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Dollhouse: I Hate You Don't Leave Me 7"

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Dollhouse: I Hate You Don't Leave Me 7"

Dollhouse: I Hate You Don't Leave Me 7"

2nd EP by this NYC band on Toxic State.



Our take: Toxic State Records brings us the second 7ā€ from this New York City punk band, and I think it may take many people by surprise. Dollhouse sounds like a classic Toxic State band in a lot of ways: their predilection for pogo and shuffle beats, strained vocals, the artsy vibe, and lyrics and imagery that view childhood through a sinister lens. But while I think of New York punk bands as favoring primitive recordings, I Hate You Don’t Leave Me sounds clear and heavy, with a level of studio polish that reminds me of 90s pop-punk and melodic hardcore. The guitar riffs lean in that direction too. While the melodic lead guitar on ā€œBe Nice to Me (Part II)ā€ wouldn’t have been out of place in a Sad Boys song, the title track’s big guitar hook sounds like something you’d hear on one of Screeching Weasel’s Fat Wreck-era LPs. Some of you may interpret that as a slight, but I love those records, and I think ā€œI Hate You Don’t Leave Meā€ is a great song too. Even the vocals, which are pretty limited in terms of melody, find patterns that make you want to sing along on the title track and ā€œSo Hollow.ā€ As someone who owns just about every record by Crazy Spirit and Dawn of Humans AND Screeching Weasel and Pegboy, I think this is a great—and very unique—record.
$156.90

Original: $523.00

-70%
Dollhouse: I Hate You Don't Leave Me 7"—

$523.00

$156.90

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2nd EP by this NYC band on Toxic State.



Our take: Toxic State Records brings us the second 7ā€ from this New York City punk band, and I think it may take many people by surprise. Dollhouse sounds like a classic Toxic State band in a lot of ways: their predilection for pogo and shuffle beats, strained vocals, the artsy vibe, and lyrics and imagery that view childhood through a sinister lens. But while I think of New York punk bands as favoring primitive recordings, I Hate You Don’t Leave Me sounds clear and heavy, with a level of studio polish that reminds me of 90s pop-punk and melodic hardcore. The guitar riffs lean in that direction too. While the melodic lead guitar on ā€œBe Nice to Me (Part II)ā€ wouldn’t have been out of place in a Sad Boys song, the title track’s big guitar hook sounds like something you’d hear on one of Screeching Weasel’s Fat Wreck-era LPs. Some of you may interpret that as a slight, but I love those records, and I think ā€œI Hate You Don’t Leave Meā€ is a great song too. Even the vocals, which are pretty limited in terms of melody, find patterns that make you want to sing along on the title track and ā€œSo Hollow.ā€ As someone who owns just about every record by Crazy Spirit and Dawn of Humans AND Screeching Weasel and Pegboy, I think this is a great—and very unique—record.