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Al Green: Greatest Hits 12"
Al Greenās Greatest Hits is a 1975 greatest hits release by soul singer Al Green.
For years, Willie Mitchell told anyone who would listen that the one thing Hi Records needed was a young, charismatic male singer with the potential for stardom. In 1969, fate would intervene in the form of a destitute 22-year-old named Albert Greene.
Green - as he would later change the spelling - relocated to Michigan as a child and began singing gospel with his brothers and launched his career with an album for the tiny Hot Line Label in 1967, called Back Up Train. His ļ¬rst single had been a small breakout, but Green had fallen on hard times since then. Stranded in Texas, he asked if he could sit in and earn a few dollars performing with Mitchell that night. "He started singing and I heard that voice and I said, "'Ah-ha! Look what I found here."
It would take a little more than the 18 months for Green to evolve into stardom. The ļ¬rst two albums they recorded were minor masterpieces in their own way, offering inventive R&B interpretations of songs by the Beatles and Doors, among others. The latter LP produced a top 10 hit in the Green-penned "Tired of Being Alone" and a gritty reworking of the Temptations' "Can't Get Next To You."
Released at the end of 1971, "Let's Stay Together" shot up the charts, becoming a No. 1 hit and the biggest pop song of the following year. The accompanying album would also land atop the R&B charts. The next ļ¬ve years would yield arguably the greatest run in the annals of R&B. With Mitchell producing and helping co-write many of Green's hits ("Call Me [Come Back Home]", and "I'm Still In Love With You"), and guitarist Teenie Hodges collaborating on several others ("Love and Happiness," "Here I Am (Come and Take Me]"), Hi would not only come to dominate, but also redeļ¬ne, soul music in the early '70s.
For years, Willie Mitchell told anyone who would listen that the one thing Hi Records needed was a young, charismatic male singer with the potential for stardom. In 1969, fate would intervene in the form of a destitute 22-year-old named Albert Greene.
Green - as he would later change the spelling - relocated to Michigan as a child and began singing gospel with his brothers and launched his career with an album for the tiny Hot Line Label in 1967, called Back Up Train. His ļ¬rst single had been a small breakout, but Green had fallen on hard times since then. Stranded in Texas, he asked if he could sit in and earn a few dollars performing with Mitchell that night. "He started singing and I heard that voice and I said, "'Ah-ha! Look what I found here."
It would take a little more than the 18 months for Green to evolve into stardom. The ļ¬rst two albums they recorded were minor masterpieces in their own way, offering inventive R&B interpretations of songs by the Beatles and Doors, among others. The latter LP produced a top 10 hit in the Green-penned "Tired of Being Alone" and a gritty reworking of the Temptations' "Can't Get Next To You."
Released at the end of 1971, "Let's Stay Together" shot up the charts, becoming a No. 1 hit and the biggest pop song of the following year. The accompanying album would also land atop the R&B charts. The next ļ¬ve years would yield arguably the greatest run in the annals of R&B. With Mitchell producing and helping co-write many of Green's hits ("Call Me [Come Back Home]", and "I'm Still In Love With You"), and guitarist Teenie Hodges collaborating on several others ("Love and Happiness," "Here I Am (Come and Take Me]"), Hi would not only come to dominate, but also redeļ¬ne, soul music in the early '70s.
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Al Green: Greatest Hits 12"
Al Green: Greatest Hits 12"
Al Greenās Greatest Hits is a 1975 greatest hits release by soul singer Al Green.
For years, Willie Mitchell told anyone who would listen that the one thing Hi Records needed was a young, charismatic male singer with the potential for stardom. In 1969, fate would intervene in the form of a destitute 22-year-old named Albert Greene.
Green - as he would later change the spelling - relocated to Michigan as a child and began singing gospel with his brothers and launched his career with an album for the tiny Hot Line Label in 1967, called Back Up Train. His ļ¬rst single had been a small breakout, but Green had fallen on hard times since then. Stranded in Texas, he asked if he could sit in and earn a few dollars performing with Mitchell that night. "He started singing and I heard that voice and I said, "'Ah-ha! Look what I found here."
It would take a little more than the 18 months for Green to evolve into stardom. The ļ¬rst two albums they recorded were minor masterpieces in their own way, offering inventive R&B interpretations of songs by the Beatles and Doors, among others. The latter LP produced a top 10 hit in the Green-penned "Tired of Being Alone" and a gritty reworking of the Temptations' "Can't Get Next To You."
Released at the end of 1971, "Let's Stay Together" shot up the charts, becoming a No. 1 hit and the biggest pop song of the following year. The accompanying album would also land atop the R&B charts. The next ļ¬ve years would yield arguably the greatest run in the annals of R&B. With Mitchell producing and helping co-write many of Green's hits ("Call Me [Come Back Home]", and "I'm Still In Love With You"), and guitarist Teenie Hodges collaborating on several others ("Love and Happiness," "Here I Am (Come and Take Me]"), Hi would not only come to dominate, but also redeļ¬ne, soul music in the early '70s.
For years, Willie Mitchell told anyone who would listen that the one thing Hi Records needed was a young, charismatic male singer with the potential for stardom. In 1969, fate would intervene in the form of a destitute 22-year-old named Albert Greene.
Green - as he would later change the spelling - relocated to Michigan as a child and began singing gospel with his brothers and launched his career with an album for the tiny Hot Line Label in 1967, called Back Up Train. His ļ¬rst single had been a small breakout, but Green had fallen on hard times since then. Stranded in Texas, he asked if he could sit in and earn a few dollars performing with Mitchell that night. "He started singing and I heard that voice and I said, "'Ah-ha! Look what I found here."
It would take a little more than the 18 months for Green to evolve into stardom. The ļ¬rst two albums they recorded were minor masterpieces in their own way, offering inventive R&B interpretations of songs by the Beatles and Doors, among others. The latter LP produced a top 10 hit in the Green-penned "Tired of Being Alone" and a gritty reworking of the Temptations' "Can't Get Next To You."
Released at the end of 1971, "Let's Stay Together" shot up the charts, becoming a No. 1 hit and the biggest pop song of the following year. The accompanying album would also land atop the R&B charts. The next ļ¬ve years would yield arguably the greatest run in the annals of R&B. With Mitchell producing and helping co-write many of Green's hits ("Call Me [Come Back Home]", and "I'm Still In Love With You"), and guitarist Teenie Hodges collaborating on several others ("Love and Happiness," "Here I Am (Come and Take Me]"), Hi would not only come to dominate, but also redeļ¬ne, soul music in the early '70s.
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Description
Al Greenās Greatest Hits is a 1975 greatest hits release by soul singer Al Green.
For years, Willie Mitchell told anyone who would listen that the one thing Hi Records needed was a young, charismatic male singer with the potential for stardom. In 1969, fate would intervene in the form of a destitute 22-year-old named Albert Greene.
Green - as he would later change the spelling - relocated to Michigan as a child and began singing gospel with his brothers and launched his career with an album for the tiny Hot Line Label in 1967, called Back Up Train. His ļ¬rst single had been a small breakout, but Green had fallen on hard times since then. Stranded in Texas, he asked if he could sit in and earn a few dollars performing with Mitchell that night. "He started singing and I heard that voice and I said, "'Ah-ha! Look what I found here."
It would take a little more than the 18 months for Green to evolve into stardom. The ļ¬rst two albums they recorded were minor masterpieces in their own way, offering inventive R&B interpretations of songs by the Beatles and Doors, among others. The latter LP produced a top 10 hit in the Green-penned "Tired of Being Alone" and a gritty reworking of the Temptations' "Can't Get Next To You."
Released at the end of 1971, "Let's Stay Together" shot up the charts, becoming a No. 1 hit and the biggest pop song of the following year. The accompanying album would also land atop the R&B charts. The next ļ¬ve years would yield arguably the greatest run in the annals of R&B. With Mitchell producing and helping co-write many of Green's hits ("Call Me [Come Back Home]", and "I'm Still In Love With You"), and guitarist Teenie Hodges collaborating on several others ("Love and Happiness," "Here I Am (Come and Take Me]"), Hi would not only come to dominate, but also redeļ¬ne, soul music in the early '70s.
For years, Willie Mitchell told anyone who would listen that the one thing Hi Records needed was a young, charismatic male singer with the potential for stardom. In 1969, fate would intervene in the form of a destitute 22-year-old named Albert Greene.
Green - as he would later change the spelling - relocated to Michigan as a child and began singing gospel with his brothers and launched his career with an album for the tiny Hot Line Label in 1967, called Back Up Train. His ļ¬rst single had been a small breakout, but Green had fallen on hard times since then. Stranded in Texas, he asked if he could sit in and earn a few dollars performing with Mitchell that night. "He started singing and I heard that voice and I said, "'Ah-ha! Look what I found here."
It would take a little more than the 18 months for Green to evolve into stardom. The ļ¬rst two albums they recorded were minor masterpieces in their own way, offering inventive R&B interpretations of songs by the Beatles and Doors, among others. The latter LP produced a top 10 hit in the Green-penned "Tired of Being Alone" and a gritty reworking of the Temptations' "Can't Get Next To You."
Released at the end of 1971, "Let's Stay Together" shot up the charts, becoming a No. 1 hit and the biggest pop song of the following year. The accompanying album would also land atop the R&B charts. The next ļ¬ve years would yield arguably the greatest run in the annals of R&B. With Mitchell producing and helping co-write many of Green's hits ("Call Me [Come Back Home]", and "I'm Still In Love With You"), and guitarist Teenie Hodges collaborating on several others ("Love and Happiness," "Here I Am (Come and Take Me]"), Hi would not only come to dominate, but also redeļ¬ne, soul music in the early '70s.











