Throw a brick of butter, butter on the wall. Broken bucket with a big ol hole. Donāt bet on a bucket thatāll never get full. Sorry, baby, heās silver cellophane.ā I used to teach a college-level introduction to poetry course, and I could haveĀ spent an entire class period on that one. I doubt youāre surprised Thrilling Living has put out another record I Love, but Iāll confirm this oneās a keeper.
Original: $20.00
-70%$20.00
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"Real punk from America's cruelest town. Hatched in 2017 via an assemblage of FLESH WORLD, MALLARD and BLANK SQUARE personnel, WARPās from-the-hip attack immediately streamlined The Bayās skulls, prompting sudsy devotion across spiked and freaked schools alike, a vibrant punk band operating amidst all the scooter-share inhumanity.
Ā
The damage spills from the central screaming dual-guitar tangle, a riff tract neighboring the elegantly bruised and dynamic AGNEW / BAIZA axis, exerting too much power for the troposphere. Rhythms twist and barrel depending on need, always leaping forward, propelling each taut composition into realms unthinkable from count-off. Tikaās smarm-centric vocal steering ā wonderfully absurdist and unreservedly pissed ā offers exactly the sort of punky exfoliation so very needed in these days of constant cringe." ā Mitch Cardwell
Ā
Thrilling Living quite gleefully presents āTraffic Controlā to an ill-prepared populace. Limited to 400 copies on black vinyl, housed in full color sleeves with a double-sided Risographed insert.
Our take: Debut vinyl from this Bay Area punk band. Warp plays music thatās right in my sweet spot, with all the catchiness of a classic punk band, the energy of a great hardcore band, and the complexity of something you could labelĀ āpost-ā something or another. Maybe Iām flattering myself since I play guitar in the band, but Warp reminds me of Sorry Stateās own No Love, particularly on tracks like āSheet Cakeā and āMakeup,ā which are both catchy but tough-sounding rather than melodic. That being said, they throw some unexpected ingredients in to the mix like the staccato anarcho rhythms on the title track and the swirling, psychedelic double-tracked guitars on the climactic closer āGoat.ā The lyrics are also brilliant, surreal yet thought-provoking. The lyrics to āTraffic Control,ā āCellophane,ā and āSheet Cakeā are worth the price of admission alone. For instance, hereās the full lyric for āCellophane:ā āStick of butter, butterball. Throw a brick of butter, butter on the wall. Broken bucket with a big ol hole. Donāt bet on a bucket thatāll never get full. Sorry, baby, heās silver cellophane.ā I used to teach a college-level introduction to poetry course, and I could haveĀ spent an entire class period on that one. I doubt youāre surprised Thrilling Living has put out another record I Love, but Iāll confirm this oneās a keeper.











