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Nightfeeder: Disgustor 7"
Our take: The latest self-released record from this Seattle band has arrived, and it feels like a slight departure from their earlier records. This reference never occurred to me when I was listening incessantly to Nightfeederâs previous releases, but I feel like the band must have modeled Disgustor on the Misfitsâ classic singles. Obviously thereâs the horror movie-inspired artwork, but thereâs also the recordâs format, a three-song single with an anthemic a-side and two b-side tracks that expand and extend the vibe, which makes me think of the Misfitsâ 3 Hits from Hell Horror Business, and Night of the Living Dead. The title track even reminds me of âLondon Dungeonâ with its creepy crawly tempo and big vocal hook in the chorus. Itâs still hardcore as itâs heavy and intense, but rather than the song being built around riffs, the guitars lay down a distinctive chord progression and leave plenty of room for the vocalist to be the star of the show. The two tracks on the b-side are more straightforward hardcore, but they are similarly thick with vibes. I would have been perfectly happy if Nightfeeder had simply given us more of the same, but on Disgustor, they show us theyâre still challenging themselves and their listeners.
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Nightfeeder: Disgustor 7"
Nightfeeder: Disgustor 7"
Our take: The latest self-released record from this Seattle band has arrived, and it feels like a slight departure from their earlier records. This reference never occurred to me when I was listening incessantly to Nightfeederâs previous releases, but I feel like the band must have modeled Disgustor on the Misfitsâ classic singles. Obviously thereâs the horror movie-inspired artwork, but thereâs also the recordâs format, a three-song single with an anthemic a-side and two b-side tracks that expand and extend the vibe, which makes me think of the Misfitsâ 3 Hits from Hell Horror Business, and Night of the Living Dead. The title track even reminds me of âLondon Dungeonâ with its creepy crawly tempo and big vocal hook in the chorus. Itâs still hardcore as itâs heavy and intense, but rather than the song being built around riffs, the guitars lay down a distinctive chord progression and leave plenty of room for the vocalist to be the star of the show. The two tracks on the b-side are more straightforward hardcore, but they are similarly thick with vibes. I would have been perfectly happy if Nightfeeder had simply given us more of the same, but on Disgustor, they show us theyâre still challenging themselves and their listeners.
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$11.00
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Our take: The latest self-released record from this Seattle band has arrived, and it feels like a slight departure from their earlier records. This reference never occurred to me when I was listening incessantly to Nightfeederâs previous releases, but I feel like the band must have modeled Disgustor on the Misfitsâ classic singles. Obviously thereâs the horror movie-inspired artwork, but thereâs also the recordâs format, a three-song single with an anthemic a-side and two b-side tracks that expand and extend the vibe, which makes me think of the Misfitsâ 3 Hits from Hell Horror Business, and Night of the Living Dead. The title track even reminds me of âLondon Dungeonâ with its creepy crawly tempo and big vocal hook in the chorus. Itâs still hardcore as itâs heavy and intense, but rather than the song being built around riffs, the guitars lay down a distinctive chord progression and leave plenty of room for the vocalist to be the star of the show. The two tracks on the b-side are more straightforward hardcore, but they are similarly thick with vibes. I would have been perfectly happy if Nightfeeder had simply given us more of the same, but on Disgustor, they show us theyâre still challenging themselves and their listeners.











