Ultimate Disaster: For Progress... 12"
āFor Progressā¦ā serves as a mirror to a failing world. Continued environmental devastation, genocide, fascism, decaying civil liberties, algorithmic surveillance, new and ever-evolving weapons of the War Machine. And for what? Progress? Progress in their hands is a death sentence. Nine songs of hardcore punk in its most primal, stripped down and rawest form; channeling the ferocity and focused chaos of forebearers such as Discharge, Varukers, Disclose, et al; a stark reminder that straightforward, earsplitting cries of frustration and dissent remain vital as ever in this era of despair, as there are more reasons than ever to fight back.
Our take: Richmondās Ultimate Disaster released an excellent demo last year, but they really up the ante with For Progressā¦, their debut 12ā on Grave Mistake Records. While there are plenty of reasons to compare Ultimate Disaster to Discloseātheir heavily Discharge-inspired sound, their three-piece setup, and their strangled-sounding vocalsāthey donāt let that influence box them in, not so much expanding on Discloseās sound as whittling it down to something even more elemental. It helps that Ultimate Disaster recorded at Minimum Wage Studiosāthe same spot as Richmond hardcore classics like Wasted Timeās Futility, Government Warningās No Moderation, and Direct Controlās Farewellāwhich gives For Progress⦠a crispness you rarely hear on a raw punk record. Not only does the record sound huge, but also details like the furious guitar strumming really shine through and make the recording come alive. Typically, I like this sound when itās flying off the rails, but everything feels very considered here⦠the drums stay locked in to the tempo, and even when something crazy happens like a paint-peeling guitar overdub, the tone of the guitar and the way itās played feel very dialed in (thereās none of Kawakamiās trademark ānuclear rainā-style chaotic soloing). Ultimate Disasterās riffing and songwriting is as elegant and uncluttered as a piece of Japanese calligraphy, where each brushstroke is deliberate and functional. For Progress... is also endowed with a hookiness thatās all but unparalleled for this style of music⦠I know I already mentioned it above, but the way Ultimate Disaster fuses building-leveling power with anthemic choruses is strongly reminiscent of Wasted Timeās Futility. This is a phenomenal hardcore punk record, and another jewel in the Richmond hardcore punk sceneās heavy crown.
Product Information
Product Information
Shipping & Returns
Shipping & Returns


Ultimate Disaster: For Progress... 12"
Ultimate Disaster: For Progress... 12"
āFor Progressā¦ā serves as a mirror to a failing world. Continued environmental devastation, genocide, fascism, decaying civil liberties, algorithmic surveillance, new and ever-evolving weapons of the War Machine. And for what? Progress? Progress in their hands is a death sentence. Nine songs of hardcore punk in its most primal, stripped down and rawest form; channeling the ferocity and focused chaos of forebearers such as Discharge, Varukers, Disclose, et al; a stark reminder that straightforward, earsplitting cries of frustration and dissent remain vital as ever in this era of despair, as there are more reasons than ever to fight back.
Our take: Richmondās Ultimate Disaster released an excellent demo last year, but they really up the ante with For Progressā¦, their debut 12ā on Grave Mistake Records. While there are plenty of reasons to compare Ultimate Disaster to Discloseātheir heavily Discharge-inspired sound, their three-piece setup, and their strangled-sounding vocalsāthey donāt let that influence box them in, not so much expanding on Discloseās sound as whittling it down to something even more elemental. It helps that Ultimate Disaster recorded at Minimum Wage Studiosāthe same spot as Richmond hardcore classics like Wasted Timeās Futility, Government Warningās No Moderation, and Direct Controlās Farewellāwhich gives For Progress⦠a crispness you rarely hear on a raw punk record. Not only does the record sound huge, but also details like the furious guitar strumming really shine through and make the recording come alive. Typically, I like this sound when itās flying off the rails, but everything feels very considered here⦠the drums stay locked in to the tempo, and even when something crazy happens like a paint-peeling guitar overdub, the tone of the guitar and the way itās played feel very dialed in (thereās none of Kawakamiās trademark ānuclear rainā-style chaotic soloing). Ultimate Disasterās riffing and songwriting is as elegant and uncluttered as a piece of Japanese calligraphy, where each brushstroke is deliberate and functional. For Progress... is also endowed with a hookiness thatās all but unparalleled for this style of music⦠I know I already mentioned it above, but the way Ultimate Disaster fuses building-leveling power with anthemic choruses is strongly reminiscent of Wasted Timeās Futility. This is a phenomenal hardcore punk record, and another jewel in the Richmond hardcore punk sceneās heavy crown.
Original: $22.00
-70%$22.00
$6.60Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
āFor Progressā¦ā serves as a mirror to a failing world. Continued environmental devastation, genocide, fascism, decaying civil liberties, algorithmic surveillance, new and ever-evolving weapons of the War Machine. And for what? Progress? Progress in their hands is a death sentence. Nine songs of hardcore punk in its most primal, stripped down and rawest form; channeling the ferocity and focused chaos of forebearers such as Discharge, Varukers, Disclose, et al; a stark reminder that straightforward, earsplitting cries of frustration and dissent remain vital as ever in this era of despair, as there are more reasons than ever to fight back.
Our take: Richmondās Ultimate Disaster released an excellent demo last year, but they really up the ante with For Progressā¦, their debut 12ā on Grave Mistake Records. While there are plenty of reasons to compare Ultimate Disaster to Discloseātheir heavily Discharge-inspired sound, their three-piece setup, and their strangled-sounding vocalsāthey donāt let that influence box them in, not so much expanding on Discloseās sound as whittling it down to something even more elemental. It helps that Ultimate Disaster recorded at Minimum Wage Studiosāthe same spot as Richmond hardcore classics like Wasted Timeās Futility, Government Warningās No Moderation, and Direct Controlās Farewellāwhich gives For Progress⦠a crispness you rarely hear on a raw punk record. Not only does the record sound huge, but also details like the furious guitar strumming really shine through and make the recording come alive. Typically, I like this sound when itās flying off the rails, but everything feels very considered here⦠the drums stay locked in to the tempo, and even when something crazy happens like a paint-peeling guitar overdub, the tone of the guitar and the way itās played feel very dialed in (thereās none of Kawakamiās trademark ānuclear rainā-style chaotic soloing). Ultimate Disasterās riffing and songwriting is as elegant and uncluttered as a piece of Japanese calligraphy, where each brushstroke is deliberate and functional. For Progress... is also endowed with a hookiness thatās all but unparalleled for this style of music⦠I know I already mentioned it above, but the way Ultimate Disaster fuses building-leveling power with anthemic choruses is strongly reminiscent of Wasted Timeās Futility. This is a phenomenal hardcore punk record, and another jewel in the Richmond hardcore punk sceneās heavy crown.











