What if the antihero in your favorite film or book had no chance to repent, reconcile, or redeem himself? There’s no victim to rescue. There’s no evil to thwart. There’s no tyranny to turnover. Instead of saving the day against his better judgment, he just walks a Sisyphean circle of existential malaise doomed to repeat yesterday’s vices without the promise of a better tomorrow. Rather than tell this story on the screen or on the page, Uniform tell it on their fourth full-length album, Shame. The trio – Michael Berdan (vocals), Ben Greenberg (guitar, production), and Mike Sharp (drums) – strain struggle through an industrialized mill of grating guitars, warped electronics, war-torn percussion, and demonically catchy vocalizations.

“Thematically, the album is like a classic hard-boiled paperback novel without a case,” says Berdan. “It focuses on the static state of an antihero as he mulls over his life in the interim between major events, just existing in the world. At the time we were making the record, I was reading books by Raymond Chandler, James Ellroy, and Dashiell Hammet and strangely found myself identifying with the internal dialogues of characters like Sam Spade and Philip Marlowe.”

The lead-up to this moment proved just as intriguing as any of those characters’ exploits. Born in 2013, Uniform bulldozed a path to the forefront of underground music. Following Perfect World (2015) and Wake in Fright (2017), the group’s third offering, The Long Walk (2018), represented a critical high watermark. Pitchfork christened it “their most unified—and most deranged—record to date,” and The Line of Best Fit crowned them “vanguards within the genre.” In addition to touring with the likes of Deafheaven and Boris, they joined forces with The Body for a pair of collaborative albums – Mental Wounds Not Healing (2018) and Everything That Dies Someday Comes Back (2019) – as well as the live release, Live at the End of the World (2020). When it came time to pen Shame, Berdan made a conscious decision to include lyrics, marking a first.

Our take: Shame is the latest full-length from New York industrial / noise band Uniform. I haven’t followed Uniform’s discography closely… I remember liking their first album, Perfect World, but I lost track of them after that. Then last fall they played a crushing set in the middle of the afternoon at the Hopscotch music fest here in Raleigh. That set knocked me out, and I made a mental note that I should pay more attention the next time Uniform released a record. And now here we are with Shame. I’m glad Uniform got back on my radar because this record crushes. While it’s heavy and aggressive, the sensibility feels familiar to me as someone who grew up in and is still immersed in hardcore… it doesn’t feel macho, cheesy, or fall into any of the other traps that turn me off when I stray too far outside my hardcore comfort zone. That being said, Shame is remarkably diverse. “Life in Remission” has blasting parts that sound like an industrial take on Darkthrone’s classic albums, while “The Shadow of God’s Hand” centers around a doomy, Sabbathian riff, and “I Am the Cancer” is an epic space rock jam rammed through Uniform’s neo-Wax Trax filter. Elements might sound familiar, but they’re put together in interesting and often surprising ways. This isn’t typical of the stuff we hype at Sorry State, but there’s more than enough crossover to please the more adventurous among you.