Ohyda: Koszmar 12"
Sophomore release by Lublinās OHYDA. Picking up where their Self Titled LP left in 2016 their new 12ā ups the feedback, aggression and psychedelic infused hardcore of their previous release to new levels. Sonically OHYDA are dark and anthemic, with a ferocious guitar tone and delay vocals backed up by a extremely solid rhythm section. Not afraid of riffs or creating atmospheric passages leading to explosions of noise full of nightmarish visions of the current world. Imagine ABADDON meeting HAWKWIND at Jarocin festival then using CRESSās gear to write an album of distorted quasi industrial hardcore. I want to think that if the class of 1984 Polish hardcore had dreamed of what the future would sound it will be close to Koszmar.
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Ohyda: Koszmar 12"
Ohyda: Koszmar 12"
Sophomore release by Lublinās OHYDA. Picking up where their Self Titled LP left in 2016 their new 12ā ups the feedback, aggression and psychedelic infused hardcore of their previous release to new levels. Sonically OHYDA are dark and anthemic, with a ferocious guitar tone and delay vocals backed up by a extremely solid rhythm section. Not afraid of riffs or creating atmospheric passages leading to explosions of noise full of nightmarish visions of the current world. Imagine ABADDON meeting HAWKWIND at Jarocin festival then using CRESSās gear to write an album of distorted quasi industrial hardcore. I want to think that if the class of 1984 Polish hardcore had dreamed of what the future would sound it will be close to Koszmar.
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Description
Sophomore release by Lublinās OHYDA. Picking up where their Self Titled LP left in 2016 their new 12ā ups the feedback, aggression and psychedelic infused hardcore of their previous release to new levels. Sonically OHYDA are dark and anthemic, with a ferocious guitar tone and delay vocals backed up by a extremely solid rhythm section. Not afraid of riffs or creating atmospheric passages leading to explosions of noise full of nightmarish visions of the current world. Imagine ABADDON meeting HAWKWIND at Jarocin festival then using CRESSās gear to write an album of distorted quasi industrial hardcore. I want to think that if the class of 1984 Polish hardcore had dreamed of what the future would sound it will be close to Koszmar.











