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The Dweebs: Goes Without Saying 7"
THE DWEEBS is tightly-wound, neurotic people playing tightly-wound, neurotic music and by the time this 10 minute āfull lengthā epic comes to an end you might be feeling the same way too. Itās easy to see why THE DWEEBS are the baby angels of south west hardcore, once they start up - THE DWEEBS donāt stop. These ten songs are relentless. They will blast you to smithereens. The Dweebs are aggro-nerds and Iām not talking about the goddamn DESCENDENTS here - THE DWEEBS are channelling the spirit of first wave EMOTIONAL HARDCORE (Dweeb Nasty, Rites of Dweeb, and Gray Dweeb Matter) and jacking it with some classic Youth Crew JUICE. With songs faster and more pummelling than any regular dweeb-on-the-streets could handle, and the production is blown out and blasty (kinda like what Bootlicker are doing). If youāre a fan of classic hardcore and moving around erratically then THE DWEEBS is speaking your love-language. On a more personal note - the drumming on this record is perfect: itās total carnage, but delivered with absolute control and power at top speedsā¦ but manages to retain an element of sketchiness that makes it so good. - Hamish
Our take: This debut from the UKās the Dweebs is a total scorcher. Even though the Dweebs dabble in styles that rarely do much for me, their energy, speed, and power win me over. To me, the Dweebs have a lot of Can I Say-era Dag Nasty in their sound, but theyāre way faster and punkierā¦ imagine if Dag Nasty started early enough to have tracks on Flex Your Head and they might have sounded something like this. The drums are right up front and blaring in your face just like on those early Dischord recordings. Thereās also some youth crew in the mix; while thereās only one breakdown, something about the vocalistās clean shout makes me think of bands like Turning Point. The songs, though, are so short and punchy and delivered with so much speed and dexterity that a Career Suicide comparison wouldnāt be out of line. I also love that, while the Dweebsā sound has so many reference points, their visual aesthetic doesnāt rely on cliches. Like I said, this might be slightly outside Sorry Stateās wheelhouse, but itās so ripping I canāt help loving it.
Our take: This debut from the UKās the Dweebs is a total scorcher. Even though the Dweebs dabble in styles that rarely do much for me, their energy, speed, and power win me over. To me, the Dweebs have a lot of Can I Say-era Dag Nasty in their sound, but theyāre way faster and punkierā¦ imagine if Dag Nasty started early enough to have tracks on Flex Your Head and they might have sounded something like this. The drums are right up front and blaring in your face just like on those early Dischord recordings. Thereās also some youth crew in the mix; while thereās only one breakdown, something about the vocalistās clean shout makes me think of bands like Turning Point. The songs, though, are so short and punchy and delivered with so much speed and dexterity that a Career Suicide comparison wouldnāt be out of line. I also love that, while the Dweebsā sound has so many reference points, their visual aesthetic doesnāt rely on cliches. Like I said, this might be slightly outside Sorry Stateās wheelhouse, but itās so ripping I canāt help loving it.
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The Dweebs: Goes Without Saying 7"
The Dweebs: Goes Without Saying 7"
THE DWEEBS is tightly-wound, neurotic people playing tightly-wound, neurotic music and by the time this 10 minute āfull lengthā epic comes to an end you might be feeling the same way too. Itās easy to see why THE DWEEBS are the baby angels of south west hardcore, once they start up - THE DWEEBS donāt stop. These ten songs are relentless. They will blast you to smithereens. The Dweebs are aggro-nerds and Iām not talking about the goddamn DESCENDENTS here - THE DWEEBS are channelling the spirit of first wave EMOTIONAL HARDCORE (Dweeb Nasty, Rites of Dweeb, and Gray Dweeb Matter) and jacking it with some classic Youth Crew JUICE. With songs faster and more pummelling than any regular dweeb-on-the-streets could handle, and the production is blown out and blasty (kinda like what Bootlicker are doing). If youāre a fan of classic hardcore and moving around erratically then THE DWEEBS is speaking your love-language. On a more personal note - the drumming on this record is perfect: itās total carnage, but delivered with absolute control and power at top speedsā¦ but manages to retain an element of sketchiness that makes it so good. - Hamish
Our take: This debut from the UKās the Dweebs is a total scorcher. Even though the Dweebs dabble in styles that rarely do much for me, their energy, speed, and power win me over. To me, the Dweebs have a lot of Can I Say-era Dag Nasty in their sound, but theyāre way faster and punkierā¦ imagine if Dag Nasty started early enough to have tracks on Flex Your Head and they might have sounded something like this. The drums are right up front and blaring in your face just like on those early Dischord recordings. Thereās also some youth crew in the mix; while thereās only one breakdown, something about the vocalistās clean shout makes me think of bands like Turning Point. The songs, though, are so short and punchy and delivered with so much speed and dexterity that a Career Suicide comparison wouldnāt be out of line. I also love that, while the Dweebsā sound has so many reference points, their visual aesthetic doesnāt rely on cliches. Like I said, this might be slightly outside Sorry Stateās wheelhouse, but itās so ripping I canāt help loving it.
Our take: This debut from the UKās the Dweebs is a total scorcher. Even though the Dweebs dabble in styles that rarely do much for me, their energy, speed, and power win me over. To me, the Dweebs have a lot of Can I Say-era Dag Nasty in their sound, but theyāre way faster and punkierā¦ imagine if Dag Nasty started early enough to have tracks on Flex Your Head and they might have sounded something like this. The drums are right up front and blaring in your face just like on those early Dischord recordings. Thereās also some youth crew in the mix; while thereās only one breakdown, something about the vocalistās clean shout makes me think of bands like Turning Point. The songs, though, are so short and punchy and delivered with so much speed and dexterity that a Career Suicide comparison wouldnāt be out of line. I also love that, while the Dweebsā sound has so many reference points, their visual aesthetic doesnāt rely on cliches. Like I said, this might be slightly outside Sorry Stateās wheelhouse, but itās so ripping I canāt help loving it.
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THE DWEEBS is tightly-wound, neurotic people playing tightly-wound, neurotic music and by the time this 10 minute āfull lengthā epic comes to an end you might be feeling the same way too. Itās easy to see why THE DWEEBS are the baby angels of south west hardcore, once they start up - THE DWEEBS donāt stop. These ten songs are relentless. They will blast you to smithereens. The Dweebs are aggro-nerds and Iām not talking about the goddamn DESCENDENTS here - THE DWEEBS are channelling the spirit of first wave EMOTIONAL HARDCORE (Dweeb Nasty, Rites of Dweeb, and Gray Dweeb Matter) and jacking it with some classic Youth Crew JUICE. With songs faster and more pummelling than any regular dweeb-on-the-streets could handle, and the production is blown out and blasty (kinda like what Bootlicker are doing). If youāre a fan of classic hardcore and moving around erratically then THE DWEEBS is speaking your love-language. On a more personal note - the drumming on this record is perfect: itās total carnage, but delivered with absolute control and power at top speedsā¦ but manages to retain an element of sketchiness that makes it so good. - Hamish
Our take: This debut from the UKās the Dweebs is a total scorcher. Even though the Dweebs dabble in styles that rarely do much for me, their energy, speed, and power win me over. To me, the Dweebs have a lot of Can I Say-era Dag Nasty in their sound, but theyāre way faster and punkierā¦ imagine if Dag Nasty started early enough to have tracks on Flex Your Head and they might have sounded something like this. The drums are right up front and blaring in your face just like on those early Dischord recordings. Thereās also some youth crew in the mix; while thereās only one breakdown, something about the vocalistās clean shout makes me think of bands like Turning Point. The songs, though, are so short and punchy and delivered with so much speed and dexterity that a Career Suicide comparison wouldnāt be out of line. I also love that, while the Dweebsā sound has so many reference points, their visual aesthetic doesnāt rely on cliches. Like I said, this might be slightly outside Sorry Stateās wheelhouse, but itās so ripping I canāt help loving it.
Our take: This debut from the UKās the Dweebs is a total scorcher. Even though the Dweebs dabble in styles that rarely do much for me, their energy, speed, and power win me over. To me, the Dweebs have a lot of Can I Say-era Dag Nasty in their sound, but theyāre way faster and punkierā¦ imagine if Dag Nasty started early enough to have tracks on Flex Your Head and they might have sounded something like this. The drums are right up front and blaring in your face just like on those early Dischord recordings. Thereās also some youth crew in the mix; while thereās only one breakdown, something about the vocalistās clean shout makes me think of bands like Turning Point. The songs, though, are so short and punchy and delivered with so much speed and dexterity that a Career Suicide comparison wouldnāt be out of line. I also love that, while the Dweebsā sound has so many reference points, their visual aesthetic doesnāt rely on cliches. Like I said, this might be slightly outside Sorry Stateās wheelhouse, but itās so ripping I canāt help loving it.
