Kaleidoscope: Volume 3 12" (new)
Kaleidoscope are a rare group, having continually evolved and expanded in form since their inception. Volume 3 marks the first Kaleidoscope release of 2017, a masterfully crafted follow-up to several cassette releases on their own D4MT Labs imprint and a 7ā EP on Katorga Works. Since then, the three members of Kaleidoscope have taken up residency in a shared Brooklyn apartment and basement studio. In doing so, their collective spirit of creativity and resourcefulness has risen to an all-time high.
The six tracks on Volume 3 serve as a testament to the group's unique and unwavering commitment to an original sound ā one that is undoubtedly crafted with a well-refined taste for international punk and hardcore, but also embraces experimentation. Engineered entirely in the group's home studio and layered with original samples, overdubs, and guest instrumentation from an ensemble of friends. The end result is simple ā a highly impressive production that commands repeat listening.
Volume 3 is presented with the recognizable aesthetic of previous Kaleidoscope releases, directed by guitarist/vocalist Information Man [SHDK], though truly a cohesive group effort. Packaged with a Risographed lyric booklet that serves as a proper companion piece to each transmission.
Our take: Iāve been knocked out by every single Kaleidoscope release to date, and Volume 3 is no different. Listening to it again in preparation for writing this description, I kept thinking about what makes Kaleidoscope such a standout band, and I feel like I canāt quite put my finger on it. They have some obvious strengthsāShivaās blistering, Hendrix-esque guitar playing (which is actually fairly restrained on this release), and the drummerās consistently inventive and powerful rhythmsābut I donāt think that Kaleidoscope is such a good band merely because the people in the group are really good at their instruments. The best answer Iāve come up to why Kaleidoscope stands out is that they are a great band. I feel like a lot of contemporary punk suffers from one-person-band syndrome; a lot of bands nowadays seem to be conceived rather narrowly, quickly establishing a template that they will rarely deviate from. This unity of vision extends to the playing as well⦠for a lot of bands (particularly hardcore bands), the playing is tight and regimented almost to the point of suffocation. By contrast, Kaleidoscope sounds loose and organic. The musicians trade licks and play off one anotherās ideas like a great ensemble should, dancing around one another, alternately yielding and taking the spotlight in a way that quite often reminds me of great jazz bands. Consequently, rather than sounding like one personās interpretation of a particular sound or style, they sound utterly like themselves⦠itās hard to imagine anyone else sounding like Kaleidoscope (and no one does!), because it seems (from my outside perspective, at least), that Kaleidoscopeās sound is very much based around what happens when these particular people play together. Now that they have several releases under their belt, Iām also really beginning to enjoy thinking about how each new release fits into the bandās body of work. While the concept behind any given release (if there even is one) isnāt really apparent, each one nevertheless has an extremely unique tone and voice. As with the ensemble playing I wrote about above, Iām struck by the contingency of it all, how Kaleidoscope are open to letting circumstances influence and shape their music. Rather than struggling to be timeless (or, worse, trying to resurrect some long-expired moment), Kaleidoscope are open to letting their context shape them. Thus, it doesnāt seem like the point is the sound of the band (thus, pithy phrases like āpick this up if you like psych-infused hardcoreā donāt really apply), but rather to enjoy the fleeting moment. Iām sure that if Kaleidoscope is still putting out records two years from now they wonāt have a lot in common with Volume 3, but Iām OK with that, because right now listening to Volume 3 feels like walking outside on a perfect spring day, knowing that youāre through the winter but that the hot and sticky summer is just around the corner, so youād better grab this day and make the most of it.
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Kaleidoscope: Volume 3 12" (new)
Kaleidoscope: Volume 3 12" (new)
Kaleidoscope are a rare group, having continually evolved and expanded in form since their inception. Volume 3 marks the first Kaleidoscope release of 2017, a masterfully crafted follow-up to several cassette releases on their own D4MT Labs imprint and a 7ā EP on Katorga Works. Since then, the three members of Kaleidoscope have taken up residency in a shared Brooklyn apartment and basement studio. In doing so, their collective spirit of creativity and resourcefulness has risen to an all-time high.
The six tracks on Volume 3 serve as a testament to the group's unique and unwavering commitment to an original sound ā one that is undoubtedly crafted with a well-refined taste for international punk and hardcore, but also embraces experimentation. Engineered entirely in the group's home studio and layered with original samples, overdubs, and guest instrumentation from an ensemble of friends. The end result is simple ā a highly impressive production that commands repeat listening.
Volume 3 is presented with the recognizable aesthetic of previous Kaleidoscope releases, directed by guitarist/vocalist Information Man [SHDK], though truly a cohesive group effort. Packaged with a Risographed lyric booklet that serves as a proper companion piece to each transmission.
Our take: Iāve been knocked out by every single Kaleidoscope release to date, and Volume 3 is no different. Listening to it again in preparation for writing this description, I kept thinking about what makes Kaleidoscope such a standout band, and I feel like I canāt quite put my finger on it. They have some obvious strengthsāShivaās blistering, Hendrix-esque guitar playing (which is actually fairly restrained on this release), and the drummerās consistently inventive and powerful rhythmsābut I donāt think that Kaleidoscope is such a good band merely because the people in the group are really good at their instruments. The best answer Iāve come up to why Kaleidoscope stands out is that they are a great band. I feel like a lot of contemporary punk suffers from one-person-band syndrome; a lot of bands nowadays seem to be conceived rather narrowly, quickly establishing a template that they will rarely deviate from. This unity of vision extends to the playing as well⦠for a lot of bands (particularly hardcore bands), the playing is tight and regimented almost to the point of suffocation. By contrast, Kaleidoscope sounds loose and organic. The musicians trade licks and play off one anotherās ideas like a great ensemble should, dancing around one another, alternately yielding and taking the spotlight in a way that quite often reminds me of great jazz bands. Consequently, rather than sounding like one personās interpretation of a particular sound or style, they sound utterly like themselves⦠itās hard to imagine anyone else sounding like Kaleidoscope (and no one does!), because it seems (from my outside perspective, at least), that Kaleidoscopeās sound is very much based around what happens when these particular people play together. Now that they have several releases under their belt, Iām also really beginning to enjoy thinking about how each new release fits into the bandās body of work. While the concept behind any given release (if there even is one) isnāt really apparent, each one nevertheless has an extremely unique tone and voice. As with the ensemble playing I wrote about above, Iām struck by the contingency of it all, how Kaleidoscope are open to letting circumstances influence and shape their music. Rather than struggling to be timeless (or, worse, trying to resurrect some long-expired moment), Kaleidoscope are open to letting their context shape them. Thus, it doesnāt seem like the point is the sound of the band (thus, pithy phrases like āpick this up if you like psych-infused hardcoreā donāt really apply), but rather to enjoy the fleeting moment. Iām sure that if Kaleidoscope is still putting out records two years from now they wonāt have a lot in common with Volume 3, but Iām OK with that, because right now listening to Volume 3 feels like walking outside on a perfect spring day, knowing that youāre through the winter but that the hot and sticky summer is just around the corner, so youād better grab this day and make the most of it.
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Description
Kaleidoscope are a rare group, having continually evolved and expanded in form since their inception. Volume 3 marks the first Kaleidoscope release of 2017, a masterfully crafted follow-up to several cassette releases on their own D4MT Labs imprint and a 7ā EP on Katorga Works. Since then, the three members of Kaleidoscope have taken up residency in a shared Brooklyn apartment and basement studio. In doing so, their collective spirit of creativity and resourcefulness has risen to an all-time high.
The six tracks on Volume 3 serve as a testament to the group's unique and unwavering commitment to an original sound ā one that is undoubtedly crafted with a well-refined taste for international punk and hardcore, but also embraces experimentation. Engineered entirely in the group's home studio and layered with original samples, overdubs, and guest instrumentation from an ensemble of friends. The end result is simple ā a highly impressive production that commands repeat listening.
Volume 3 is presented with the recognizable aesthetic of previous Kaleidoscope releases, directed by guitarist/vocalist Information Man [SHDK], though truly a cohesive group effort. Packaged with a Risographed lyric booklet that serves as a proper companion piece to each transmission.
Our take: Iāve been knocked out by every single Kaleidoscope release to date, and Volume 3 is no different. Listening to it again in preparation for writing this description, I kept thinking about what makes Kaleidoscope such a standout band, and I feel like I canāt quite put my finger on it. They have some obvious strengthsāShivaās blistering, Hendrix-esque guitar playing (which is actually fairly restrained on this release), and the drummerās consistently inventive and powerful rhythmsābut I donāt think that Kaleidoscope is such a good band merely because the people in the group are really good at their instruments. The best answer Iāve come up to why Kaleidoscope stands out is that they are a great band. I feel like a lot of contemporary punk suffers from one-person-band syndrome; a lot of bands nowadays seem to be conceived rather narrowly, quickly establishing a template that they will rarely deviate from. This unity of vision extends to the playing as well⦠for a lot of bands (particularly hardcore bands), the playing is tight and regimented almost to the point of suffocation. By contrast, Kaleidoscope sounds loose and organic. The musicians trade licks and play off one anotherās ideas like a great ensemble should, dancing around one another, alternately yielding and taking the spotlight in a way that quite often reminds me of great jazz bands. Consequently, rather than sounding like one personās interpretation of a particular sound or style, they sound utterly like themselves⦠itās hard to imagine anyone else sounding like Kaleidoscope (and no one does!), because it seems (from my outside perspective, at least), that Kaleidoscopeās sound is very much based around what happens when these particular people play together. Now that they have several releases under their belt, Iām also really beginning to enjoy thinking about how each new release fits into the bandās body of work. While the concept behind any given release (if there even is one) isnāt really apparent, each one nevertheless has an extremely unique tone and voice. As with the ensemble playing I wrote about above, Iām struck by the contingency of it all, how Kaleidoscope are open to letting circumstances influence and shape their music. Rather than struggling to be timeless (or, worse, trying to resurrect some long-expired moment), Kaleidoscope are open to letting their context shape them. Thus, it doesnāt seem like the point is the sound of the band (thus, pithy phrases like āpick this up if you like psych-infused hardcoreā donāt really apply), but rather to enjoy the fleeting moment. Iām sure that if Kaleidoscope is still putting out records two years from now they wonāt have a lot in common with Volume 3, but Iām OK with that, because right now listening to Volume 3 feels like walking outside on a perfect spring day, knowing that youāre through the winter but that the hot and sticky summer is just around the corner, so youād better grab this day and make the most of it.











