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Factory City Children: S/T cassette
Ripping and raw drum machine punk.
Our take: Factory City Children is a new solo project from Mateo of Warthog (and countless other New York bands over the past decade-plus), credited here as âTormented Imp.â As you might expect from such a seasoned musician, Factory City Children comes out of the gate with a distinctive and exciting sound. While the tougher-sounding âHell Man 88â might remind you of Warthog, most of the songs here are poppier, with âPerfect Utopiaâ borrowing the riff from the Misfitsâ âSome Kind of Hateâ and âF.U.M.E.S.â having a Ramones-ish propulsion. The riffs are generally straightforward, but occasional bursts of lead guitar and earworm basslines make these songs anything but simple. The most identifiable aspects of FCCâs sound are the drum machine (a robotic and synthetic sound, rather than trying to imitate acoustic drums) and Mateoâs wild vocals, which sound totally demented, yet with intelligible lyrics and enough subtle tunefulness to make them memorable. The lyrics are also excellent, with the aforementioned âHell Man 88â being a highlight, the titleâs pun part of the songâs extended conceit of comparing âwhite Amerikkkaâ to a âmalevolent mayonnaise.â In case you werenât already convinced this is several notches above your typical home-recorded, drum machine-powered demo, Toxic State have signed up to put out a vinyl version of this tape later this year. In the meantime, catch this cassette version while you can.
Our take: Factory City Children is a new solo project from Mateo of Warthog (and countless other New York bands over the past decade-plus), credited here as âTormented Imp.â As you might expect from such a seasoned musician, Factory City Children comes out of the gate with a distinctive and exciting sound. While the tougher-sounding âHell Man 88â might remind you of Warthog, most of the songs here are poppier, with âPerfect Utopiaâ borrowing the riff from the Misfitsâ âSome Kind of Hateâ and âF.U.M.E.S.â having a Ramones-ish propulsion. The riffs are generally straightforward, but occasional bursts of lead guitar and earworm basslines make these songs anything but simple. The most identifiable aspects of FCCâs sound are the drum machine (a robotic and synthetic sound, rather than trying to imitate acoustic drums) and Mateoâs wild vocals, which sound totally demented, yet with intelligible lyrics and enough subtle tunefulness to make them memorable. The lyrics are also excellent, with the aforementioned âHell Man 88â being a highlight, the titleâs pun part of the songâs extended conceit of comparing âwhite Amerikkkaâ to a âmalevolent mayonnaise.â In case you werenât already convinced this is several notches above your typical home-recorded, drum machine-powered demo, Toxic State have signed up to put out a vinyl version of this tape later this year. In the meantime, catch this cassette version while you can.
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Factory City Children: S/T cassette
Factory City Children: S/T cassette
Ripping and raw drum machine punk.
Our take: Factory City Children is a new solo project from Mateo of Warthog (and countless other New York bands over the past decade-plus), credited here as âTormented Imp.â As you might expect from such a seasoned musician, Factory City Children comes out of the gate with a distinctive and exciting sound. While the tougher-sounding âHell Man 88â might remind you of Warthog, most of the songs here are poppier, with âPerfect Utopiaâ borrowing the riff from the Misfitsâ âSome Kind of Hateâ and âF.U.M.E.S.â having a Ramones-ish propulsion. The riffs are generally straightforward, but occasional bursts of lead guitar and earworm basslines make these songs anything but simple. The most identifiable aspects of FCCâs sound are the drum machine (a robotic and synthetic sound, rather than trying to imitate acoustic drums) and Mateoâs wild vocals, which sound totally demented, yet with intelligible lyrics and enough subtle tunefulness to make them memorable. The lyrics are also excellent, with the aforementioned âHell Man 88â being a highlight, the titleâs pun part of the songâs extended conceit of comparing âwhite Amerikkkaâ to a âmalevolent mayonnaise.â In case you werenât already convinced this is several notches above your typical home-recorded, drum machine-powered demo, Toxic State have signed up to put out a vinyl version of this tape later this year. In the meantime, catch this cassette version while you can.
Our take: Factory City Children is a new solo project from Mateo of Warthog (and countless other New York bands over the past decade-plus), credited here as âTormented Imp.â As you might expect from such a seasoned musician, Factory City Children comes out of the gate with a distinctive and exciting sound. While the tougher-sounding âHell Man 88â might remind you of Warthog, most of the songs here are poppier, with âPerfect Utopiaâ borrowing the riff from the Misfitsâ âSome Kind of Hateâ and âF.U.M.E.S.â having a Ramones-ish propulsion. The riffs are generally straightforward, but occasional bursts of lead guitar and earworm basslines make these songs anything but simple. The most identifiable aspects of FCCâs sound are the drum machine (a robotic and synthetic sound, rather than trying to imitate acoustic drums) and Mateoâs wild vocals, which sound totally demented, yet with intelligible lyrics and enough subtle tunefulness to make them memorable. The lyrics are also excellent, with the aforementioned âHell Man 88â being a highlight, the titleâs pun part of the songâs extended conceit of comparing âwhite Amerikkkaâ to a âmalevolent mayonnaise.â In case you werenât already convinced this is several notches above your typical home-recorded, drum machine-powered demo, Toxic State have signed up to put out a vinyl version of this tape later this year. In the meantime, catch this cassette version while you can.
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Description
Ripping and raw drum machine punk.
Our take: Factory City Children is a new solo project from Mateo of Warthog (and countless other New York bands over the past decade-plus), credited here as âTormented Imp.â As you might expect from such a seasoned musician, Factory City Children comes out of the gate with a distinctive and exciting sound. While the tougher-sounding âHell Man 88â might remind you of Warthog, most of the songs here are poppier, with âPerfect Utopiaâ borrowing the riff from the Misfitsâ âSome Kind of Hateâ and âF.U.M.E.S.â having a Ramones-ish propulsion. The riffs are generally straightforward, but occasional bursts of lead guitar and earworm basslines make these songs anything but simple. The most identifiable aspects of FCCâs sound are the drum machine (a robotic and synthetic sound, rather than trying to imitate acoustic drums) and Mateoâs wild vocals, which sound totally demented, yet with intelligible lyrics and enough subtle tunefulness to make them memorable. The lyrics are also excellent, with the aforementioned âHell Man 88â being a highlight, the titleâs pun part of the songâs extended conceit of comparing âwhite Amerikkkaâ to a âmalevolent mayonnaise.â In case you werenât already convinced this is several notches above your typical home-recorded, drum machine-powered demo, Toxic State have signed up to put out a vinyl version of this tape later this year. In the meantime, catch this cassette version while you can.
Our take: Factory City Children is a new solo project from Mateo of Warthog (and countless other New York bands over the past decade-plus), credited here as âTormented Imp.â As you might expect from such a seasoned musician, Factory City Children comes out of the gate with a distinctive and exciting sound. While the tougher-sounding âHell Man 88â might remind you of Warthog, most of the songs here are poppier, with âPerfect Utopiaâ borrowing the riff from the Misfitsâ âSome Kind of Hateâ and âF.U.M.E.S.â having a Ramones-ish propulsion. The riffs are generally straightforward, but occasional bursts of lead guitar and earworm basslines make these songs anything but simple. The most identifiable aspects of FCCâs sound are the drum machine (a robotic and synthetic sound, rather than trying to imitate acoustic drums) and Mateoâs wild vocals, which sound totally demented, yet with intelligible lyrics and enough subtle tunefulness to make them memorable. The lyrics are also excellent, with the aforementioned âHell Man 88â being a highlight, the titleâs pun part of the songâs extended conceit of comparing âwhite Amerikkkaâ to a âmalevolent mayonnaise.â In case you werenât already convinced this is several notches above your typical home-recorded, drum machine-powered demo, Toxic State have signed up to put out a vinyl version of this tape later this year. In the meantime, catch this cassette version while you can.











