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Body Maintenance: Beside You 12"
Spring has sprung, which here in the UK means several months of not knowing what the fuckâs going on temperature-wise. Intense sunshine with a severe chill in the air? Brutal downpour underpinned by a sticky, sickly warmth? Weâve got the lot, and more besides. Perfect weather, then, for Body Maintenance, who hail from the traditionally sunny climes of The Land Down Under while dealing in a particularly icy brand of hardcore-tinged post-punk. Confused? Nah, you wonât be, so ignore this heavily laboured introduction. Youâll be too busy being totally bowled over by the roar of their echo pedal-laden racket.
âBeside Youâ is their first full-length LP, following a 12â EP and live cassette on guitarist James Kaneâs own Unwound Records, and a self-released demo cassette. Superficially, their take on brutally noisy sang-froid is the sort of thing that garners lazy comparisons to Joy Division, but more discerning ears will pick out similar sounds like Stockholmâs much-missed Holograms, Blitz circa âSecond Empire Justiceâ and even Italyâs modern anarcho heroes A Culture Of Killing. All of which is kind of irrelevant except that it should tell YOU, o worthy possessor of exquisite taste, that it sounds fucking great and you need to get this band in your ears immediately.
Drummer Zoe Mulcahy (also of Jake Robertsonâs effervescent Alien Nosejob project) may be the secret star of the show, whether lending a glowing pulse to the coldwave-imbued robotica of âTime Enoughâ or simply wailing hard on album opener âSilver Yarnsâ. Riley Staffordâs dispassionate bark also stands out, especially on the driving âItâs Theatreâ, although itâs buried deep in the mix, clouded by the wash of guitars and Ella Howellsâ glacial synths. But letâs not get bogged down in individual performances, âcause this Melbourne quintet are way more than the sum of their parts. The whole is punchy and powerful; the sound pulls you all over the place emotionally - you canât truly prepare for the way the brooding title track sneaks up on you. It throbs in your brain like an amyl nitrate headache; it rages subtly and smartly while simultaneously indulging AND railing against a primitivist instinct to rock out. More simply, itâs the soundtrack to your springtime and beyond - this is the instant classic youâve been after, so why waste any more time reading what Iâve got to say on the matter? Buy it, regret nothing but the shelf space you didnât occupy.
Our take: We wrote about this Melbourne, Australia bandâs debut EP back in 2021, and now theyâre back with their debut full-length on the UK label Drunken Sailor. In case you missed that first EP, Body Maintenanceâs sound is grounded in the cold, tense post-punk sound of late 1970s England. While bands trying to be the new Joy Division are a dime a dozen, Body Maintenance is a cut above thanks to their sophisticated pop sensibilities and their lush sound. In fact, rather than the standard comparisons to bands like Joy Division and Bauhaus, Iâm more inclined to liken Body Maintenance to groups like the Teardrop Explodes, Echo & the Bunnymen, and Modern English, all of whom added liberal doses of psychedelia and pop to the post-punk formula. Chameleons fans will also find a lot to love here, particularly on upbeat tracks like âSilver Yarnsâ and âThe Spiral.â While the upbeat pop numbers front-load the album, the latter half slows down the tempos and gets more sullen, with tracks like âBeside Youâ reminding me more of the Cure circa Faith and 17 Seconds. If you enjoyed that recent A Culture of Killing LP on Drunken Sailor, Beside You is well worth checking out, as itâs similar in both sound and the high quality of the songwriting and production.
âBeside Youâ is their first full-length LP, following a 12â EP and live cassette on guitarist James Kaneâs own Unwound Records, and a self-released demo cassette. Superficially, their take on brutally noisy sang-froid is the sort of thing that garners lazy comparisons to Joy Division, but more discerning ears will pick out similar sounds like Stockholmâs much-missed Holograms, Blitz circa âSecond Empire Justiceâ and even Italyâs modern anarcho heroes A Culture Of Killing. All of which is kind of irrelevant except that it should tell YOU, o worthy possessor of exquisite taste, that it sounds fucking great and you need to get this band in your ears immediately.
Drummer Zoe Mulcahy (also of Jake Robertsonâs effervescent Alien Nosejob project) may be the secret star of the show, whether lending a glowing pulse to the coldwave-imbued robotica of âTime Enoughâ or simply wailing hard on album opener âSilver Yarnsâ. Riley Staffordâs dispassionate bark also stands out, especially on the driving âItâs Theatreâ, although itâs buried deep in the mix, clouded by the wash of guitars and Ella Howellsâ glacial synths. But letâs not get bogged down in individual performances, âcause this Melbourne quintet are way more than the sum of their parts. The whole is punchy and powerful; the sound pulls you all over the place emotionally - you canât truly prepare for the way the brooding title track sneaks up on you. It throbs in your brain like an amyl nitrate headache; it rages subtly and smartly while simultaneously indulging AND railing against a primitivist instinct to rock out. More simply, itâs the soundtrack to your springtime and beyond - this is the instant classic youâve been after, so why waste any more time reading what Iâve got to say on the matter? Buy it, regret nothing but the shelf space you didnât occupy.
Our take: We wrote about this Melbourne, Australia bandâs debut EP back in 2021, and now theyâre back with their debut full-length on the UK label Drunken Sailor. In case you missed that first EP, Body Maintenanceâs sound is grounded in the cold, tense post-punk sound of late 1970s England. While bands trying to be the new Joy Division are a dime a dozen, Body Maintenance is a cut above thanks to their sophisticated pop sensibilities and their lush sound. In fact, rather than the standard comparisons to bands like Joy Division and Bauhaus, Iâm more inclined to liken Body Maintenance to groups like the Teardrop Explodes, Echo & the Bunnymen, and Modern English, all of whom added liberal doses of psychedelia and pop to the post-punk formula. Chameleons fans will also find a lot to love here, particularly on upbeat tracks like âSilver Yarnsâ and âThe Spiral.â While the upbeat pop numbers front-load the album, the latter half slows down the tempos and gets more sullen, with tracks like âBeside Youâ reminding me more of the Cure circa Faith and 17 Seconds. If you enjoyed that recent A Culture of Killing LP on Drunken Sailor, Beside You is well worth checking out, as itâs similar in both sound and the high quality of the songwriting and production.
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Body Maintenance: Beside You 12"
Body Maintenance: Beside You 12"
Spring has sprung, which here in the UK means several months of not knowing what the fuckâs going on temperature-wise. Intense sunshine with a severe chill in the air? Brutal downpour underpinned by a sticky, sickly warmth? Weâve got the lot, and more besides. Perfect weather, then, for Body Maintenance, who hail from the traditionally sunny climes of The Land Down Under while dealing in a particularly icy brand of hardcore-tinged post-punk. Confused? Nah, you wonât be, so ignore this heavily laboured introduction. Youâll be too busy being totally bowled over by the roar of their echo pedal-laden racket.
âBeside Youâ is their first full-length LP, following a 12â EP and live cassette on guitarist James Kaneâs own Unwound Records, and a self-released demo cassette. Superficially, their take on brutally noisy sang-froid is the sort of thing that garners lazy comparisons to Joy Division, but more discerning ears will pick out similar sounds like Stockholmâs much-missed Holograms, Blitz circa âSecond Empire Justiceâ and even Italyâs modern anarcho heroes A Culture Of Killing. All of which is kind of irrelevant except that it should tell YOU, o worthy possessor of exquisite taste, that it sounds fucking great and you need to get this band in your ears immediately.
Drummer Zoe Mulcahy (also of Jake Robertsonâs effervescent Alien Nosejob project) may be the secret star of the show, whether lending a glowing pulse to the coldwave-imbued robotica of âTime Enoughâ or simply wailing hard on album opener âSilver Yarnsâ. Riley Staffordâs dispassionate bark also stands out, especially on the driving âItâs Theatreâ, although itâs buried deep in the mix, clouded by the wash of guitars and Ella Howellsâ glacial synths. But letâs not get bogged down in individual performances, âcause this Melbourne quintet are way more than the sum of their parts. The whole is punchy and powerful; the sound pulls you all over the place emotionally - you canât truly prepare for the way the brooding title track sneaks up on you. It throbs in your brain like an amyl nitrate headache; it rages subtly and smartly while simultaneously indulging AND railing against a primitivist instinct to rock out. More simply, itâs the soundtrack to your springtime and beyond - this is the instant classic youâve been after, so why waste any more time reading what Iâve got to say on the matter? Buy it, regret nothing but the shelf space you didnât occupy.
Our take: We wrote about this Melbourne, Australia bandâs debut EP back in 2021, and now theyâre back with their debut full-length on the UK label Drunken Sailor. In case you missed that first EP, Body Maintenanceâs sound is grounded in the cold, tense post-punk sound of late 1970s England. While bands trying to be the new Joy Division are a dime a dozen, Body Maintenance is a cut above thanks to their sophisticated pop sensibilities and their lush sound. In fact, rather than the standard comparisons to bands like Joy Division and Bauhaus, Iâm more inclined to liken Body Maintenance to groups like the Teardrop Explodes, Echo & the Bunnymen, and Modern English, all of whom added liberal doses of psychedelia and pop to the post-punk formula. Chameleons fans will also find a lot to love here, particularly on upbeat tracks like âSilver Yarnsâ and âThe Spiral.â While the upbeat pop numbers front-load the album, the latter half slows down the tempos and gets more sullen, with tracks like âBeside Youâ reminding me more of the Cure circa Faith and 17 Seconds. If you enjoyed that recent A Culture of Killing LP on Drunken Sailor, Beside You is well worth checking out, as itâs similar in both sound and the high quality of the songwriting and production.
âBeside Youâ is their first full-length LP, following a 12â EP and live cassette on guitarist James Kaneâs own Unwound Records, and a self-released demo cassette. Superficially, their take on brutally noisy sang-froid is the sort of thing that garners lazy comparisons to Joy Division, but more discerning ears will pick out similar sounds like Stockholmâs much-missed Holograms, Blitz circa âSecond Empire Justiceâ and even Italyâs modern anarcho heroes A Culture Of Killing. All of which is kind of irrelevant except that it should tell YOU, o worthy possessor of exquisite taste, that it sounds fucking great and you need to get this band in your ears immediately.
Drummer Zoe Mulcahy (also of Jake Robertsonâs effervescent Alien Nosejob project) may be the secret star of the show, whether lending a glowing pulse to the coldwave-imbued robotica of âTime Enoughâ or simply wailing hard on album opener âSilver Yarnsâ. Riley Staffordâs dispassionate bark also stands out, especially on the driving âItâs Theatreâ, although itâs buried deep in the mix, clouded by the wash of guitars and Ella Howellsâ glacial synths. But letâs not get bogged down in individual performances, âcause this Melbourne quintet are way more than the sum of their parts. The whole is punchy and powerful; the sound pulls you all over the place emotionally - you canât truly prepare for the way the brooding title track sneaks up on you. It throbs in your brain like an amyl nitrate headache; it rages subtly and smartly while simultaneously indulging AND railing against a primitivist instinct to rock out. More simply, itâs the soundtrack to your springtime and beyond - this is the instant classic youâve been after, so why waste any more time reading what Iâve got to say on the matter? Buy it, regret nothing but the shelf space you didnât occupy.
Our take: We wrote about this Melbourne, Australia bandâs debut EP back in 2021, and now theyâre back with their debut full-length on the UK label Drunken Sailor. In case you missed that first EP, Body Maintenanceâs sound is grounded in the cold, tense post-punk sound of late 1970s England. While bands trying to be the new Joy Division are a dime a dozen, Body Maintenance is a cut above thanks to their sophisticated pop sensibilities and their lush sound. In fact, rather than the standard comparisons to bands like Joy Division and Bauhaus, Iâm more inclined to liken Body Maintenance to groups like the Teardrop Explodes, Echo & the Bunnymen, and Modern English, all of whom added liberal doses of psychedelia and pop to the post-punk formula. Chameleons fans will also find a lot to love here, particularly on upbeat tracks like âSilver Yarnsâ and âThe Spiral.â While the upbeat pop numbers front-load the album, the latter half slows down the tempos and gets more sullen, with tracks like âBeside Youâ reminding me more of the Cure circa Faith and 17 Seconds. If you enjoyed that recent A Culture of Killing LP on Drunken Sailor, Beside You is well worth checking out, as itâs similar in both sound and the high quality of the songwriting and production.
$1,046.00
Body Maintenance: Beside You 12"â
$1,046.00
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Description
Spring has sprung, which here in the UK means several months of not knowing what the fuckâs going on temperature-wise. Intense sunshine with a severe chill in the air? Brutal downpour underpinned by a sticky, sickly warmth? Weâve got the lot, and more besides. Perfect weather, then, for Body Maintenance, who hail from the traditionally sunny climes of The Land Down Under while dealing in a particularly icy brand of hardcore-tinged post-punk. Confused? Nah, you wonât be, so ignore this heavily laboured introduction. Youâll be too busy being totally bowled over by the roar of their echo pedal-laden racket.
âBeside Youâ is their first full-length LP, following a 12â EP and live cassette on guitarist James Kaneâs own Unwound Records, and a self-released demo cassette. Superficially, their take on brutally noisy sang-froid is the sort of thing that garners lazy comparisons to Joy Division, but more discerning ears will pick out similar sounds like Stockholmâs much-missed Holograms, Blitz circa âSecond Empire Justiceâ and even Italyâs modern anarcho heroes A Culture Of Killing. All of which is kind of irrelevant except that it should tell YOU, o worthy possessor of exquisite taste, that it sounds fucking great and you need to get this band in your ears immediately.
Drummer Zoe Mulcahy (also of Jake Robertsonâs effervescent Alien Nosejob project) may be the secret star of the show, whether lending a glowing pulse to the coldwave-imbued robotica of âTime Enoughâ or simply wailing hard on album opener âSilver Yarnsâ. Riley Staffordâs dispassionate bark also stands out, especially on the driving âItâs Theatreâ, although itâs buried deep in the mix, clouded by the wash of guitars and Ella Howellsâ glacial synths. But letâs not get bogged down in individual performances, âcause this Melbourne quintet are way more than the sum of their parts. The whole is punchy and powerful; the sound pulls you all over the place emotionally - you canât truly prepare for the way the brooding title track sneaks up on you. It throbs in your brain like an amyl nitrate headache; it rages subtly and smartly while simultaneously indulging AND railing against a primitivist instinct to rock out. More simply, itâs the soundtrack to your springtime and beyond - this is the instant classic youâve been after, so why waste any more time reading what Iâve got to say on the matter? Buy it, regret nothing but the shelf space you didnât occupy.
Our take: We wrote about this Melbourne, Australia bandâs debut EP back in 2021, and now theyâre back with their debut full-length on the UK label Drunken Sailor. In case you missed that first EP, Body Maintenanceâs sound is grounded in the cold, tense post-punk sound of late 1970s England. While bands trying to be the new Joy Division are a dime a dozen, Body Maintenance is a cut above thanks to their sophisticated pop sensibilities and their lush sound. In fact, rather than the standard comparisons to bands like Joy Division and Bauhaus, Iâm more inclined to liken Body Maintenance to groups like the Teardrop Explodes, Echo & the Bunnymen, and Modern English, all of whom added liberal doses of psychedelia and pop to the post-punk formula. Chameleons fans will also find a lot to love here, particularly on upbeat tracks like âSilver Yarnsâ and âThe Spiral.â While the upbeat pop numbers front-load the album, the latter half slows down the tempos and gets more sullen, with tracks like âBeside Youâ reminding me more of the Cure circa Faith and 17 Seconds. If you enjoyed that recent A Culture of Killing LP on Drunken Sailor, Beside You is well worth checking out, as itâs similar in both sound and the high quality of the songwriting and production.
âBeside Youâ is their first full-length LP, following a 12â EP and live cassette on guitarist James Kaneâs own Unwound Records, and a self-released demo cassette. Superficially, their take on brutally noisy sang-froid is the sort of thing that garners lazy comparisons to Joy Division, but more discerning ears will pick out similar sounds like Stockholmâs much-missed Holograms, Blitz circa âSecond Empire Justiceâ and even Italyâs modern anarcho heroes A Culture Of Killing. All of which is kind of irrelevant except that it should tell YOU, o worthy possessor of exquisite taste, that it sounds fucking great and you need to get this band in your ears immediately.
Drummer Zoe Mulcahy (also of Jake Robertsonâs effervescent Alien Nosejob project) may be the secret star of the show, whether lending a glowing pulse to the coldwave-imbued robotica of âTime Enoughâ or simply wailing hard on album opener âSilver Yarnsâ. Riley Staffordâs dispassionate bark also stands out, especially on the driving âItâs Theatreâ, although itâs buried deep in the mix, clouded by the wash of guitars and Ella Howellsâ glacial synths. But letâs not get bogged down in individual performances, âcause this Melbourne quintet are way more than the sum of their parts. The whole is punchy and powerful; the sound pulls you all over the place emotionally - you canât truly prepare for the way the brooding title track sneaks up on you. It throbs in your brain like an amyl nitrate headache; it rages subtly and smartly while simultaneously indulging AND railing against a primitivist instinct to rock out. More simply, itâs the soundtrack to your springtime and beyond - this is the instant classic youâve been after, so why waste any more time reading what Iâve got to say on the matter? Buy it, regret nothing but the shelf space you didnât occupy.
Our take: We wrote about this Melbourne, Australia bandâs debut EP back in 2021, and now theyâre back with their debut full-length on the UK label Drunken Sailor. In case you missed that first EP, Body Maintenanceâs sound is grounded in the cold, tense post-punk sound of late 1970s England. While bands trying to be the new Joy Division are a dime a dozen, Body Maintenance is a cut above thanks to their sophisticated pop sensibilities and their lush sound. In fact, rather than the standard comparisons to bands like Joy Division and Bauhaus, Iâm more inclined to liken Body Maintenance to groups like the Teardrop Explodes, Echo & the Bunnymen, and Modern English, all of whom added liberal doses of psychedelia and pop to the post-punk formula. Chameleons fans will also find a lot to love here, particularly on upbeat tracks like âSilver Yarnsâ and âThe Spiral.â While the upbeat pop numbers front-load the album, the latter half slows down the tempos and gets more sullen, with tracks like âBeside Youâ reminding me more of the Cure circa Faith and 17 Seconds. If you enjoyed that recent A Culture of Killing LP on Drunken Sailor, Beside You is well worth checking out, as itâs similar in both sound and the high quality of the songwriting and production.











