The Pathetx: 1981 12"
Third Man Records is proud to announce the first-ever release of The Pathetx - 1981. Clocking in at 18:16 minutes, available in standard black and limited edition colored vinyl 12â 45rpm versions.
The formation of the Pathetx began in 1980 with singer, Mark Leavitt, and guitarist, Greg Kutcher. They had been playing together in their basements for a while and were looking to get out on stage in the punk clubs in and around Detroit. They assembled the rest of the group, drummer Ted Meek, guitarist happy Tom McHenry and 16 year old bass player Mick Nasty, through newspaper ads, local âpunk wallsâ and music stores. The Pathetx took their inspiration from the West Coast punk scene that was happening at the time, bands like The Germs, Black Flag and Dead Kennedys, as opposed to most of the other punk bands that were kicking around Detroit who were looking to The Stooges and MC5 to show them the way. Nunzioâs was the bandâs unofficial home away from home but they played every legendary punk club in the area: Bookies Club 870, Freezer Theater, Red Carpet, Windsorâs Coronation Tavern...you name it, The Pathetx played it. They shared the stage with Detroitâs first wave punk bands as well as the superstars of this new hardcore thing that was happening. They played the legendary Endless Summer Skatepark show with Necros, Negative Approach and Meatmen. Their live shows were filled with beer, blood and pogos.
Our take: Third Man Records has done DIY punk and hardcore junkies a solid by reissuing (or, rather, issuing, since the Pathetx never had a release back in the day) this 1981 Detroit ripper. While, according to their bio, the Pathetx played the same Detroit venues as the more well-documented bands that emerged from the area like the Necros and Negative Approach (and even shared bills with them), I canât recall hearing about them before. If they were in Tony Rettmanâs excellent Why Be Something That Youâre Not book, then I didnât bother to store that information in my memory banks. Thatâs all water under the bridge, though, because Iâm stoked to hear this now. With a sound inspired by the first wave of west coast hardcore bands (in particular the Germs), the Pathetx fall on that perfect line between late 70s punk and first-generation hardcore. While theyâre starting to incorporate the faster tempos and dramatic chord changes of hardcore (particularly the Fixâs rough but tuneful sound), theyâre still writing songs rooted in the rock-and-roll tradition of the â77-era bands, particularly from the UK. The recording here is also similar to the Fixâs singles, stark but rich and powerful. This record could have worked just as well on the Radio Raheem label, but Third Manâs quality control and attention to detail are just as strong. 1981 is a top recommendation for early 80s punk junkies.
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The Pathetx: 1981 12"
The Pathetx: 1981 12"
Third Man Records is proud to announce the first-ever release of The Pathetx - 1981. Clocking in at 18:16 minutes, available in standard black and limited edition colored vinyl 12â 45rpm versions.
The formation of the Pathetx began in 1980 with singer, Mark Leavitt, and guitarist, Greg Kutcher. They had been playing together in their basements for a while and were looking to get out on stage in the punk clubs in and around Detroit. They assembled the rest of the group, drummer Ted Meek, guitarist happy Tom McHenry and 16 year old bass player Mick Nasty, through newspaper ads, local âpunk wallsâ and music stores. The Pathetx took their inspiration from the West Coast punk scene that was happening at the time, bands like The Germs, Black Flag and Dead Kennedys, as opposed to most of the other punk bands that were kicking around Detroit who were looking to The Stooges and MC5 to show them the way. Nunzioâs was the bandâs unofficial home away from home but they played every legendary punk club in the area: Bookies Club 870, Freezer Theater, Red Carpet, Windsorâs Coronation Tavern...you name it, The Pathetx played it. They shared the stage with Detroitâs first wave punk bands as well as the superstars of this new hardcore thing that was happening. They played the legendary Endless Summer Skatepark show with Necros, Negative Approach and Meatmen. Their live shows were filled with beer, blood and pogos.
Our take: Third Man Records has done DIY punk and hardcore junkies a solid by reissuing (or, rather, issuing, since the Pathetx never had a release back in the day) this 1981 Detroit ripper. While, according to their bio, the Pathetx played the same Detroit venues as the more well-documented bands that emerged from the area like the Necros and Negative Approach (and even shared bills with them), I canât recall hearing about them before. If they were in Tony Rettmanâs excellent Why Be Something That Youâre Not book, then I didnât bother to store that information in my memory banks. Thatâs all water under the bridge, though, because Iâm stoked to hear this now. With a sound inspired by the first wave of west coast hardcore bands (in particular the Germs), the Pathetx fall on that perfect line between late 70s punk and first-generation hardcore. While theyâre starting to incorporate the faster tempos and dramatic chord changes of hardcore (particularly the Fixâs rough but tuneful sound), theyâre still writing songs rooted in the rock-and-roll tradition of the â77-era bands, particularly from the UK. The recording here is also similar to the Fixâs singles, stark but rich and powerful. This record could have worked just as well on the Radio Raheem label, but Third Manâs quality control and attention to detail are just as strong. 1981 is a top recommendation for early 80s punk junkies.
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
Third Man Records is proud to announce the first-ever release of The Pathetx - 1981. Clocking in at 18:16 minutes, available in standard black and limited edition colored vinyl 12â 45rpm versions.
The formation of the Pathetx began in 1980 with singer, Mark Leavitt, and guitarist, Greg Kutcher. They had been playing together in their basements for a while and were looking to get out on stage in the punk clubs in and around Detroit. They assembled the rest of the group, drummer Ted Meek, guitarist happy Tom McHenry and 16 year old bass player Mick Nasty, through newspaper ads, local âpunk wallsâ and music stores. The Pathetx took their inspiration from the West Coast punk scene that was happening at the time, bands like The Germs, Black Flag and Dead Kennedys, as opposed to most of the other punk bands that were kicking around Detroit who were looking to The Stooges and MC5 to show them the way. Nunzioâs was the bandâs unofficial home away from home but they played every legendary punk club in the area: Bookies Club 870, Freezer Theater, Red Carpet, Windsorâs Coronation Tavern...you name it, The Pathetx played it. They shared the stage with Detroitâs first wave punk bands as well as the superstars of this new hardcore thing that was happening. They played the legendary Endless Summer Skatepark show with Necros, Negative Approach and Meatmen. Their live shows were filled with beer, blood and pogos.
Our take: Third Man Records has done DIY punk and hardcore junkies a solid by reissuing (or, rather, issuing, since the Pathetx never had a release back in the day) this 1981 Detroit ripper. While, according to their bio, the Pathetx played the same Detroit venues as the more well-documented bands that emerged from the area like the Necros and Negative Approach (and even shared bills with them), I canât recall hearing about them before. If they were in Tony Rettmanâs excellent Why Be Something That Youâre Not book, then I didnât bother to store that information in my memory banks. Thatâs all water under the bridge, though, because Iâm stoked to hear this now. With a sound inspired by the first wave of west coast hardcore bands (in particular the Germs), the Pathetx fall on that perfect line between late 70s punk and first-generation hardcore. While theyâre starting to incorporate the faster tempos and dramatic chord changes of hardcore (particularly the Fixâs rough but tuneful sound), theyâre still writing songs rooted in the rock-and-roll tradition of the â77-era bands, particularly from the UK. The recording here is also similar to the Fixâs singles, stark but rich and powerful. This record could have worked just as well on the Radio Raheem label, but Third Manâs quality control and attention to detail are just as strong. 1981 is a top recommendation for early 80s punk junkies.











