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Bombardement: Le Futur Est LĂ 12"
The war currently happening at the edge of Europe and the threat of a larger scale conflict make it so awkward to promote a record. The name Bombardement has never sounded scarier and more relevant. Le Futur Est LĂ , written and recorded during pandemic lockdowns, features 8 new songs of the same old menacing d-beat driven hardcore punk with flashing guitars aplenty, and vocalist Oriane now raging in French.
Our take: Bombardementâs previous record, their self-titled 7â, was one of my favorite records of 2020, and now theyâre back with a new full-length. All of their records so far follow the same black, white, and yellow color scheme, and Bombardementâs sound has, like their layouts, remained consistent. At their core, Bombardement is a Discharge-inspired d-beat band with a lot of flashy guitar leads, but there are finer distinctions to be made here. One reason I like Bombardement is that they lean into aspects of the classic Discharge sound that few other d-beat bands focus on. One of my favorite things to do is smoke a ton of weed, put on my original Japanese pressing of Hear Nothing, See Nothing, Say Nothing at an ear-splitting volume, and let its hurricane of multi-tracked guitars envelop me. In the right mood and with the right substances, HNSNSN is essentially a psychedelic record. As with HNSNSN-era Discharge, Bombardementâs riffs are kind of long and they play them more times than most bands; many of their songs have a structure where they play the verse riff four times without vocals, then four times with them before moving onto the next part. With all this room to settle into the groove, the musicians lean into bits, stretch beats out, inject improvisations, and do the kinds of things youâd expect of a band like Can, albeit perhaps on a more limited scale. Occasionally, like on the standout track âDyssomnie,â Bombardement erupts into a full-on lead guitar orgy, and these moments are glorious. Song structures that might sound leaden and repetitive when played by another band come alive in Bombardementâs hands. This ainât jazz, though! Itâs hardcore punk, and Bombardement will keep your fist pumping for all 20 glorious minutes of La Futur Es La.
Our take: Bombardementâs previous record, their self-titled 7â, was one of my favorite records of 2020, and now theyâre back with a new full-length. All of their records so far follow the same black, white, and yellow color scheme, and Bombardementâs sound has, like their layouts, remained consistent. At their core, Bombardement is a Discharge-inspired d-beat band with a lot of flashy guitar leads, but there are finer distinctions to be made here. One reason I like Bombardement is that they lean into aspects of the classic Discharge sound that few other d-beat bands focus on. One of my favorite things to do is smoke a ton of weed, put on my original Japanese pressing of Hear Nothing, See Nothing, Say Nothing at an ear-splitting volume, and let its hurricane of multi-tracked guitars envelop me. In the right mood and with the right substances, HNSNSN is essentially a psychedelic record. As with HNSNSN-era Discharge, Bombardementâs riffs are kind of long and they play them more times than most bands; many of their songs have a structure where they play the verse riff four times without vocals, then four times with them before moving onto the next part. With all this room to settle into the groove, the musicians lean into bits, stretch beats out, inject improvisations, and do the kinds of things youâd expect of a band like Can, albeit perhaps on a more limited scale. Occasionally, like on the standout track âDyssomnie,â Bombardement erupts into a full-on lead guitar orgy, and these moments are glorious. Song structures that might sound leaden and repetitive when played by another band come alive in Bombardementâs hands. This ainât jazz, though! Itâs hardcore punk, and Bombardement will keep your fist pumping for all 20 glorious minutes of La Futur Es La.
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Bombardement: Le Futur Est LĂ 12"
Bombardement: Le Futur Est LĂ 12"
The war currently happening at the edge of Europe and the threat of a larger scale conflict make it so awkward to promote a record. The name Bombardement has never sounded scarier and more relevant. Le Futur Est LĂ , written and recorded during pandemic lockdowns, features 8 new songs of the same old menacing d-beat driven hardcore punk with flashing guitars aplenty, and vocalist Oriane now raging in French.
Our take: Bombardementâs previous record, their self-titled 7â, was one of my favorite records of 2020, and now theyâre back with a new full-length. All of their records so far follow the same black, white, and yellow color scheme, and Bombardementâs sound has, like their layouts, remained consistent. At their core, Bombardement is a Discharge-inspired d-beat band with a lot of flashy guitar leads, but there are finer distinctions to be made here. One reason I like Bombardement is that they lean into aspects of the classic Discharge sound that few other d-beat bands focus on. One of my favorite things to do is smoke a ton of weed, put on my original Japanese pressing of Hear Nothing, See Nothing, Say Nothing at an ear-splitting volume, and let its hurricane of multi-tracked guitars envelop me. In the right mood and with the right substances, HNSNSN is essentially a psychedelic record. As with HNSNSN-era Discharge, Bombardementâs riffs are kind of long and they play them more times than most bands; many of their songs have a structure where they play the verse riff four times without vocals, then four times with them before moving onto the next part. With all this room to settle into the groove, the musicians lean into bits, stretch beats out, inject improvisations, and do the kinds of things youâd expect of a band like Can, albeit perhaps on a more limited scale. Occasionally, like on the standout track âDyssomnie,â Bombardement erupts into a full-on lead guitar orgy, and these moments are glorious. Song structures that might sound leaden and repetitive when played by another band come alive in Bombardementâs hands. This ainât jazz, though! Itâs hardcore punk, and Bombardement will keep your fist pumping for all 20 glorious minutes of La Futur Es La.
Our take: Bombardementâs previous record, their self-titled 7â, was one of my favorite records of 2020, and now theyâre back with a new full-length. All of their records so far follow the same black, white, and yellow color scheme, and Bombardementâs sound has, like their layouts, remained consistent. At their core, Bombardement is a Discharge-inspired d-beat band with a lot of flashy guitar leads, but there are finer distinctions to be made here. One reason I like Bombardement is that they lean into aspects of the classic Discharge sound that few other d-beat bands focus on. One of my favorite things to do is smoke a ton of weed, put on my original Japanese pressing of Hear Nothing, See Nothing, Say Nothing at an ear-splitting volume, and let its hurricane of multi-tracked guitars envelop me. In the right mood and with the right substances, HNSNSN is essentially a psychedelic record. As with HNSNSN-era Discharge, Bombardementâs riffs are kind of long and they play them more times than most bands; many of their songs have a structure where they play the verse riff four times without vocals, then four times with them before moving onto the next part. With all this room to settle into the groove, the musicians lean into bits, stretch beats out, inject improvisations, and do the kinds of things youâd expect of a band like Can, albeit perhaps on a more limited scale. Occasionally, like on the standout track âDyssomnie,â Bombardement erupts into a full-on lead guitar orgy, and these moments are glorious. Song structures that might sound leaden and repetitive when played by another band come alive in Bombardementâs hands. This ainât jazz, though! Itâs hardcore punk, and Bombardement will keep your fist pumping for all 20 glorious minutes of La Futur Es La.
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Description
The war currently happening at the edge of Europe and the threat of a larger scale conflict make it so awkward to promote a record. The name Bombardement has never sounded scarier and more relevant. Le Futur Est LĂ , written and recorded during pandemic lockdowns, features 8 new songs of the same old menacing d-beat driven hardcore punk with flashing guitars aplenty, and vocalist Oriane now raging in French.
Our take: Bombardementâs previous record, their self-titled 7â, was one of my favorite records of 2020, and now theyâre back with a new full-length. All of their records so far follow the same black, white, and yellow color scheme, and Bombardementâs sound has, like their layouts, remained consistent. At their core, Bombardement is a Discharge-inspired d-beat band with a lot of flashy guitar leads, but there are finer distinctions to be made here. One reason I like Bombardement is that they lean into aspects of the classic Discharge sound that few other d-beat bands focus on. One of my favorite things to do is smoke a ton of weed, put on my original Japanese pressing of Hear Nothing, See Nothing, Say Nothing at an ear-splitting volume, and let its hurricane of multi-tracked guitars envelop me. In the right mood and with the right substances, HNSNSN is essentially a psychedelic record. As with HNSNSN-era Discharge, Bombardementâs riffs are kind of long and they play them more times than most bands; many of their songs have a structure where they play the verse riff four times without vocals, then four times with them before moving onto the next part. With all this room to settle into the groove, the musicians lean into bits, stretch beats out, inject improvisations, and do the kinds of things youâd expect of a band like Can, albeit perhaps on a more limited scale. Occasionally, like on the standout track âDyssomnie,â Bombardement erupts into a full-on lead guitar orgy, and these moments are glorious. Song structures that might sound leaden and repetitive when played by another band come alive in Bombardementâs hands. This ainât jazz, though! Itâs hardcore punk, and Bombardement will keep your fist pumping for all 20 glorious minutes of La Futur Es La.
Our take: Bombardementâs previous record, their self-titled 7â, was one of my favorite records of 2020, and now theyâre back with a new full-length. All of their records so far follow the same black, white, and yellow color scheme, and Bombardementâs sound has, like their layouts, remained consistent. At their core, Bombardement is a Discharge-inspired d-beat band with a lot of flashy guitar leads, but there are finer distinctions to be made here. One reason I like Bombardement is that they lean into aspects of the classic Discharge sound that few other d-beat bands focus on. One of my favorite things to do is smoke a ton of weed, put on my original Japanese pressing of Hear Nothing, See Nothing, Say Nothing at an ear-splitting volume, and let its hurricane of multi-tracked guitars envelop me. In the right mood and with the right substances, HNSNSN is essentially a psychedelic record. As with HNSNSN-era Discharge, Bombardementâs riffs are kind of long and they play them more times than most bands; many of their songs have a structure where they play the verse riff four times without vocals, then four times with them before moving onto the next part. With all this room to settle into the groove, the musicians lean into bits, stretch beats out, inject improvisations, and do the kinds of things youâd expect of a band like Can, albeit perhaps on a more limited scale. Occasionally, like on the standout track âDyssomnie,â Bombardement erupts into a full-on lead guitar orgy, and these moments are glorious. Song structures that might sound leaden and repetitive when played by another band come alive in Bombardementâs hands. This ainât jazz, though! Itâs hardcore punk, and Bombardement will keep your fist pumping for all 20 glorious minutes of La Futur Es La.
