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Converge: Bloodmoon I 12"
âWe wanted to do something grander than the typical four-piece Converge music.â
Thatâs Converge vocalist Jacob Bannon talking about the seed of inspiration that eventually bloomed into Bloodmoon: I, the new collaborative album created by the legendary hardcore band alongside dark songstress Chelsea Wolfe, her bandmate/writing partner Ben Chisholm and Cave In vocalist/guitarist Steve Brodsky.
âIâve been a fan of Chelsea and Benâs work for some time,â Bannon says. âI bought the Apokalypsis record from Aquarius Records in San Francisco, and Ben and I started communicating here and there. He had roots in this world of music, so it started to make sense that we could all work together in some way.â
âBen introduced me to Converge when we started playing music together in 2009,â Wolfe says. âA couple of years later, we saw that Converge had put Apokalypsis on a year-end list, so we were totally fanning out about that. When they reached out to Ben about performing some Converge songs with new arrangements, I said, âI want in on that...â And it seems like they were happy to have me along.â
Fast forward to a 2016 European tour and a rapturously received appearance at Roadburn that saw all seven musicians performing revamped Converge material. Overnight, what had started as a mutual admiration society had become one of the most formidable musical constellations in recent memory. âWe felt like there was enough energy in the live collaboration to actually create new music together,â Converge guitarist and Bloodmoon: I producer Kurt Ballou explains. âIt just took a few years to free up the time to get together.â
The musicians descended upon Ballouâs God City Studios in Salem, Massachusetts, to work on material in late 2019. Future sessions were planned for 2020, but then the pandemic hit. The rest of Bloodmoon: I was recorded remotely, though youâd never know it. âI wanted a record that breathed like a band playing together in a room, even if it wasnât possible during this time period,â Ballou says. âIt feels like we achieved that.â
Harrowing and atmospheric, triumphant and melodious, Bloodmoon: I is Converge as youâve never heard them before. Itâs Chelsea Wolfe and Ben Chisholm as youâve never heard them before. Itâs Steve Brodsky as youâve almost never heard him beforeâafter all, he was a member of Converge in the late â90s and played bass on 1998âs When Forever Comes Crashing.
âItâs been a real treat to see one of my favorite bands continue to do cool stuff and break the molds of whatâs considered hardcore and punk,â Brodsky says of Bloodmoon: I. âItâs a very rare thing in this kind of music to go an experimental route and challenge the quote-unquote ârulesâ of whatâs been laid out beforehandâand do it successfully.â
As Bannon points out, Bloodmoon: I has been a long time comingâlonger, even, than the 2016 shows would indicate. The members of ConvergeâBallou, Bannon, bassist Nate Newton, and drummer Ben Kollerâtipped their hand ever so slightly with the release of 2009âs Axe To Fall, which featured a lengthy list of guest musicians, including members of Neurosis, Entombed, and Genghis Tronânot to mention Brodsky and some of his Cave In bandmates.
âKurt and I have been talking about trying to do something more collaborative even prior to the Axe To Fall album,â Bannon reveals. âFor years, there was talk of doing âCon-Caveâ or âVerge-In,â a Converge and Cave In supergroup, and some versions of those songs ended up on Axe To Fall. But this is different.â
Thrilling in its apocalyptic grandeur, Bloodmoon: I is a collaborative work in every wayâto the point where Wolfe, Bannon, and Brodsky found themselves writing lyrics for each other. âThatâs one of the keys to the album,â Ballou points out. âSometimes when thereâs a collaborative group, it just sounds like such-and-such a person doing the thing they do in their band while the other people are doing the things they do in their bands. So for Jake to write lyrics for Chelsea or for Chelsea to write lyrics for Steve, it forces each person to approach the vocals in a way thatâs unique to the project.â
Holding down the fort at GodCity while tracks came in from across the country, Ballou and Bannon were often surprised by the songs Wolfe chose to sing on. âI was surprised as well,â she confirms. âThe project stretched my vocals in new ways. Itâs so different than what I normally sing over that I was able to open up and be vulnerable with my vocals. I feel like I also heard that with Jake and Steve. It became one of the most fun recording experiences Iâve had in a long time.â
âAs someone whoâs been making loud music with the same guys for a long time, adding new elements to what weâre doing and having a new version of the band is very exciting,â Bannon enthuses. âOur dynamics are pushing and pulling in all different directions on this record, and I find that to be creatively rewarding.â
Indeed, the more hectic and seemingly Converge-esque material like âLord of Liarsâ or the Cave In-like âFailure Foreverâ quickly veer into unexpected territory as Bannon trades vocal parts with Wolfe on the former and Brodsky on the latter. And even those tracks are outliers on an album that canât be pinned down as the work of any one of its creators. Epic opener âBlood Moonâ and the profoundly haunting âCoilâ might be the best examples of this. They mark an indelible and climactic collision of artists working at the height of their collective powers.
âWith a project like this, egos could have really flared up,â Brodsky says with a laugh. âBut I feel like everyone just kept the music in mind and wanted to do whatâs best for the song. Weâve all done this enough to know that if we donât get our way every time a decision needs to be made, weâll be okay. Weâll get our time in the sun at some point.â
âItâs hard to find new ways to be creative, but I think weâve been good at sort of forcing ourselves to do that,â Ballou says. âAnd this project is no exception. Getting Steve and Chelsea and Ben to contribute with us, we were kind of playing musical Cupid with all of them. But we had a feeling that if we got this group of people together, something powerful would come out of it.â
Thatâs Converge vocalist Jacob Bannon talking about the seed of inspiration that eventually bloomed into Bloodmoon: I, the new collaborative album created by the legendary hardcore band alongside dark songstress Chelsea Wolfe, her bandmate/writing partner Ben Chisholm and Cave In vocalist/guitarist Steve Brodsky.
âIâve been a fan of Chelsea and Benâs work for some time,â Bannon says. âI bought the Apokalypsis record from Aquarius Records in San Francisco, and Ben and I started communicating here and there. He had roots in this world of music, so it started to make sense that we could all work together in some way.â
âBen introduced me to Converge when we started playing music together in 2009,â Wolfe says. âA couple of years later, we saw that Converge had put Apokalypsis on a year-end list, so we were totally fanning out about that. When they reached out to Ben about performing some Converge songs with new arrangements, I said, âI want in on that...â And it seems like they were happy to have me along.â
Fast forward to a 2016 European tour and a rapturously received appearance at Roadburn that saw all seven musicians performing revamped Converge material. Overnight, what had started as a mutual admiration society had become one of the most formidable musical constellations in recent memory. âWe felt like there was enough energy in the live collaboration to actually create new music together,â Converge guitarist and Bloodmoon: I producer Kurt Ballou explains. âIt just took a few years to free up the time to get together.â
The musicians descended upon Ballouâs God City Studios in Salem, Massachusetts, to work on material in late 2019. Future sessions were planned for 2020, but then the pandemic hit. The rest of Bloodmoon: I was recorded remotely, though youâd never know it. âI wanted a record that breathed like a band playing together in a room, even if it wasnât possible during this time period,â Ballou says. âIt feels like we achieved that.â
Harrowing and atmospheric, triumphant and melodious, Bloodmoon: I is Converge as youâve never heard them before. Itâs Chelsea Wolfe and Ben Chisholm as youâve never heard them before. Itâs Steve Brodsky as youâve almost never heard him beforeâafter all, he was a member of Converge in the late â90s and played bass on 1998âs When Forever Comes Crashing.
âItâs been a real treat to see one of my favorite bands continue to do cool stuff and break the molds of whatâs considered hardcore and punk,â Brodsky says of Bloodmoon: I. âItâs a very rare thing in this kind of music to go an experimental route and challenge the quote-unquote ârulesâ of whatâs been laid out beforehandâand do it successfully.â
As Bannon points out, Bloodmoon: I has been a long time comingâlonger, even, than the 2016 shows would indicate. The members of ConvergeâBallou, Bannon, bassist Nate Newton, and drummer Ben Kollerâtipped their hand ever so slightly with the release of 2009âs Axe To Fall, which featured a lengthy list of guest musicians, including members of Neurosis, Entombed, and Genghis Tronânot to mention Brodsky and some of his Cave In bandmates.
âKurt and I have been talking about trying to do something more collaborative even prior to the Axe To Fall album,â Bannon reveals. âFor years, there was talk of doing âCon-Caveâ or âVerge-In,â a Converge and Cave In supergroup, and some versions of those songs ended up on Axe To Fall. But this is different.â
Thrilling in its apocalyptic grandeur, Bloodmoon: I is a collaborative work in every wayâto the point where Wolfe, Bannon, and Brodsky found themselves writing lyrics for each other. âThatâs one of the keys to the album,â Ballou points out. âSometimes when thereâs a collaborative group, it just sounds like such-and-such a person doing the thing they do in their band while the other people are doing the things they do in their bands. So for Jake to write lyrics for Chelsea or for Chelsea to write lyrics for Steve, it forces each person to approach the vocals in a way thatâs unique to the project.â
Holding down the fort at GodCity while tracks came in from across the country, Ballou and Bannon were often surprised by the songs Wolfe chose to sing on. âI was surprised as well,â she confirms. âThe project stretched my vocals in new ways. Itâs so different than what I normally sing over that I was able to open up and be vulnerable with my vocals. I feel like I also heard that with Jake and Steve. It became one of the most fun recording experiences Iâve had in a long time.â
âAs someone whoâs been making loud music with the same guys for a long time, adding new elements to what weâre doing and having a new version of the band is very exciting,â Bannon enthuses. âOur dynamics are pushing and pulling in all different directions on this record, and I find that to be creatively rewarding.â
Indeed, the more hectic and seemingly Converge-esque material like âLord of Liarsâ or the Cave In-like âFailure Foreverâ quickly veer into unexpected territory as Bannon trades vocal parts with Wolfe on the former and Brodsky on the latter. And even those tracks are outliers on an album that canât be pinned down as the work of any one of its creators. Epic opener âBlood Moonâ and the profoundly haunting âCoilâ might be the best examples of this. They mark an indelible and climactic collision of artists working at the height of their collective powers.
âWith a project like this, egos could have really flared up,â Brodsky says with a laugh. âBut I feel like everyone just kept the music in mind and wanted to do whatâs best for the song. Weâve all done this enough to know that if we donât get our way every time a decision needs to be made, weâll be okay. Weâll get our time in the sun at some point.â
âItâs hard to find new ways to be creative, but I think weâve been good at sort of forcing ourselves to do that,â Ballou says. âAnd this project is no exception. Getting Steve and Chelsea and Ben to contribute with us, we were kind of playing musical Cupid with all of them. But we had a feeling that if we got this group of people together, something powerful would come out of it.â
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Converge: Bloodmoon I 12"
Converge: Bloodmoon I 12"
âWe wanted to do something grander than the typical four-piece Converge music.â
Thatâs Converge vocalist Jacob Bannon talking about the seed of inspiration that eventually bloomed into Bloodmoon: I, the new collaborative album created by the legendary hardcore band alongside dark songstress Chelsea Wolfe, her bandmate/writing partner Ben Chisholm and Cave In vocalist/guitarist Steve Brodsky.
âIâve been a fan of Chelsea and Benâs work for some time,â Bannon says. âI bought the Apokalypsis record from Aquarius Records in San Francisco, and Ben and I started communicating here and there. He had roots in this world of music, so it started to make sense that we could all work together in some way.â
âBen introduced me to Converge when we started playing music together in 2009,â Wolfe says. âA couple of years later, we saw that Converge had put Apokalypsis on a year-end list, so we were totally fanning out about that. When they reached out to Ben about performing some Converge songs with new arrangements, I said, âI want in on that...â And it seems like they were happy to have me along.â
Fast forward to a 2016 European tour and a rapturously received appearance at Roadburn that saw all seven musicians performing revamped Converge material. Overnight, what had started as a mutual admiration society had become one of the most formidable musical constellations in recent memory. âWe felt like there was enough energy in the live collaboration to actually create new music together,â Converge guitarist and Bloodmoon: I producer Kurt Ballou explains. âIt just took a few years to free up the time to get together.â
The musicians descended upon Ballouâs God City Studios in Salem, Massachusetts, to work on material in late 2019. Future sessions were planned for 2020, but then the pandemic hit. The rest of Bloodmoon: I was recorded remotely, though youâd never know it. âI wanted a record that breathed like a band playing together in a room, even if it wasnât possible during this time period,â Ballou says. âIt feels like we achieved that.â
Harrowing and atmospheric, triumphant and melodious, Bloodmoon: I is Converge as youâve never heard them before. Itâs Chelsea Wolfe and Ben Chisholm as youâve never heard them before. Itâs Steve Brodsky as youâve almost never heard him beforeâafter all, he was a member of Converge in the late â90s and played bass on 1998âs When Forever Comes Crashing.
âItâs been a real treat to see one of my favorite bands continue to do cool stuff and break the molds of whatâs considered hardcore and punk,â Brodsky says of Bloodmoon: I. âItâs a very rare thing in this kind of music to go an experimental route and challenge the quote-unquote ârulesâ of whatâs been laid out beforehandâand do it successfully.â
As Bannon points out, Bloodmoon: I has been a long time comingâlonger, even, than the 2016 shows would indicate. The members of ConvergeâBallou, Bannon, bassist Nate Newton, and drummer Ben Kollerâtipped their hand ever so slightly with the release of 2009âs Axe To Fall, which featured a lengthy list of guest musicians, including members of Neurosis, Entombed, and Genghis Tronânot to mention Brodsky and some of his Cave In bandmates.
âKurt and I have been talking about trying to do something more collaborative even prior to the Axe To Fall album,â Bannon reveals. âFor years, there was talk of doing âCon-Caveâ or âVerge-In,â a Converge and Cave In supergroup, and some versions of those songs ended up on Axe To Fall. But this is different.â
Thrilling in its apocalyptic grandeur, Bloodmoon: I is a collaborative work in every wayâto the point where Wolfe, Bannon, and Brodsky found themselves writing lyrics for each other. âThatâs one of the keys to the album,â Ballou points out. âSometimes when thereâs a collaborative group, it just sounds like such-and-such a person doing the thing they do in their band while the other people are doing the things they do in their bands. So for Jake to write lyrics for Chelsea or for Chelsea to write lyrics for Steve, it forces each person to approach the vocals in a way thatâs unique to the project.â
Holding down the fort at GodCity while tracks came in from across the country, Ballou and Bannon were often surprised by the songs Wolfe chose to sing on. âI was surprised as well,â she confirms. âThe project stretched my vocals in new ways. Itâs so different than what I normally sing over that I was able to open up and be vulnerable with my vocals. I feel like I also heard that with Jake and Steve. It became one of the most fun recording experiences Iâve had in a long time.â
âAs someone whoâs been making loud music with the same guys for a long time, adding new elements to what weâre doing and having a new version of the band is very exciting,â Bannon enthuses. âOur dynamics are pushing and pulling in all different directions on this record, and I find that to be creatively rewarding.â
Indeed, the more hectic and seemingly Converge-esque material like âLord of Liarsâ or the Cave In-like âFailure Foreverâ quickly veer into unexpected territory as Bannon trades vocal parts with Wolfe on the former and Brodsky on the latter. And even those tracks are outliers on an album that canât be pinned down as the work of any one of its creators. Epic opener âBlood Moonâ and the profoundly haunting âCoilâ might be the best examples of this. They mark an indelible and climactic collision of artists working at the height of their collective powers.
âWith a project like this, egos could have really flared up,â Brodsky says with a laugh. âBut I feel like everyone just kept the music in mind and wanted to do whatâs best for the song. Weâve all done this enough to know that if we donât get our way every time a decision needs to be made, weâll be okay. Weâll get our time in the sun at some point.â
âItâs hard to find new ways to be creative, but I think weâve been good at sort of forcing ourselves to do that,â Ballou says. âAnd this project is no exception. Getting Steve and Chelsea and Ben to contribute with us, we were kind of playing musical Cupid with all of them. But we had a feeling that if we got this group of people together, something powerful would come out of it.â
Thatâs Converge vocalist Jacob Bannon talking about the seed of inspiration that eventually bloomed into Bloodmoon: I, the new collaborative album created by the legendary hardcore band alongside dark songstress Chelsea Wolfe, her bandmate/writing partner Ben Chisholm and Cave In vocalist/guitarist Steve Brodsky.
âIâve been a fan of Chelsea and Benâs work for some time,â Bannon says. âI bought the Apokalypsis record from Aquarius Records in San Francisco, and Ben and I started communicating here and there. He had roots in this world of music, so it started to make sense that we could all work together in some way.â
âBen introduced me to Converge when we started playing music together in 2009,â Wolfe says. âA couple of years later, we saw that Converge had put Apokalypsis on a year-end list, so we were totally fanning out about that. When they reached out to Ben about performing some Converge songs with new arrangements, I said, âI want in on that...â And it seems like they were happy to have me along.â
Fast forward to a 2016 European tour and a rapturously received appearance at Roadburn that saw all seven musicians performing revamped Converge material. Overnight, what had started as a mutual admiration society had become one of the most formidable musical constellations in recent memory. âWe felt like there was enough energy in the live collaboration to actually create new music together,â Converge guitarist and Bloodmoon: I producer Kurt Ballou explains. âIt just took a few years to free up the time to get together.â
The musicians descended upon Ballouâs God City Studios in Salem, Massachusetts, to work on material in late 2019. Future sessions were planned for 2020, but then the pandemic hit. The rest of Bloodmoon: I was recorded remotely, though youâd never know it. âI wanted a record that breathed like a band playing together in a room, even if it wasnât possible during this time period,â Ballou says. âIt feels like we achieved that.â
Harrowing and atmospheric, triumphant and melodious, Bloodmoon: I is Converge as youâve never heard them before. Itâs Chelsea Wolfe and Ben Chisholm as youâve never heard them before. Itâs Steve Brodsky as youâve almost never heard him beforeâafter all, he was a member of Converge in the late â90s and played bass on 1998âs When Forever Comes Crashing.
âItâs been a real treat to see one of my favorite bands continue to do cool stuff and break the molds of whatâs considered hardcore and punk,â Brodsky says of Bloodmoon: I. âItâs a very rare thing in this kind of music to go an experimental route and challenge the quote-unquote ârulesâ of whatâs been laid out beforehandâand do it successfully.â
As Bannon points out, Bloodmoon: I has been a long time comingâlonger, even, than the 2016 shows would indicate. The members of ConvergeâBallou, Bannon, bassist Nate Newton, and drummer Ben Kollerâtipped their hand ever so slightly with the release of 2009âs Axe To Fall, which featured a lengthy list of guest musicians, including members of Neurosis, Entombed, and Genghis Tronânot to mention Brodsky and some of his Cave In bandmates.
âKurt and I have been talking about trying to do something more collaborative even prior to the Axe To Fall album,â Bannon reveals. âFor years, there was talk of doing âCon-Caveâ or âVerge-In,â a Converge and Cave In supergroup, and some versions of those songs ended up on Axe To Fall. But this is different.â
Thrilling in its apocalyptic grandeur, Bloodmoon: I is a collaborative work in every wayâto the point where Wolfe, Bannon, and Brodsky found themselves writing lyrics for each other. âThatâs one of the keys to the album,â Ballou points out. âSometimes when thereâs a collaborative group, it just sounds like such-and-such a person doing the thing they do in their band while the other people are doing the things they do in their bands. So for Jake to write lyrics for Chelsea or for Chelsea to write lyrics for Steve, it forces each person to approach the vocals in a way thatâs unique to the project.â
Holding down the fort at GodCity while tracks came in from across the country, Ballou and Bannon were often surprised by the songs Wolfe chose to sing on. âI was surprised as well,â she confirms. âThe project stretched my vocals in new ways. Itâs so different than what I normally sing over that I was able to open up and be vulnerable with my vocals. I feel like I also heard that with Jake and Steve. It became one of the most fun recording experiences Iâve had in a long time.â
âAs someone whoâs been making loud music with the same guys for a long time, adding new elements to what weâre doing and having a new version of the band is very exciting,â Bannon enthuses. âOur dynamics are pushing and pulling in all different directions on this record, and I find that to be creatively rewarding.â
Indeed, the more hectic and seemingly Converge-esque material like âLord of Liarsâ or the Cave In-like âFailure Foreverâ quickly veer into unexpected territory as Bannon trades vocal parts with Wolfe on the former and Brodsky on the latter. And even those tracks are outliers on an album that canât be pinned down as the work of any one of its creators. Epic opener âBlood Moonâ and the profoundly haunting âCoilâ might be the best examples of this. They mark an indelible and climactic collision of artists working at the height of their collective powers.
âWith a project like this, egos could have really flared up,â Brodsky says with a laugh. âBut I feel like everyone just kept the music in mind and wanted to do whatâs best for the song. Weâve all done this enough to know that if we donât get our way every time a decision needs to be made, weâll be okay. Weâll get our time in the sun at some point.â
âItâs hard to find new ways to be creative, but I think weâve been good at sort of forcing ourselves to do that,â Ballou says. âAnd this project is no exception. Getting Steve and Chelsea and Ben to contribute with us, we were kind of playing musical Cupid with all of them. But we had a feeling that if we got this group of people together, something powerful would come out of it.â
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âWe wanted to do something grander than the typical four-piece Converge music.â
Thatâs Converge vocalist Jacob Bannon talking about the seed of inspiration that eventually bloomed into Bloodmoon: I, the new collaborative album created by the legendary hardcore band alongside dark songstress Chelsea Wolfe, her bandmate/writing partner Ben Chisholm and Cave In vocalist/guitarist Steve Brodsky.
âIâve been a fan of Chelsea and Benâs work for some time,â Bannon says. âI bought the Apokalypsis record from Aquarius Records in San Francisco, and Ben and I started communicating here and there. He had roots in this world of music, so it started to make sense that we could all work together in some way.â
âBen introduced me to Converge when we started playing music together in 2009,â Wolfe says. âA couple of years later, we saw that Converge had put Apokalypsis on a year-end list, so we were totally fanning out about that. When they reached out to Ben about performing some Converge songs with new arrangements, I said, âI want in on that...â And it seems like they were happy to have me along.â
Fast forward to a 2016 European tour and a rapturously received appearance at Roadburn that saw all seven musicians performing revamped Converge material. Overnight, what had started as a mutual admiration society had become one of the most formidable musical constellations in recent memory. âWe felt like there was enough energy in the live collaboration to actually create new music together,â Converge guitarist and Bloodmoon: I producer Kurt Ballou explains. âIt just took a few years to free up the time to get together.â
The musicians descended upon Ballouâs God City Studios in Salem, Massachusetts, to work on material in late 2019. Future sessions were planned for 2020, but then the pandemic hit. The rest of Bloodmoon: I was recorded remotely, though youâd never know it. âI wanted a record that breathed like a band playing together in a room, even if it wasnât possible during this time period,â Ballou says. âIt feels like we achieved that.â
Harrowing and atmospheric, triumphant and melodious, Bloodmoon: I is Converge as youâve never heard them before. Itâs Chelsea Wolfe and Ben Chisholm as youâve never heard them before. Itâs Steve Brodsky as youâve almost never heard him beforeâafter all, he was a member of Converge in the late â90s and played bass on 1998âs When Forever Comes Crashing.
âItâs been a real treat to see one of my favorite bands continue to do cool stuff and break the molds of whatâs considered hardcore and punk,â Brodsky says of Bloodmoon: I. âItâs a very rare thing in this kind of music to go an experimental route and challenge the quote-unquote ârulesâ of whatâs been laid out beforehandâand do it successfully.â
As Bannon points out, Bloodmoon: I has been a long time comingâlonger, even, than the 2016 shows would indicate. The members of ConvergeâBallou, Bannon, bassist Nate Newton, and drummer Ben Kollerâtipped their hand ever so slightly with the release of 2009âs Axe To Fall, which featured a lengthy list of guest musicians, including members of Neurosis, Entombed, and Genghis Tronânot to mention Brodsky and some of his Cave In bandmates.
âKurt and I have been talking about trying to do something more collaborative even prior to the Axe To Fall album,â Bannon reveals. âFor years, there was talk of doing âCon-Caveâ or âVerge-In,â a Converge and Cave In supergroup, and some versions of those songs ended up on Axe To Fall. But this is different.â
Thrilling in its apocalyptic grandeur, Bloodmoon: I is a collaborative work in every wayâto the point where Wolfe, Bannon, and Brodsky found themselves writing lyrics for each other. âThatâs one of the keys to the album,â Ballou points out. âSometimes when thereâs a collaborative group, it just sounds like such-and-such a person doing the thing they do in their band while the other people are doing the things they do in their bands. So for Jake to write lyrics for Chelsea or for Chelsea to write lyrics for Steve, it forces each person to approach the vocals in a way thatâs unique to the project.â
Holding down the fort at GodCity while tracks came in from across the country, Ballou and Bannon were often surprised by the songs Wolfe chose to sing on. âI was surprised as well,â she confirms. âThe project stretched my vocals in new ways. Itâs so different than what I normally sing over that I was able to open up and be vulnerable with my vocals. I feel like I also heard that with Jake and Steve. It became one of the most fun recording experiences Iâve had in a long time.â
âAs someone whoâs been making loud music with the same guys for a long time, adding new elements to what weâre doing and having a new version of the band is very exciting,â Bannon enthuses. âOur dynamics are pushing and pulling in all different directions on this record, and I find that to be creatively rewarding.â
Indeed, the more hectic and seemingly Converge-esque material like âLord of Liarsâ or the Cave In-like âFailure Foreverâ quickly veer into unexpected territory as Bannon trades vocal parts with Wolfe on the former and Brodsky on the latter. And even those tracks are outliers on an album that canât be pinned down as the work of any one of its creators. Epic opener âBlood Moonâ and the profoundly haunting âCoilâ might be the best examples of this. They mark an indelible and climactic collision of artists working at the height of their collective powers.
âWith a project like this, egos could have really flared up,â Brodsky says with a laugh. âBut I feel like everyone just kept the music in mind and wanted to do whatâs best for the song. Weâve all done this enough to know that if we donât get our way every time a decision needs to be made, weâll be okay. Weâll get our time in the sun at some point.â
âItâs hard to find new ways to be creative, but I think weâve been good at sort of forcing ourselves to do that,â Ballou says. âAnd this project is no exception. Getting Steve and Chelsea and Ben to contribute with us, we were kind of playing musical Cupid with all of them. But we had a feeling that if we got this group of people together, something powerful would come out of it.â
Thatâs Converge vocalist Jacob Bannon talking about the seed of inspiration that eventually bloomed into Bloodmoon: I, the new collaborative album created by the legendary hardcore band alongside dark songstress Chelsea Wolfe, her bandmate/writing partner Ben Chisholm and Cave In vocalist/guitarist Steve Brodsky.
âIâve been a fan of Chelsea and Benâs work for some time,â Bannon says. âI bought the Apokalypsis record from Aquarius Records in San Francisco, and Ben and I started communicating here and there. He had roots in this world of music, so it started to make sense that we could all work together in some way.â
âBen introduced me to Converge when we started playing music together in 2009,â Wolfe says. âA couple of years later, we saw that Converge had put Apokalypsis on a year-end list, so we were totally fanning out about that. When they reached out to Ben about performing some Converge songs with new arrangements, I said, âI want in on that...â And it seems like they were happy to have me along.â
Fast forward to a 2016 European tour and a rapturously received appearance at Roadburn that saw all seven musicians performing revamped Converge material. Overnight, what had started as a mutual admiration society had become one of the most formidable musical constellations in recent memory. âWe felt like there was enough energy in the live collaboration to actually create new music together,â Converge guitarist and Bloodmoon: I producer Kurt Ballou explains. âIt just took a few years to free up the time to get together.â
The musicians descended upon Ballouâs God City Studios in Salem, Massachusetts, to work on material in late 2019. Future sessions were planned for 2020, but then the pandemic hit. The rest of Bloodmoon: I was recorded remotely, though youâd never know it. âI wanted a record that breathed like a band playing together in a room, even if it wasnât possible during this time period,â Ballou says. âIt feels like we achieved that.â
Harrowing and atmospheric, triumphant and melodious, Bloodmoon: I is Converge as youâve never heard them before. Itâs Chelsea Wolfe and Ben Chisholm as youâve never heard them before. Itâs Steve Brodsky as youâve almost never heard him beforeâafter all, he was a member of Converge in the late â90s and played bass on 1998âs When Forever Comes Crashing.
âItâs been a real treat to see one of my favorite bands continue to do cool stuff and break the molds of whatâs considered hardcore and punk,â Brodsky says of Bloodmoon: I. âItâs a very rare thing in this kind of music to go an experimental route and challenge the quote-unquote ârulesâ of whatâs been laid out beforehandâand do it successfully.â
As Bannon points out, Bloodmoon: I has been a long time comingâlonger, even, than the 2016 shows would indicate. The members of ConvergeâBallou, Bannon, bassist Nate Newton, and drummer Ben Kollerâtipped their hand ever so slightly with the release of 2009âs Axe To Fall, which featured a lengthy list of guest musicians, including members of Neurosis, Entombed, and Genghis Tronânot to mention Brodsky and some of his Cave In bandmates.
âKurt and I have been talking about trying to do something more collaborative even prior to the Axe To Fall album,â Bannon reveals. âFor years, there was talk of doing âCon-Caveâ or âVerge-In,â a Converge and Cave In supergroup, and some versions of those songs ended up on Axe To Fall. But this is different.â
Thrilling in its apocalyptic grandeur, Bloodmoon: I is a collaborative work in every wayâto the point where Wolfe, Bannon, and Brodsky found themselves writing lyrics for each other. âThatâs one of the keys to the album,â Ballou points out. âSometimes when thereâs a collaborative group, it just sounds like such-and-such a person doing the thing they do in their band while the other people are doing the things they do in their bands. So for Jake to write lyrics for Chelsea or for Chelsea to write lyrics for Steve, it forces each person to approach the vocals in a way thatâs unique to the project.â
Holding down the fort at GodCity while tracks came in from across the country, Ballou and Bannon were often surprised by the songs Wolfe chose to sing on. âI was surprised as well,â she confirms. âThe project stretched my vocals in new ways. Itâs so different than what I normally sing over that I was able to open up and be vulnerable with my vocals. I feel like I also heard that with Jake and Steve. It became one of the most fun recording experiences Iâve had in a long time.â
âAs someone whoâs been making loud music with the same guys for a long time, adding new elements to what weâre doing and having a new version of the band is very exciting,â Bannon enthuses. âOur dynamics are pushing and pulling in all different directions on this record, and I find that to be creatively rewarding.â
Indeed, the more hectic and seemingly Converge-esque material like âLord of Liarsâ or the Cave In-like âFailure Foreverâ quickly veer into unexpected territory as Bannon trades vocal parts with Wolfe on the former and Brodsky on the latter. And even those tracks are outliers on an album that canât be pinned down as the work of any one of its creators. Epic opener âBlood Moonâ and the profoundly haunting âCoilâ might be the best examples of this. They mark an indelible and climactic collision of artists working at the height of their collective powers.
âWith a project like this, egos could have really flared up,â Brodsky says with a laugh. âBut I feel like everyone just kept the music in mind and wanted to do whatâs best for the song. Weâve all done this enough to know that if we donât get our way every time a decision needs to be made, weâll be okay. Weâll get our time in the sun at some point.â
âItâs hard to find new ways to be creative, but I think weâve been good at sort of forcing ourselves to do that,â Ballou says. âAnd this project is no exception. Getting Steve and Chelsea and Ben to contribute with us, we were kind of playing musical Cupid with all of them. But we had a feeling that if we got this group of people together, something powerful would come out of it.â











