Erik Nervous & the Beta Blockers: S/T 12"
ï»żNote: This is the US release on Under the Gun Records.
If you heard Erik Nervousâ mighty 2018 collection âAssorted Anxietiesâ, you probably thought you had his sound pegged. Bruce Gilbert power chords, rickety garage shonk and a wilful primitivism that starts with a drum machine and ends with a heroically scuffed approach to melody â it all adds up to something pretty irresistible, of course, but what if we told you there was more to come?
This time Erikâs joined by The Beta Blockers, and the sound they concoct together is utterly magical. OK, when this self-titled LP comes rattling out of the gate with 90-second barnstormer âViolent Dreamsâ, you may suspect itâs just an amplified version of the old stuff, albeit with full band, but trust me: you ainât seen nuthinâ yet. Gravure sees âem tinkering with an angular skronk-funk that tilts an ear towards yer Minutemen, yer Bogsheds, yer Andy Gills (while ensuring both feet are firmly cemented to as many dumbass hardcore punk records as possible). The thoroughly unexpected âBlasted Heathâ brings synths to the foreground in masterly fashion, while the mutant dub of âWant To Not Wannaâ feels like a dust-up in a muddy puddle with an ashen-faced Pere Ubu. And thereâs still more to come.
Itâll keep you guessing, this record. Itâs still recognisably the work of Erik Hart (for that is his true name), only distorted and further frayed at the edges. Itâs the sort of snappily smart sidestep you wish more bands would be willing to take, while remaining within touching distance from their roots. Best of all, it places the Michigan-based wonder alongside fellow punk explorers like Uranium Club; utterly aware of punk/hardcore/post-punk/whateverâs past and its limitations, but determined to find the lesser-explored gaps that lie between and make them his own.
Make no mistake, this is a mighty record. By the time the Saints-style brass of âMake Up To Break Upâ brings this frantically tense album within sight of a glorious conclusion, weâre in full party mode, ready to carry Erik Nervous around on a hastily-assembled throne before dumping him in a barrel of beer. If this is what expanding your horizons can do, letâs all set sail for the edge of the world immediately. Even if we fall right off the side, itâll be worth it
Will Fitzpatrick.
Our take: Weâve seen several releases from Erik Nervous over the past few yearsâincluding a compilation called Assorted Anxieties on Drunken Sailor and Neck Chop and a killer EP of obscure Devo coversâbut this is his first release with backing band the Beta Blockers. This incarnation finds Erik Nervous leveling up with a clearer sound while retaining the big hooks of his earlier work. Youâll still hear plenty of Devo influence, with tracks like âBlasted Heathâ reminding me of Freedom of Choice, that bandâs pop peak, while âWant to Not Wannaâ relies on quirkier drum machine rhythms more akin to their earlier, home-recorded material. The album also incorporates post-punk influences, with the angular lead guitar and fast post-punk rhythms on âGravureâ making it a standout that fans of Shopping or early Priests will love. The album ends with the climactic âWorry,â whose intertwining guitar lines remind me of the Buzzcocksâ most transcendent instrumental moments. Sometimes Iâm sad to see an artist adopt a more polished sound, but the move suits Erik Nervous well, making this LP his best work yet.
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Erik Nervous & the Beta Blockers: S/T 12"
Erik Nervous & the Beta Blockers: S/T 12"
ï»żNote: This is the US release on Under the Gun Records.
If you heard Erik Nervousâ mighty 2018 collection âAssorted Anxietiesâ, you probably thought you had his sound pegged. Bruce Gilbert power chords, rickety garage shonk and a wilful primitivism that starts with a drum machine and ends with a heroically scuffed approach to melody â it all adds up to something pretty irresistible, of course, but what if we told you there was more to come?
This time Erikâs joined by The Beta Blockers, and the sound they concoct together is utterly magical. OK, when this self-titled LP comes rattling out of the gate with 90-second barnstormer âViolent Dreamsâ, you may suspect itâs just an amplified version of the old stuff, albeit with full band, but trust me: you ainât seen nuthinâ yet. Gravure sees âem tinkering with an angular skronk-funk that tilts an ear towards yer Minutemen, yer Bogsheds, yer Andy Gills (while ensuring both feet are firmly cemented to as many dumbass hardcore punk records as possible). The thoroughly unexpected âBlasted Heathâ brings synths to the foreground in masterly fashion, while the mutant dub of âWant To Not Wannaâ feels like a dust-up in a muddy puddle with an ashen-faced Pere Ubu. And thereâs still more to come.
Itâll keep you guessing, this record. Itâs still recognisably the work of Erik Hart (for that is his true name), only distorted and further frayed at the edges. Itâs the sort of snappily smart sidestep you wish more bands would be willing to take, while remaining within touching distance from their roots. Best of all, it places the Michigan-based wonder alongside fellow punk explorers like Uranium Club; utterly aware of punk/hardcore/post-punk/whateverâs past and its limitations, but determined to find the lesser-explored gaps that lie between and make them his own.
Make no mistake, this is a mighty record. By the time the Saints-style brass of âMake Up To Break Upâ brings this frantically tense album within sight of a glorious conclusion, weâre in full party mode, ready to carry Erik Nervous around on a hastily-assembled throne before dumping him in a barrel of beer. If this is what expanding your horizons can do, letâs all set sail for the edge of the world immediately. Even if we fall right off the side, itâll be worth it
Will Fitzpatrick.
Our take: Weâve seen several releases from Erik Nervous over the past few yearsâincluding a compilation called Assorted Anxieties on Drunken Sailor and Neck Chop and a killer EP of obscure Devo coversâbut this is his first release with backing band the Beta Blockers. This incarnation finds Erik Nervous leveling up with a clearer sound while retaining the big hooks of his earlier work. Youâll still hear plenty of Devo influence, with tracks like âBlasted Heathâ reminding me of Freedom of Choice, that bandâs pop peak, while âWant to Not Wannaâ relies on quirkier drum machine rhythms more akin to their earlier, home-recorded material. The album also incorporates post-punk influences, with the angular lead guitar and fast post-punk rhythms on âGravureâ making it a standout that fans of Shopping or early Priests will love. The album ends with the climactic âWorry,â whose intertwining guitar lines remind me of the Buzzcocksâ most transcendent instrumental moments. Sometimes Iâm sad to see an artist adopt a more polished sound, but the move suits Erik Nervous well, making this LP his best work yet.
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ï»żNote: This is the US release on Under the Gun Records.
If you heard Erik Nervousâ mighty 2018 collection âAssorted Anxietiesâ, you probably thought you had his sound pegged. Bruce Gilbert power chords, rickety garage shonk and a wilful primitivism that starts with a drum machine and ends with a heroically scuffed approach to melody â it all adds up to something pretty irresistible, of course, but what if we told you there was more to come?
This time Erikâs joined by The Beta Blockers, and the sound they concoct together is utterly magical. OK, when this self-titled LP comes rattling out of the gate with 90-second barnstormer âViolent Dreamsâ, you may suspect itâs just an amplified version of the old stuff, albeit with full band, but trust me: you ainât seen nuthinâ yet. Gravure sees âem tinkering with an angular skronk-funk that tilts an ear towards yer Minutemen, yer Bogsheds, yer Andy Gills (while ensuring both feet are firmly cemented to as many dumbass hardcore punk records as possible). The thoroughly unexpected âBlasted Heathâ brings synths to the foreground in masterly fashion, while the mutant dub of âWant To Not Wannaâ feels like a dust-up in a muddy puddle with an ashen-faced Pere Ubu. And thereâs still more to come.
Itâll keep you guessing, this record. Itâs still recognisably the work of Erik Hart (for that is his true name), only distorted and further frayed at the edges. Itâs the sort of snappily smart sidestep you wish more bands would be willing to take, while remaining within touching distance from their roots. Best of all, it places the Michigan-based wonder alongside fellow punk explorers like Uranium Club; utterly aware of punk/hardcore/post-punk/whateverâs past and its limitations, but determined to find the lesser-explored gaps that lie between and make them his own.
Make no mistake, this is a mighty record. By the time the Saints-style brass of âMake Up To Break Upâ brings this frantically tense album within sight of a glorious conclusion, weâre in full party mode, ready to carry Erik Nervous around on a hastily-assembled throne before dumping him in a barrel of beer. If this is what expanding your horizons can do, letâs all set sail for the edge of the world immediately. Even if we fall right off the side, itâll be worth it
Will Fitzpatrick.
Our take: Weâve seen several releases from Erik Nervous over the past few yearsâincluding a compilation called Assorted Anxieties on Drunken Sailor and Neck Chop and a killer EP of obscure Devo coversâbut this is his first release with backing band the Beta Blockers. This incarnation finds Erik Nervous leveling up with a clearer sound while retaining the big hooks of his earlier work. Youâll still hear plenty of Devo influence, with tracks like âBlasted Heathâ reminding me of Freedom of Choice, that bandâs pop peak, while âWant to Not Wannaâ relies on quirkier drum machine rhythms more akin to their earlier, home-recorded material. The album also incorporates post-punk influences, with the angular lead guitar and fast post-punk rhythms on âGravureâ making it a standout that fans of Shopping or early Priests will love. The album ends with the climactic âWorry,â whose intertwining guitar lines remind me of the Buzzcocksâ most transcendent instrumental moments. Sometimes Iâm sad to see an artist adopt a more polished sound, but the move suits Erik Nervous well, making this LP his best work yet.











