Digable Planets: ReachinâĂöâĂâ„ (A New Refutation of Time and Space) - 25th Anniversary Edition 2x12"
At a time when hip-hop was determined to snap your neck, a young, hip trio from Brooklyn (by way of Seattle, Philly, and Brazil) conspired on an uncommonly smooth new sound and freaky way of speak, a titanically chill expression of Black bohemia loaded with jazz idiom and a subversive Marxist bentâand pushed it worldwide via an undeniable crossover hit.
Digable Planetsâ 1993 debut, Reachinâ (A New Refutation of Time and Space), unexpected to all involved, produced a massive radio hit in âRebirth Of Slick (Cool Like Dat)â, which won the 1994 Grammy for Best Rap Performance by Duo or Group. Unduly lumped into an âalternative rapâ subgenre they chafed at, the Dig Plans were dismissed by some as one-hit wonders, coming out of nowhere; but the Digable Planets concept, and what became Reachinâ, had been in the works for close to five years, as group leader Ishmael âButterflyâ Butler wrote music and soaked up game in multiple cities, navigating the industry of hip-hopâs golden age.
In the end, Butler, Mary Anne âLadybug Meccaâ Vieira, and Craig âDoodlebugâ Irving came together to create a seamlessly articulated vision of urbane hiphop cool with an uncommonly literary bent that subtly pushed the hip-hop genreâs frames of reference and added breadth to rap musicâs burgeoning political philosophy. Drawing on inspiration from Butlerâs jazzbo father, the Black Panthers, Jose Luis-Borges, the Last Poets, and Jimi Hendrix, Reachinâ posited a theory of âuniversal beatsâ, narrated by three unearthly MCâs that had âsplit to Earth to resurrect the funkâ, assuming curious, arthropodic aliasesâa nod to the natural collective action of the insect world. In just four years the crew would record two beloved and ambitious LPs before disbanding.
Out of print on wax domestically since 1993, Reachinâ captures one of the last gasps of rap musicâs jazzy, upbeat adolescence in the early 90âsâthose warm, blissed-out grooves every bit as slick as when they were laid way back when. Put this on, roll up with your crew and bug out again with the insect tribe.
Product Information
Product Information
Shipping & Returns
Shipping & Returns

Digable Planets: ReachinâĂöâĂâ„ (A New Refutation of Time and Space) - 25th Anniversary Edition 2x12"
Digable Planets: ReachinâĂöâĂâ„ (A New Refutation of Time and Space) - 25th Anniversary Edition 2x12"
At a time when hip-hop was determined to snap your neck, a young, hip trio from Brooklyn (by way of Seattle, Philly, and Brazil) conspired on an uncommonly smooth new sound and freaky way of speak, a titanically chill expression of Black bohemia loaded with jazz idiom and a subversive Marxist bentâand pushed it worldwide via an undeniable crossover hit.
Digable Planetsâ 1993 debut, Reachinâ (A New Refutation of Time and Space), unexpected to all involved, produced a massive radio hit in âRebirth Of Slick (Cool Like Dat)â, which won the 1994 Grammy for Best Rap Performance by Duo or Group. Unduly lumped into an âalternative rapâ subgenre they chafed at, the Dig Plans were dismissed by some as one-hit wonders, coming out of nowhere; but the Digable Planets concept, and what became Reachinâ, had been in the works for close to five years, as group leader Ishmael âButterflyâ Butler wrote music and soaked up game in multiple cities, navigating the industry of hip-hopâs golden age.
In the end, Butler, Mary Anne âLadybug Meccaâ Vieira, and Craig âDoodlebugâ Irving came together to create a seamlessly articulated vision of urbane hiphop cool with an uncommonly literary bent that subtly pushed the hip-hop genreâs frames of reference and added breadth to rap musicâs burgeoning political philosophy. Drawing on inspiration from Butlerâs jazzbo father, the Black Panthers, Jose Luis-Borges, the Last Poets, and Jimi Hendrix, Reachinâ posited a theory of âuniversal beatsâ, narrated by three unearthly MCâs that had âsplit to Earth to resurrect the funkâ, assuming curious, arthropodic aliasesâa nod to the natural collective action of the insect world. In just four years the crew would record two beloved and ambitious LPs before disbanding.
Out of print on wax domestically since 1993, Reachinâ captures one of the last gasps of rap musicâs jazzy, upbeat adolescence in the early 90âsâthose warm, blissed-out grooves every bit as slick as when they were laid way back when. Put this on, roll up with your crew and bug out again with the insect tribe.
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
At a time when hip-hop was determined to snap your neck, a young, hip trio from Brooklyn (by way of Seattle, Philly, and Brazil) conspired on an uncommonly smooth new sound and freaky way of speak, a titanically chill expression of Black bohemia loaded with jazz idiom and a subversive Marxist bentâand pushed it worldwide via an undeniable crossover hit.
Digable Planetsâ 1993 debut, Reachinâ (A New Refutation of Time and Space), unexpected to all involved, produced a massive radio hit in âRebirth Of Slick (Cool Like Dat)â, which won the 1994 Grammy for Best Rap Performance by Duo or Group. Unduly lumped into an âalternative rapâ subgenre they chafed at, the Dig Plans were dismissed by some as one-hit wonders, coming out of nowhere; but the Digable Planets concept, and what became Reachinâ, had been in the works for close to five years, as group leader Ishmael âButterflyâ Butler wrote music and soaked up game in multiple cities, navigating the industry of hip-hopâs golden age.
In the end, Butler, Mary Anne âLadybug Meccaâ Vieira, and Craig âDoodlebugâ Irving came together to create a seamlessly articulated vision of urbane hiphop cool with an uncommonly literary bent that subtly pushed the hip-hop genreâs frames of reference and added breadth to rap musicâs burgeoning political philosophy. Drawing on inspiration from Butlerâs jazzbo father, the Black Panthers, Jose Luis-Borges, the Last Poets, and Jimi Hendrix, Reachinâ posited a theory of âuniversal beatsâ, narrated by three unearthly MCâs that had âsplit to Earth to resurrect the funkâ, assuming curious, arthropodic aliasesâa nod to the natural collective action of the insect world. In just four years the crew would record two beloved and ambitious LPs before disbanding.
Out of print on wax domestically since 1993, Reachinâ captures one of the last gasps of rap musicâs jazzy, upbeat adolescence in the early 90âsâthose warm, blissed-out grooves every bit as slick as when they were laid way back when. Put this on, roll up with your crew and bug out again with the insect tribe.











