š Up to 70% Off Selected ItemsShop Sale
Alerta Roja: Punk Rock En Dictadura 7"
First punk rock studio recording in Argentina, 1981 remastered recording.
Our take: Esos Malditos Punks brings us this 5-song 7ā from early 80s Argentinian punk band Alerta Roja, which they bill as the first punk rock studio recordings made in that country. According to Discogs, two of these tracks came out on an extremely limited 7ā (only 50 copies!) in 1982, but Punk Rock En Dictadura presents all five tracks Alerta Roja recorded at the session. While hardcore was in full swing in other parts of the world by 1982, Alerta Rojaās music here is still steeped in the music of the Damned, the Heartbreakers, and most of all the Sex Pistols (they even borrow the āno future for youā melody from the end of āGod Save the Queenā for the chorus of āDesocupaciónā). While the compositions are in that riffy, rock-influenced punk mode, the recording is raw and nasty, giving this a feel closer to that of early European punk classics by bands like Tampax or Lost Kids. Alerta Rojaās singer also has a similar tone of voice to Eduardo Benavente from Paralisis Permanente. All five songs are killer, starting with the anthemic āDesocupaciónā and climaxing with the gloriously strange guitar solo at the end of āRobots.ā If youāve put in your time with your Killed by Death and Bloodstains compilations, this 7ā is gonna be right up your alley.
Our take: Esos Malditos Punks brings us this 5-song 7ā from early 80s Argentinian punk band Alerta Roja, which they bill as the first punk rock studio recordings made in that country. According to Discogs, two of these tracks came out on an extremely limited 7ā (only 50 copies!) in 1982, but Punk Rock En Dictadura presents all five tracks Alerta Roja recorded at the session. While hardcore was in full swing in other parts of the world by 1982, Alerta Rojaās music here is still steeped in the music of the Damned, the Heartbreakers, and most of all the Sex Pistols (they even borrow the āno future for youā melody from the end of āGod Save the Queenā for the chorus of āDesocupaciónā). While the compositions are in that riffy, rock-influenced punk mode, the recording is raw and nasty, giving this a feel closer to that of early European punk classics by bands like Tampax or Lost Kids. Alerta Rojaās singer also has a similar tone of voice to Eduardo Benavente from Paralisis Permanente. All five songs are killer, starting with the anthemic āDesocupaciónā and climaxing with the gloriously strange guitar solo at the end of āRobots.ā If youāve put in your time with your Killed by Death and Bloodstains compilations, this 7ā is gonna be right up your alley.
Product Information
Product Information
Shipping & Returns
Shipping & Returns

Alerta Roja: Punk Rock En Dictadura 7"
Alerta Roja: Punk Rock En Dictadura 7"
First punk rock studio recording in Argentina, 1981 remastered recording.
Our take: Esos Malditos Punks brings us this 5-song 7ā from early 80s Argentinian punk band Alerta Roja, which they bill as the first punk rock studio recordings made in that country. According to Discogs, two of these tracks came out on an extremely limited 7ā (only 50 copies!) in 1982, but Punk Rock En Dictadura presents all five tracks Alerta Roja recorded at the session. While hardcore was in full swing in other parts of the world by 1982, Alerta Rojaās music here is still steeped in the music of the Damned, the Heartbreakers, and most of all the Sex Pistols (they even borrow the āno future for youā melody from the end of āGod Save the Queenā for the chorus of āDesocupaciónā). While the compositions are in that riffy, rock-influenced punk mode, the recording is raw and nasty, giving this a feel closer to that of early European punk classics by bands like Tampax or Lost Kids. Alerta Rojaās singer also has a similar tone of voice to Eduardo Benavente from Paralisis Permanente. All five songs are killer, starting with the anthemic āDesocupaciónā and climaxing with the gloriously strange guitar solo at the end of āRobots.ā If youāve put in your time with your Killed by Death and Bloodstains compilations, this 7ā is gonna be right up your alley.
Our take: Esos Malditos Punks brings us this 5-song 7ā from early 80s Argentinian punk band Alerta Roja, which they bill as the first punk rock studio recordings made in that country. According to Discogs, two of these tracks came out on an extremely limited 7ā (only 50 copies!) in 1982, but Punk Rock En Dictadura presents all five tracks Alerta Roja recorded at the session. While hardcore was in full swing in other parts of the world by 1982, Alerta Rojaās music here is still steeped in the music of the Damned, the Heartbreakers, and most of all the Sex Pistols (they even borrow the āno future for youā melody from the end of āGod Save the Queenā for the chorus of āDesocupaciónā). While the compositions are in that riffy, rock-influenced punk mode, the recording is raw and nasty, giving this a feel closer to that of early European punk classics by bands like Tampax or Lost Kids. Alerta Rojaās singer also has a similar tone of voice to Eduardo Benavente from Paralisis Permanente. All five songs are killer, starting with the anthemic āDesocupaciónā and climaxing with the gloriously strange guitar solo at the end of āRobots.ā If youāve put in your time with your Killed by Death and Bloodstains compilations, this 7ā is gonna be right up your alley.
$476.00
Alerta Roja: Punk Rock En Dictadura 7"ā
$476.00
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
First punk rock studio recording in Argentina, 1981 remastered recording.
Our take: Esos Malditos Punks brings us this 5-song 7ā from early 80s Argentinian punk band Alerta Roja, which they bill as the first punk rock studio recordings made in that country. According to Discogs, two of these tracks came out on an extremely limited 7ā (only 50 copies!) in 1982, but Punk Rock En Dictadura presents all five tracks Alerta Roja recorded at the session. While hardcore was in full swing in other parts of the world by 1982, Alerta Rojaās music here is still steeped in the music of the Damned, the Heartbreakers, and most of all the Sex Pistols (they even borrow the āno future for youā melody from the end of āGod Save the Queenā for the chorus of āDesocupaciónā). While the compositions are in that riffy, rock-influenced punk mode, the recording is raw and nasty, giving this a feel closer to that of early European punk classics by bands like Tampax or Lost Kids. Alerta Rojaās singer also has a similar tone of voice to Eduardo Benavente from Paralisis Permanente. All five songs are killer, starting with the anthemic āDesocupaciónā and climaxing with the gloriously strange guitar solo at the end of āRobots.ā If youāve put in your time with your Killed by Death and Bloodstains compilations, this 7ā is gonna be right up your alley.
Our take: Esos Malditos Punks brings us this 5-song 7ā from early 80s Argentinian punk band Alerta Roja, which they bill as the first punk rock studio recordings made in that country. According to Discogs, two of these tracks came out on an extremely limited 7ā (only 50 copies!) in 1982, but Punk Rock En Dictadura presents all five tracks Alerta Roja recorded at the session. While hardcore was in full swing in other parts of the world by 1982, Alerta Rojaās music here is still steeped in the music of the Damned, the Heartbreakers, and most of all the Sex Pistols (they even borrow the āno future for youā melody from the end of āGod Save the Queenā for the chorus of āDesocupaciónā). While the compositions are in that riffy, rock-influenced punk mode, the recording is raw and nasty, giving this a feel closer to that of early European punk classics by bands like Tampax or Lost Kids. Alerta Rojaās singer also has a similar tone of voice to Eduardo Benavente from Paralisis Permanente. All five songs are killer, starting with the anthemic āDesocupaciónā and climaxing with the gloriously strange guitar solo at the end of āRobots.ā If youāve put in your time with your Killed by Death and Bloodstains compilations, this 7ā is gonna be right up your alley.











