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Maraudeur: Puissance 4 12"
What is going on with this German band? There are five members, but Maraudeur plays paper-thin post-punk as if it were a short-scale power trio. Some songs are en français, others auf Deutsch, some English. Mostly, Puissance 4's lack of standard post-punk signifiers just takes me to post-punk's raison d'ĂȘtre: to reconfigure, mutate and spark. Much like Palberta's excellent Palberta 5000, this is very much its own thing. -Lars Gotrich (NPR/Bandcamp)
Truly a cool DIY package! Housed in a printed, die-cut DJ sleeve with A3 riso printed outer wrap, insert, and download code.
Our take: The first time I listened to Puissance, the debut record from Germanyâs Maraudeur, I liked it immediately. Itâs a style that feels like comfort food to me, bass-forward post-punk with nervous, herky-jerky rhythms, deadpan vocals, and an assortment of plucked guitar notes and synth swooshes occupying the higher frequency range. Not everything I hear in this vein sticks with me, but I kept returning to Puissance. There was a complexity there, something I couldnât grasp with a few cursory listens. Further examination revealed a clear climax at Puissanceâs center, with the last track on the a-side, âSlow Dress,â and the first track on the b-side, âT.W.Y.W.Y.S.,â standing out from the pack (though, in retrospect, I wonder if these songs just stood out to me because their lyrics are in English). Maraudeur builds âSlow Dressâ around a slinky bass groove that sounds straight off of Wireâs 154, but itâs the lyrics that intrigue me. The singer keeps repeating, âslow dress⊠where is the slit?â (at least I think thatâs what theyâre saying⊠they donât include lyrics with the LP). I find that lyric so evocative. What is a slow dress? Is it a dress without a slit that forces you to walk slowly? I love that this little slice of life detail is transformed by repetition into a strange incantation, a strategy the Fall (perhaps my favorite band ever) leaned on often. A restrictive dress that makes it hard to move makes me think the singer is at some sort of formal event, and I canât help but wonder why is this punk singer wearing a fancy ball gown? None of this is in the song as far as I can tell, but it indicates how Maraudeur gets my mind racing. âT.W.Y.W.Y.S.â also leans on repetition, with its refrain of âthe way you wear your scarfâ forming the backbone of another evocative tale of what happens in a personâs mind as they find someone attractive and then wrestle neurotically with the implications of that feeling. The music is just as evocative as the lyrics, too. âT.W.Y.W.Y.S.â stands out as the brightest and poppiest song on Puissance, but when you listen, you realize the chords are not what you expect them to be⊠theyâre fucked up and unexpected, yet that pop sugar rush still finds its way through the dissonance. Iâm bummed that I donât speak French well or German at all, because it probably means Iâm missing out on great lyrics for the songs in those languages, but at least I can understand what Maraudeur is saying in the universal language.
Truly a cool DIY package! Housed in a printed, die-cut DJ sleeve with A3 riso printed outer wrap, insert, and download code.
Our take: The first time I listened to Puissance, the debut record from Germanyâs Maraudeur, I liked it immediately. Itâs a style that feels like comfort food to me, bass-forward post-punk with nervous, herky-jerky rhythms, deadpan vocals, and an assortment of plucked guitar notes and synth swooshes occupying the higher frequency range. Not everything I hear in this vein sticks with me, but I kept returning to Puissance. There was a complexity there, something I couldnât grasp with a few cursory listens. Further examination revealed a clear climax at Puissanceâs center, with the last track on the a-side, âSlow Dress,â and the first track on the b-side, âT.W.Y.W.Y.S.,â standing out from the pack (though, in retrospect, I wonder if these songs just stood out to me because their lyrics are in English). Maraudeur builds âSlow Dressâ around a slinky bass groove that sounds straight off of Wireâs 154, but itâs the lyrics that intrigue me. The singer keeps repeating, âslow dress⊠where is the slit?â (at least I think thatâs what theyâre saying⊠they donât include lyrics with the LP). I find that lyric so evocative. What is a slow dress? Is it a dress without a slit that forces you to walk slowly? I love that this little slice of life detail is transformed by repetition into a strange incantation, a strategy the Fall (perhaps my favorite band ever) leaned on often. A restrictive dress that makes it hard to move makes me think the singer is at some sort of formal event, and I canât help but wonder why is this punk singer wearing a fancy ball gown? None of this is in the song as far as I can tell, but it indicates how Maraudeur gets my mind racing. âT.W.Y.W.Y.S.â also leans on repetition, with its refrain of âthe way you wear your scarfâ forming the backbone of another evocative tale of what happens in a personâs mind as they find someone attractive and then wrestle neurotically with the implications of that feeling. The music is just as evocative as the lyrics, too. âT.W.Y.W.Y.S.â stands out as the brightest and poppiest song on Puissance, but when you listen, you realize the chords are not what you expect them to be⊠theyâre fucked up and unexpected, yet that pop sugar rush still finds its way through the dissonance. Iâm bummed that I donât speak French well or German at all, because it probably means Iâm missing out on great lyrics for the songs in those languages, but at least I can understand what Maraudeur is saying in the universal language.
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Maraudeur: Puissance 4 12"
Maraudeur: Puissance 4 12"
What is going on with this German band? There are five members, but Maraudeur plays paper-thin post-punk as if it were a short-scale power trio. Some songs are en français, others auf Deutsch, some English. Mostly, Puissance 4's lack of standard post-punk signifiers just takes me to post-punk's raison d'ĂȘtre: to reconfigure, mutate and spark. Much like Palberta's excellent Palberta 5000, this is very much its own thing. -Lars Gotrich (NPR/Bandcamp)
Truly a cool DIY package! Housed in a printed, die-cut DJ sleeve with A3 riso printed outer wrap, insert, and download code.
Our take: The first time I listened to Puissance, the debut record from Germanyâs Maraudeur, I liked it immediately. Itâs a style that feels like comfort food to me, bass-forward post-punk with nervous, herky-jerky rhythms, deadpan vocals, and an assortment of plucked guitar notes and synth swooshes occupying the higher frequency range. Not everything I hear in this vein sticks with me, but I kept returning to Puissance. There was a complexity there, something I couldnât grasp with a few cursory listens. Further examination revealed a clear climax at Puissanceâs center, with the last track on the a-side, âSlow Dress,â and the first track on the b-side, âT.W.Y.W.Y.S.,â standing out from the pack (though, in retrospect, I wonder if these songs just stood out to me because their lyrics are in English). Maraudeur builds âSlow Dressâ around a slinky bass groove that sounds straight off of Wireâs 154, but itâs the lyrics that intrigue me. The singer keeps repeating, âslow dress⊠where is the slit?â (at least I think thatâs what theyâre saying⊠they donât include lyrics with the LP). I find that lyric so evocative. What is a slow dress? Is it a dress without a slit that forces you to walk slowly? I love that this little slice of life detail is transformed by repetition into a strange incantation, a strategy the Fall (perhaps my favorite band ever) leaned on often. A restrictive dress that makes it hard to move makes me think the singer is at some sort of formal event, and I canât help but wonder why is this punk singer wearing a fancy ball gown? None of this is in the song as far as I can tell, but it indicates how Maraudeur gets my mind racing. âT.W.Y.W.Y.S.â also leans on repetition, with its refrain of âthe way you wear your scarfâ forming the backbone of another evocative tale of what happens in a personâs mind as they find someone attractive and then wrestle neurotically with the implications of that feeling. The music is just as evocative as the lyrics, too. âT.W.Y.W.Y.S.â stands out as the brightest and poppiest song on Puissance, but when you listen, you realize the chords are not what you expect them to be⊠theyâre fucked up and unexpected, yet that pop sugar rush still finds its way through the dissonance. Iâm bummed that I donât speak French well or German at all, because it probably means Iâm missing out on great lyrics for the songs in those languages, but at least I can understand what Maraudeur is saying in the universal language.
Truly a cool DIY package! Housed in a printed, die-cut DJ sleeve with A3 riso printed outer wrap, insert, and download code.
Our take: The first time I listened to Puissance, the debut record from Germanyâs Maraudeur, I liked it immediately. Itâs a style that feels like comfort food to me, bass-forward post-punk with nervous, herky-jerky rhythms, deadpan vocals, and an assortment of plucked guitar notes and synth swooshes occupying the higher frequency range. Not everything I hear in this vein sticks with me, but I kept returning to Puissance. There was a complexity there, something I couldnât grasp with a few cursory listens. Further examination revealed a clear climax at Puissanceâs center, with the last track on the a-side, âSlow Dress,â and the first track on the b-side, âT.W.Y.W.Y.S.,â standing out from the pack (though, in retrospect, I wonder if these songs just stood out to me because their lyrics are in English). Maraudeur builds âSlow Dressâ around a slinky bass groove that sounds straight off of Wireâs 154, but itâs the lyrics that intrigue me. The singer keeps repeating, âslow dress⊠where is the slit?â (at least I think thatâs what theyâre saying⊠they donât include lyrics with the LP). I find that lyric so evocative. What is a slow dress? Is it a dress without a slit that forces you to walk slowly? I love that this little slice of life detail is transformed by repetition into a strange incantation, a strategy the Fall (perhaps my favorite band ever) leaned on often. A restrictive dress that makes it hard to move makes me think the singer is at some sort of formal event, and I canât help but wonder why is this punk singer wearing a fancy ball gown? None of this is in the song as far as I can tell, but it indicates how Maraudeur gets my mind racing. âT.W.Y.W.Y.S.â also leans on repetition, with its refrain of âthe way you wear your scarfâ forming the backbone of another evocative tale of what happens in a personâs mind as they find someone attractive and then wrestle neurotically with the implications of that feeling. The music is just as evocative as the lyrics, too. âT.W.Y.W.Y.S.â stands out as the brightest and poppiest song on Puissance, but when you listen, you realize the chords are not what you expect them to be⊠theyâre fucked up and unexpected, yet that pop sugar rush still finds its way through the dissonance. Iâm bummed that I donât speak French well or German at all, because it probably means Iâm missing out on great lyrics for the songs in those languages, but at least I can understand what Maraudeur is saying in the universal language.
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Description
What is going on with this German band? There are five members, but Maraudeur plays paper-thin post-punk as if it were a short-scale power trio. Some songs are en français, others auf Deutsch, some English. Mostly, Puissance 4's lack of standard post-punk signifiers just takes me to post-punk's raison d'ĂȘtre: to reconfigure, mutate and spark. Much like Palberta's excellent Palberta 5000, this is very much its own thing. -Lars Gotrich (NPR/Bandcamp)
Truly a cool DIY package! Housed in a printed, die-cut DJ sleeve with A3 riso printed outer wrap, insert, and download code.
Our take: The first time I listened to Puissance, the debut record from Germanyâs Maraudeur, I liked it immediately. Itâs a style that feels like comfort food to me, bass-forward post-punk with nervous, herky-jerky rhythms, deadpan vocals, and an assortment of plucked guitar notes and synth swooshes occupying the higher frequency range. Not everything I hear in this vein sticks with me, but I kept returning to Puissance. There was a complexity there, something I couldnât grasp with a few cursory listens. Further examination revealed a clear climax at Puissanceâs center, with the last track on the a-side, âSlow Dress,â and the first track on the b-side, âT.W.Y.W.Y.S.,â standing out from the pack (though, in retrospect, I wonder if these songs just stood out to me because their lyrics are in English). Maraudeur builds âSlow Dressâ around a slinky bass groove that sounds straight off of Wireâs 154, but itâs the lyrics that intrigue me. The singer keeps repeating, âslow dress⊠where is the slit?â (at least I think thatâs what theyâre saying⊠they donât include lyrics with the LP). I find that lyric so evocative. What is a slow dress? Is it a dress without a slit that forces you to walk slowly? I love that this little slice of life detail is transformed by repetition into a strange incantation, a strategy the Fall (perhaps my favorite band ever) leaned on often. A restrictive dress that makes it hard to move makes me think the singer is at some sort of formal event, and I canât help but wonder why is this punk singer wearing a fancy ball gown? None of this is in the song as far as I can tell, but it indicates how Maraudeur gets my mind racing. âT.W.Y.W.Y.S.â also leans on repetition, with its refrain of âthe way you wear your scarfâ forming the backbone of another evocative tale of what happens in a personâs mind as they find someone attractive and then wrestle neurotically with the implications of that feeling. The music is just as evocative as the lyrics, too. âT.W.Y.W.Y.S.â stands out as the brightest and poppiest song on Puissance, but when you listen, you realize the chords are not what you expect them to be⊠theyâre fucked up and unexpected, yet that pop sugar rush still finds its way through the dissonance. Iâm bummed that I donât speak French well or German at all, because it probably means Iâm missing out on great lyrics for the songs in those languages, but at least I can understand what Maraudeur is saying in the universal language.
Truly a cool DIY package! Housed in a printed, die-cut DJ sleeve with A3 riso printed outer wrap, insert, and download code.
Our take: The first time I listened to Puissance, the debut record from Germanyâs Maraudeur, I liked it immediately. Itâs a style that feels like comfort food to me, bass-forward post-punk with nervous, herky-jerky rhythms, deadpan vocals, and an assortment of plucked guitar notes and synth swooshes occupying the higher frequency range. Not everything I hear in this vein sticks with me, but I kept returning to Puissance. There was a complexity there, something I couldnât grasp with a few cursory listens. Further examination revealed a clear climax at Puissanceâs center, with the last track on the a-side, âSlow Dress,â and the first track on the b-side, âT.W.Y.W.Y.S.,â standing out from the pack (though, in retrospect, I wonder if these songs just stood out to me because their lyrics are in English). Maraudeur builds âSlow Dressâ around a slinky bass groove that sounds straight off of Wireâs 154, but itâs the lyrics that intrigue me. The singer keeps repeating, âslow dress⊠where is the slit?â (at least I think thatâs what theyâre saying⊠they donât include lyrics with the LP). I find that lyric so evocative. What is a slow dress? Is it a dress without a slit that forces you to walk slowly? I love that this little slice of life detail is transformed by repetition into a strange incantation, a strategy the Fall (perhaps my favorite band ever) leaned on often. A restrictive dress that makes it hard to move makes me think the singer is at some sort of formal event, and I canât help but wonder why is this punk singer wearing a fancy ball gown? None of this is in the song as far as I can tell, but it indicates how Maraudeur gets my mind racing. âT.W.Y.W.Y.S.â also leans on repetition, with its refrain of âthe way you wear your scarfâ forming the backbone of another evocative tale of what happens in a personâs mind as they find someone attractive and then wrestle neurotically with the implications of that feeling. The music is just as evocative as the lyrics, too. âT.W.Y.W.Y.S.â stands out as the brightest and poppiest song on Puissance, but when you listen, you realize the chords are not what you expect them to be⊠theyâre fucked up and unexpected, yet that pop sugar rush still finds its way through the dissonance. Iâm bummed that I donât speak French well or German at all, because it probably means Iâm missing out on great lyrics for the songs in those languages, but at least I can understand what Maraudeur is saying in the universal language.











