Civic: Those Who No 7" (new)
Shortly after their debut, Melbourne's CIVIC return with their sophomore EP āTHOSE WHO NOā - a fatalistic slab of power pop for the modern set. Recorded on a stint in Geelong, with Billy Gardner once again at the helm, āTHOSE WHO NOā acts as a counter point to the gutter rock classicism and urban decay romantics of āNEW VIETNAMā, and shifts itās focus towards genre experimentation, bleaker insular realities and modern personal warfare. Over four tracks Jim McCullough, Lewis Hodgson, Darcy Grigg, Roland Hlavka and David Forcier dance on the knifeās edge of mythology versus the mundane - an against all odds desperation that flirts with the anthemic yet only stokes the flames. Mid 70s glam and rock n roll tropes are pummelled beyond recognition referencing the past but predominantly pointing to the future. There are forces at work here and CIVIC arenāt a band merely content to play to their strengths - they are a true sum of their parts who get their kicks testing their limitations.
- Ben Hepworth
Our take: New 4-song EP from this Australian band whom you may remember from their New Vietnam LP a few months ago. While a lot of Australian bands are moving toward a more accessible sound, these four tracks are heavy and hard-hitting, albeit with a slightly jangly and melodic lead guitar sound. Iām reminded of 70s UK punk bands like the Boys, the Rich Kids, or the Only Ones, bands who were a little more pop-rock than punk but were heavy and fast enough to be lumped in with the punk movement. Thatās not to call Civic interlopers, but rather to say their songwriting is more refined and ambitious than your typical punk band. Three originals, a pretty straight cover of āNeedle in the Camelās Eyeā by Brian Eno, and a healthy stack of lead guitar lines youāll be humming for weeks to come.
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Civic: Those Who No 7" (new)
Civic: Those Who No 7" (new)
Shortly after their debut, Melbourne's CIVIC return with their sophomore EP āTHOSE WHO NOā - a fatalistic slab of power pop for the modern set. Recorded on a stint in Geelong, with Billy Gardner once again at the helm, āTHOSE WHO NOā acts as a counter point to the gutter rock classicism and urban decay romantics of āNEW VIETNAMā, and shifts itās focus towards genre experimentation, bleaker insular realities and modern personal warfare. Over four tracks Jim McCullough, Lewis Hodgson, Darcy Grigg, Roland Hlavka and David Forcier dance on the knifeās edge of mythology versus the mundane - an against all odds desperation that flirts with the anthemic yet only stokes the flames. Mid 70s glam and rock n roll tropes are pummelled beyond recognition referencing the past but predominantly pointing to the future. There are forces at work here and CIVIC arenāt a band merely content to play to their strengths - they are a true sum of their parts who get their kicks testing their limitations.
- Ben Hepworth
Our take: New 4-song EP from this Australian band whom you may remember from their New Vietnam LP a few months ago. While a lot of Australian bands are moving toward a more accessible sound, these four tracks are heavy and hard-hitting, albeit with a slightly jangly and melodic lead guitar sound. Iām reminded of 70s UK punk bands like the Boys, the Rich Kids, or the Only Ones, bands who were a little more pop-rock than punk but were heavy and fast enough to be lumped in with the punk movement. Thatās not to call Civic interlopers, but rather to say their songwriting is more refined and ambitious than your typical punk band. Three originals, a pretty straight cover of āNeedle in the Camelās Eyeā by Brian Eno, and a healthy stack of lead guitar lines youāll be humming for weeks to come.
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Shipping & Returns
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Description
Shortly after their debut, Melbourne's CIVIC return with their sophomore EP āTHOSE WHO NOā - a fatalistic slab of power pop for the modern set. Recorded on a stint in Geelong, with Billy Gardner once again at the helm, āTHOSE WHO NOā acts as a counter point to the gutter rock classicism and urban decay romantics of āNEW VIETNAMā, and shifts itās focus towards genre experimentation, bleaker insular realities and modern personal warfare. Over four tracks Jim McCullough, Lewis Hodgson, Darcy Grigg, Roland Hlavka and David Forcier dance on the knifeās edge of mythology versus the mundane - an against all odds desperation that flirts with the anthemic yet only stokes the flames. Mid 70s glam and rock n roll tropes are pummelled beyond recognition referencing the past but predominantly pointing to the future. There are forces at work here and CIVIC arenāt a band merely content to play to their strengths - they are a true sum of their parts who get their kicks testing their limitations.
- Ben Hepworth
Our take: New 4-song EP from this Australian band whom you may remember from their New Vietnam LP a few months ago. While a lot of Australian bands are moving toward a more accessible sound, these four tracks are heavy and hard-hitting, albeit with a slightly jangly and melodic lead guitar sound. Iām reminded of 70s UK punk bands like the Boys, the Rich Kids, or the Only Ones, bands who were a little more pop-rock than punk but were heavy and fast enough to be lumped in with the punk movement. Thatās not to call Civic interlopers, but rather to say their songwriting is more refined and ambitious than your typical punk band. Three originals, a pretty straight cover of āNeedle in the Camelās Eyeā by Brian Eno, and a healthy stack of lead guitar lines youāll be humming for weeks to come.
