Amhra: Mâà öâs Allâà öâ 12"
Iâd never heard of âbarbarian crustâ horde Amhra before hitting play on the Galicia-based bandâs MĂĄs AllĂĄ debut. Co-released by labels Symphony of Destruction, Abbsurda Existencia, and Phobia Records, MĂĄs AllĂĄ is heavy as the Sword of Damocles and features gruffer-than-gruff tunes that hit like a nail-spiked baseball bat. After a few creepy crow cries, the storming âReflejosâ kicks things off, with steamrolling tracks like âSalida,â âFaucesâ and âPerrosâ delivering guttural barks, sheet-metal drums and thick, tarnished riffs. Mammoth-sounding metallic crust plays a big role here, but forget any of the spit and polish of trendsetting crustcore. Amhraâs take on crust and d-beat is downbeat, dirty and toxicâdefinitely not made for fence sitters or fly-by-night flunkies. (Last Rites)
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Amhra: Mâà öâs Allâà öâ 12"
Amhra: Mâà öâs Allâà öâ 12"
Iâd never heard of âbarbarian crustâ horde Amhra before hitting play on the Galicia-based bandâs MĂĄs AllĂĄ debut. Co-released by labels Symphony of Destruction, Abbsurda Existencia, and Phobia Records, MĂĄs AllĂĄ is heavy as the Sword of Damocles and features gruffer-than-gruff tunes that hit like a nail-spiked baseball bat. After a few creepy crow cries, the storming âReflejosâ kicks things off, with steamrolling tracks like âSalida,â âFaucesâ and âPerrosâ delivering guttural barks, sheet-metal drums and thick, tarnished riffs. Mammoth-sounding metallic crust plays a big role here, but forget any of the spit and polish of trendsetting crustcore. Amhraâs take on crust and d-beat is downbeat, dirty and toxicâdefinitely not made for fence sitters or fly-by-night flunkies. (Last Rites)
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Iâd never heard of âbarbarian crustâ horde Amhra before hitting play on the Galicia-based bandâs MĂĄs AllĂĄ debut. Co-released by labels Symphony of Destruction, Abbsurda Existencia, and Phobia Records, MĂĄs AllĂĄ is heavy as the Sword of Damocles and features gruffer-than-gruff tunes that hit like a nail-spiked baseball bat. After a few creepy crow cries, the storming âReflejosâ kicks things off, with steamrolling tracks like âSalida,â âFaucesâ and âPerrosâ delivering guttural barks, sheet-metal drums and thick, tarnished riffs. Mammoth-sounding metallic crust plays a big role here, but forget any of the spit and polish of trendsetting crustcore. Amhraâs take on crust and d-beat is downbeat, dirty and toxicâdefinitely not made for fence sitters or fly-by-night flunkies. (Last Rites)











