Note: This is a pre-order. These shirts are being printed to order and are expected to ship in mid-February 2025. If your order includes this item, the entire order won't ship until it's in stock.

Sorry State Records is proud to present Fred, the unreleased 1986 EP from Winston-Salem, North Carolina’s Subculture. Recorded the year after their 1985 debut, I Heard a Scream, the six tracks that comprise Fred were left uncompleted and shelved when the band broke up later that year. While a rough mix has circulated among tape traders, Fred presents these songs in their finished form for the first time, remixed from the original multi-track tapes by John Pfiffner and mastered by Brent Lambert at the Kitchen. Compared to I Heard a Scream, the version of Subculture we hear on Fred features a fleshed-out lineup with nearly two years of additional musical (though not necessarily social) maturity. Subculture spent the time between IHAS and Fred rehearsing and gigging obsessively, and consequently Fred is a more ambitious and musically accomplished set of songs. Fred also reflects the influence of the crossover scene blossoming at the time with D.R.I. and (especially) hometown heroes and mentors Corrosion of Conformity. Fans of C.O.C.’s Animosity will flip for Fred’s lurching and lunging rhythms, and while “Bad Desperation” finds Subculture at their fastest and most vicious, the closing “KC Comes to Town” exhibits the sense of humor that made Subculture perfect touring companions for NOFX in the 80s.

Fred is dedicated to the memory of Subculture guitarist Fred Hutchinson, who passed away in 2023. Fred’s sense of humor made him a beloved band member and tourmate, and his restless musicality and metal chops helped define Subculture’s sound on Fred. The band’s proceeds from the album Fred will go to Fred Hutchinson’s family—with love and remembrance.

The vinyl for Fred includes a lyric insert and 24”x36” poster, with a limited edition version on green vinyl only available from Sorry State. Alongside Fred, Sorry State is also doing the first-ever official reprint of Subculture’s I Heard a Scream t-shirt, as seen in countless photos from the 80s North Carolina hardcore scene.

“Subculture were one of the only hardcore bands that blew NOFX off the stage… not only that… but they were the ones that named me Fat Mike!!!! Jerks!”
Fat Mike (NOFX)

“Subculture were early pioneers of the philosophy that humor and fun are a great substitute for talent, an interpretation my band shared.”
Erik Melvin (NOFX)

“Subculture… straight outta Winston Salem. NC’s finest… these guys were silly, fun, goofy, but great. This record is a great slice of the Raleigh punk rock scene. Only took 40 years, but better late than never. I hope this makes you smile as much as I did.”
John Kastner (Asexuals / Doughboys)

“Without Subculture, the Squirrel Nut Zippers would not have had their secret ingredient: a punk rock drummer!”
Jimbo Mathus (Squirrel Nut Zippers)

“I left the drummer a message on the phone once. That’s all I’ll say.”
Rudy Ray Moore

“Possibly the best hardcore band to come from the North Carolina scene. Fierce, mind blowing riffs and thundering drums.”
Chris Phillips (Subculture)

“Matt Smith’s guitar playing is otherworldly. He played like his rectum depended on it.”
Matt Smith (Subculture)