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Spike in Vain: Jesus Was Born in a Mobile Home cassette
Reissue of 1984 tape release, remastered from the original reels. These recordings were originally intended to be the beginnings of a second album, but were set aside after a change of drummers. Many of the songs actually predate Disease Is Relative, but were passed over for that album. Itās SIV, so itās still pretty varied, but thereās a bit more hardcore influence here than on the debut LP. Also includes 3 live tracks, one of which is from the bandās very first gig, as well as a very early rehearsal recording by an embryonic version of the group. 12 songs, 28 minutes.
Our take: I listened to Spike in Vainās Disease Is Relativeāfor me, one of the great unsung underground rock records of the 80sāfor years before I realized that record was only about 1/3 of their discography. Fortunately, when Scat Records gave Disease Is Relative a much-needed reissue last year, they also gave us the unreleased follow-up album Death Drives a Cadillac, and now theyāve reissued Spike in Vainās debut cassette, Jesus Was Born in a Mobile Home, on its original format. While Disease Is Relative is still Spike in Vainās shining moment, like Death Drives a Cadillac, Jesus Was Born in a Mobile Home captures plenty of brilliance. The sound here isnāt as razor-sharp as Disease Is Relative, the looser playing and punkier delivery emphasized by the production, which compiles what sounds like multiple recording sessions and live tapes into a sonic hodge-podge. This punkier version of Spike in Vain reminds me of proto-hardcore like the Germs, the early Dangerhouse bands, or the Feederz (the latter feels like an apt reference for āRejected by No. 12ā). Along with bands like the Feederz and the Crucifucks, Spike in Vain were interested in the stranger and more subversive aspects of punk, their music toeing the line between evoking that strangeness and holding onto the anger and energy that make hardcore what it is. Pick up Disease Is Relative if you havenāt already, but once you digest the brilliance of that album, know the other two releases in Spike in Vainās discography are worth exploring too.
Our take: I listened to Spike in Vainās Disease Is Relativeāfor me, one of the great unsung underground rock records of the 80sāfor years before I realized that record was only about 1/3 of their discography. Fortunately, when Scat Records gave Disease Is Relative a much-needed reissue last year, they also gave us the unreleased follow-up album Death Drives a Cadillac, and now theyāve reissued Spike in Vainās debut cassette, Jesus Was Born in a Mobile Home, on its original format. While Disease Is Relative is still Spike in Vainās shining moment, like Death Drives a Cadillac, Jesus Was Born in a Mobile Home captures plenty of brilliance. The sound here isnāt as razor-sharp as Disease Is Relative, the looser playing and punkier delivery emphasized by the production, which compiles what sounds like multiple recording sessions and live tapes into a sonic hodge-podge. This punkier version of Spike in Vain reminds me of proto-hardcore like the Germs, the early Dangerhouse bands, or the Feederz (the latter feels like an apt reference for āRejected by No. 12ā). Along with bands like the Feederz and the Crucifucks, Spike in Vain were interested in the stranger and more subversive aspects of punk, their music toeing the line between evoking that strangeness and holding onto the anger and energy that make hardcore what it is. Pick up Disease Is Relative if you havenāt already, but once you digest the brilliance of that album, know the other two releases in Spike in Vainās discography are worth exploring too.
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Spike in Vain: Jesus Was Born in a Mobile Home cassette
Spike in Vain: Jesus Was Born in a Mobile Home cassette
Reissue of 1984 tape release, remastered from the original reels. These recordings were originally intended to be the beginnings of a second album, but were set aside after a change of drummers. Many of the songs actually predate Disease Is Relative, but were passed over for that album. Itās SIV, so itās still pretty varied, but thereās a bit more hardcore influence here than on the debut LP. Also includes 3 live tracks, one of which is from the bandās very first gig, as well as a very early rehearsal recording by an embryonic version of the group. 12 songs, 28 minutes.
Our take: I listened to Spike in Vainās Disease Is Relativeāfor me, one of the great unsung underground rock records of the 80sāfor years before I realized that record was only about 1/3 of their discography. Fortunately, when Scat Records gave Disease Is Relative a much-needed reissue last year, they also gave us the unreleased follow-up album Death Drives a Cadillac, and now theyāve reissued Spike in Vainās debut cassette, Jesus Was Born in a Mobile Home, on its original format. While Disease Is Relative is still Spike in Vainās shining moment, like Death Drives a Cadillac, Jesus Was Born in a Mobile Home captures plenty of brilliance. The sound here isnāt as razor-sharp as Disease Is Relative, the looser playing and punkier delivery emphasized by the production, which compiles what sounds like multiple recording sessions and live tapes into a sonic hodge-podge. This punkier version of Spike in Vain reminds me of proto-hardcore like the Germs, the early Dangerhouse bands, or the Feederz (the latter feels like an apt reference for āRejected by No. 12ā). Along with bands like the Feederz and the Crucifucks, Spike in Vain were interested in the stranger and more subversive aspects of punk, their music toeing the line between evoking that strangeness and holding onto the anger and energy that make hardcore what it is. Pick up Disease Is Relative if you havenāt already, but once you digest the brilliance of that album, know the other two releases in Spike in Vainās discography are worth exploring too.
Our take: I listened to Spike in Vainās Disease Is Relativeāfor me, one of the great unsung underground rock records of the 80sāfor years before I realized that record was only about 1/3 of their discography. Fortunately, when Scat Records gave Disease Is Relative a much-needed reissue last year, they also gave us the unreleased follow-up album Death Drives a Cadillac, and now theyāve reissued Spike in Vainās debut cassette, Jesus Was Born in a Mobile Home, on its original format. While Disease Is Relative is still Spike in Vainās shining moment, like Death Drives a Cadillac, Jesus Was Born in a Mobile Home captures plenty of brilliance. The sound here isnāt as razor-sharp as Disease Is Relative, the looser playing and punkier delivery emphasized by the production, which compiles what sounds like multiple recording sessions and live tapes into a sonic hodge-podge. This punkier version of Spike in Vain reminds me of proto-hardcore like the Germs, the early Dangerhouse bands, or the Feederz (the latter feels like an apt reference for āRejected by No. 12ā). Along with bands like the Feederz and the Crucifucks, Spike in Vain were interested in the stranger and more subversive aspects of punk, their music toeing the line between evoking that strangeness and holding onto the anger and energy that make hardcore what it is. Pick up Disease Is Relative if you havenāt already, but once you digest the brilliance of that album, know the other two releases in Spike in Vainās discography are worth exploring too.
$171.30
Original: $571.00
-70%Spike in Vain: Jesus Was Born in a Mobile Home cassetteā
$571.00
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Description
Reissue of 1984 tape release, remastered from the original reels. These recordings were originally intended to be the beginnings of a second album, but were set aside after a change of drummers. Many of the songs actually predate Disease Is Relative, but were passed over for that album. Itās SIV, so itās still pretty varied, but thereās a bit more hardcore influence here than on the debut LP. Also includes 3 live tracks, one of which is from the bandās very first gig, as well as a very early rehearsal recording by an embryonic version of the group. 12 songs, 28 minutes.
Our take: I listened to Spike in Vainās Disease Is Relativeāfor me, one of the great unsung underground rock records of the 80sāfor years before I realized that record was only about 1/3 of their discography. Fortunately, when Scat Records gave Disease Is Relative a much-needed reissue last year, they also gave us the unreleased follow-up album Death Drives a Cadillac, and now theyāve reissued Spike in Vainās debut cassette, Jesus Was Born in a Mobile Home, on its original format. While Disease Is Relative is still Spike in Vainās shining moment, like Death Drives a Cadillac, Jesus Was Born in a Mobile Home captures plenty of brilliance. The sound here isnāt as razor-sharp as Disease Is Relative, the looser playing and punkier delivery emphasized by the production, which compiles what sounds like multiple recording sessions and live tapes into a sonic hodge-podge. This punkier version of Spike in Vain reminds me of proto-hardcore like the Germs, the early Dangerhouse bands, or the Feederz (the latter feels like an apt reference for āRejected by No. 12ā). Along with bands like the Feederz and the Crucifucks, Spike in Vain were interested in the stranger and more subversive aspects of punk, their music toeing the line between evoking that strangeness and holding onto the anger and energy that make hardcore what it is. Pick up Disease Is Relative if you havenāt already, but once you digest the brilliance of that album, know the other two releases in Spike in Vainās discography are worth exploring too.
Our take: I listened to Spike in Vainās Disease Is Relativeāfor me, one of the great unsung underground rock records of the 80sāfor years before I realized that record was only about 1/3 of their discography. Fortunately, when Scat Records gave Disease Is Relative a much-needed reissue last year, they also gave us the unreleased follow-up album Death Drives a Cadillac, and now theyāve reissued Spike in Vainās debut cassette, Jesus Was Born in a Mobile Home, on its original format. While Disease Is Relative is still Spike in Vainās shining moment, like Death Drives a Cadillac, Jesus Was Born in a Mobile Home captures plenty of brilliance. The sound here isnāt as razor-sharp as Disease Is Relative, the looser playing and punkier delivery emphasized by the production, which compiles what sounds like multiple recording sessions and live tapes into a sonic hodge-podge. This punkier version of Spike in Vain reminds me of proto-hardcore like the Germs, the early Dangerhouse bands, or the Feederz (the latter feels like an apt reference for āRejected by No. 12ā). Along with bands like the Feederz and the Crucifucks, Spike in Vain were interested in the stranger and more subversive aspects of punk, their music toeing the line between evoking that strangeness and holding onto the anger and energy that make hardcore what it is. Pick up Disease Is Relative if you havenāt already, but once you digest the brilliance of that album, know the other two releases in Spike in Vainās discography are worth exploring too.











