Verdict / Nightfeeder: Död à t Tyranner Split 12"
USA vs. Sweden, Nightfeeder vs. Verdict ... or maybe better to say two d-beat all star teams, common split LP, total d-beat / raw punk madness? Just imagine something like this: Consume, State Of Fear, Disrupt, Deathraid, Phalanx, Disabuse, Decrepit, Inhaste vs. Exploatör, Warcollapse, 3-Way Cum, Unarmed, TotalitÀr, No Security, Meanwhile, Krigshot, Dischange, Varoitus, Dischange, Burning Kitchen .. etc. etc.
Our take: When I saw this split announced, I was immediately like, âoh fuck⊠this is going to be really good.â The recipe here is promising: two veteran bands operating at the height of their powers, playing music thatâs very much in the same vein, but each band having their respective idiosyncrasies that give them a signature style. The pairing is inspired, but do the tracks live up to expectations? Yes, my friend, they do. In fact, I canât get over how fucking great this split is. I should probably buy two copies because I can see right now Iâm going to wear a hole in this thing, and if it doesnât land near the top of my âBest of 2026â list, it will have been a very good year for hardcore punk indeed. First up, the Nightfeeder side. I have loved every single Nightfeeder release thus far, but Iâm tempted to say the eight tracks they contribute to this split are the best thing theyâve done yet. Itâs not as if they shake up the formula. As ever, their presentation is super unpretentious, the songs light on bells and whistles and with the focus firmly on the rock-solid, meat-and-potatoes riffing. Those riffs are so perfectly constructed that it feels like they have existed for a million years, and were they arranged in the simplest possible fashionâfour of the verse riff, four of the chorus riff, repeat and stopâthe songs would already be stellar. (Especially given the absolutely perfect d-beat drumming here, which varies the tempo to keep things interesting yet never stops dripping with groove.) Nightfeeder is way, way too good to half-ass things, though. They know the meat and potatoes are the stars of the show, but the flavor can be maximized with a subtle mix of spices. I have a feeling Iâll be noticing the little touches in these songs for many months and years to come, but off the top of my head thereâs: the way the vocals sometimes devolve into inchoate scream on tracks like âClimbing the Walls;â the noisy, Discharge-style chorus on âCursed Ruins;â the âyou-think-youâre-gonna-slam-but-youâre-notâ mosh riff teases in âDragged Beneathâ and âBorn to Suffer;â the huge vocal hook in the chorus to âBorn to Suffer;â the thrashy riffing in âLifeâs Fool Pitâ (a complex song by Nightfeeder standards with a lot more parts than usual, but they fit together perfectly); the outro of âLaunch Codesâ when the drums start playing backward. Man, this shit is just PERFECT. Verdict has a lot to live up to on their side of the split, but they meet the moment and deliver what might be their best material too. While Nightfeederâs tracks lean more restrained and groovy, Verdict emphasizes speed, their tracks generally faster than Nightfeederâs, with rhythms that are unimpeachably tight, yet slightly ahead of the beat, thrillingly riding that line between chaos and control. The more crowded mix places the focus on the manic speed, but when you listen closely, you realize Verdict are also masters of the riff⊠in fact, the riffs in songs like âWar on the Streetsâ and âNever Ending Struggleâ are so prototypical that you could imagine them as Nightfeeder songs just as easily as Verdict songs. One area where Verdict is unmatched, though, is their talent for crafting breakdowns and mid-paced parts. Itâs so hard to work a breakdown into a d-beat song without sounding cheesy, but âIâm Not Built to Lastâ and âEnd All This Crapâ are textbook examples of how to do it right. And the fully mid-paced track âNarcissistic Piece of Shit?â GET THE FUCK OUT OF HERE. Iâm dead. I really canât get over how great this split is. Every time I finish a side, I think, âthis side rules!â Then I play the other side and think, âthis side rules!â Then I go back to the first side and think, âthis side rules!â Itâs an infinite loop I wouldnât mind getting lost in forever.
Product Information
Product Information
Shipping & Returns
Shipping & Returns


Verdict / Nightfeeder: Död à t Tyranner Split 12"
Verdict / Nightfeeder: Död à t Tyranner Split 12"
USA vs. Sweden, Nightfeeder vs. Verdict ... or maybe better to say two d-beat all star teams, common split LP, total d-beat / raw punk madness? Just imagine something like this: Consume, State Of Fear, Disrupt, Deathraid, Phalanx, Disabuse, Decrepit, Inhaste vs. Exploatör, Warcollapse, 3-Way Cum, Unarmed, TotalitÀr, No Security, Meanwhile, Krigshot, Dischange, Varoitus, Dischange, Burning Kitchen .. etc. etc.
Our take: When I saw this split announced, I was immediately like, âoh fuck⊠this is going to be really good.â The recipe here is promising: two veteran bands operating at the height of their powers, playing music thatâs very much in the same vein, but each band having their respective idiosyncrasies that give them a signature style. The pairing is inspired, but do the tracks live up to expectations? Yes, my friend, they do. In fact, I canât get over how fucking great this split is. I should probably buy two copies because I can see right now Iâm going to wear a hole in this thing, and if it doesnât land near the top of my âBest of 2026â list, it will have been a very good year for hardcore punk indeed. First up, the Nightfeeder side. I have loved every single Nightfeeder release thus far, but Iâm tempted to say the eight tracks they contribute to this split are the best thing theyâve done yet. Itâs not as if they shake up the formula. As ever, their presentation is super unpretentious, the songs light on bells and whistles and with the focus firmly on the rock-solid, meat-and-potatoes riffing. Those riffs are so perfectly constructed that it feels like they have existed for a million years, and were they arranged in the simplest possible fashionâfour of the verse riff, four of the chorus riff, repeat and stopâthe songs would already be stellar. (Especially given the absolutely perfect d-beat drumming here, which varies the tempo to keep things interesting yet never stops dripping with groove.) Nightfeeder is way, way too good to half-ass things, though. They know the meat and potatoes are the stars of the show, but the flavor can be maximized with a subtle mix of spices. I have a feeling Iâll be noticing the little touches in these songs for many months and years to come, but off the top of my head thereâs: the way the vocals sometimes devolve into inchoate scream on tracks like âClimbing the Walls;â the noisy, Discharge-style chorus on âCursed Ruins;â the âyou-think-youâre-gonna-slam-but-youâre-notâ mosh riff teases in âDragged Beneathâ and âBorn to Suffer;â the huge vocal hook in the chorus to âBorn to Suffer;â the thrashy riffing in âLifeâs Fool Pitâ (a complex song by Nightfeeder standards with a lot more parts than usual, but they fit together perfectly); the outro of âLaunch Codesâ when the drums start playing backward. Man, this shit is just PERFECT. Verdict has a lot to live up to on their side of the split, but they meet the moment and deliver what might be their best material too. While Nightfeederâs tracks lean more restrained and groovy, Verdict emphasizes speed, their tracks generally faster than Nightfeederâs, with rhythms that are unimpeachably tight, yet slightly ahead of the beat, thrillingly riding that line between chaos and control. The more crowded mix places the focus on the manic speed, but when you listen closely, you realize Verdict are also masters of the riff⊠in fact, the riffs in songs like âWar on the Streetsâ and âNever Ending Struggleâ are so prototypical that you could imagine them as Nightfeeder songs just as easily as Verdict songs. One area where Verdict is unmatched, though, is their talent for crafting breakdowns and mid-paced parts. Itâs so hard to work a breakdown into a d-beat song without sounding cheesy, but âIâm Not Built to Lastâ and âEnd All This Crapâ are textbook examples of how to do it right. And the fully mid-paced track âNarcissistic Piece of Shit?â GET THE FUCK OUT OF HERE. Iâm dead. I really canât get over how great this split is. Every time I finish a side, I think, âthis side rules!â Then I play the other side and think, âthis side rules!â Then I go back to the first side and think, âthis side rules!â Itâs an infinite loop I wouldnât mind getting lost in forever.
Original: $856.00
-70%$856.00
$256.80Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
USA vs. Sweden, Nightfeeder vs. Verdict ... or maybe better to say two d-beat all star teams, common split LP, total d-beat / raw punk madness? Just imagine something like this: Consume, State Of Fear, Disrupt, Deathraid, Phalanx, Disabuse, Decrepit, Inhaste vs. Exploatör, Warcollapse, 3-Way Cum, Unarmed, TotalitÀr, No Security, Meanwhile, Krigshot, Dischange, Varoitus, Dischange, Burning Kitchen .. etc. etc.
Our take: When I saw this split announced, I was immediately like, âoh fuck⊠this is going to be really good.â The recipe here is promising: two veteran bands operating at the height of their powers, playing music thatâs very much in the same vein, but each band having their respective idiosyncrasies that give them a signature style. The pairing is inspired, but do the tracks live up to expectations? Yes, my friend, they do. In fact, I canât get over how fucking great this split is. I should probably buy two copies because I can see right now Iâm going to wear a hole in this thing, and if it doesnât land near the top of my âBest of 2026â list, it will have been a very good year for hardcore punk indeed. First up, the Nightfeeder side. I have loved every single Nightfeeder release thus far, but Iâm tempted to say the eight tracks they contribute to this split are the best thing theyâve done yet. Itâs not as if they shake up the formula. As ever, their presentation is super unpretentious, the songs light on bells and whistles and with the focus firmly on the rock-solid, meat-and-potatoes riffing. Those riffs are so perfectly constructed that it feels like they have existed for a million years, and were they arranged in the simplest possible fashionâfour of the verse riff, four of the chorus riff, repeat and stopâthe songs would already be stellar. (Especially given the absolutely perfect d-beat drumming here, which varies the tempo to keep things interesting yet never stops dripping with groove.) Nightfeeder is way, way too good to half-ass things, though. They know the meat and potatoes are the stars of the show, but the flavor can be maximized with a subtle mix of spices. I have a feeling Iâll be noticing the little touches in these songs for many months and years to come, but off the top of my head thereâs: the way the vocals sometimes devolve into inchoate scream on tracks like âClimbing the Walls;â the noisy, Discharge-style chorus on âCursed Ruins;â the âyou-think-youâre-gonna-slam-but-youâre-notâ mosh riff teases in âDragged Beneathâ and âBorn to Suffer;â the huge vocal hook in the chorus to âBorn to Suffer;â the thrashy riffing in âLifeâs Fool Pitâ (a complex song by Nightfeeder standards with a lot more parts than usual, but they fit together perfectly); the outro of âLaunch Codesâ when the drums start playing backward. Man, this shit is just PERFECT. Verdict has a lot to live up to on their side of the split, but they meet the moment and deliver what might be their best material too. While Nightfeederâs tracks lean more restrained and groovy, Verdict emphasizes speed, their tracks generally faster than Nightfeederâs, with rhythms that are unimpeachably tight, yet slightly ahead of the beat, thrillingly riding that line between chaos and control. The more crowded mix places the focus on the manic speed, but when you listen closely, you realize Verdict are also masters of the riff⊠in fact, the riffs in songs like âWar on the Streetsâ and âNever Ending Struggleâ are so prototypical that you could imagine them as Nightfeeder songs just as easily as Verdict songs. One area where Verdict is unmatched, though, is their talent for crafting breakdowns and mid-paced parts. Itâs so hard to work a breakdown into a d-beat song without sounding cheesy, but âIâm Not Built to Lastâ and âEnd All This Crapâ are textbook examples of how to do it right. And the fully mid-paced track âNarcissistic Piece of Shit?â GET THE FUCK OUT OF HERE. Iâm dead. I really canât get over how great this split is. Every time I finish a side, I think, âthis side rules!â Then I play the other side and think, âthis side rules!â Then I go back to the first side and think, âthis side rules!â Itâs an infinite loop I wouldnât mind getting lost in forever.











