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Propagandhi: Today's Empires, Tomorrow's Ashes 12"
REMIXED AND REISSUED!!! After 1993âs How To Clean Everything and 1996âs Less Talk, More Rock, Todayâs Empires, Tomorrowâs Ashes was Propagandhiâs third and penultimate album on FAT. It marked a transition period for the band. Not only was it their first record after the departure of bassist/vocalist John K. Sampsonâwho was replaced by Todd Kowalskiâbut it also saw the start in the shift towards the sound that has now come to define them.
The result was an album that, despite singer Chris Hannahâs reservations, truly set the benchmark back then, and does so even more in its new sonic form. Just listen to what opener âMate Ka Moris Ukun Rasik Anâ or the caustic title track sound like now, not to mention the still-eye-opening blast of âWith Friends Like These Who the Fuck Needs COINTELPRO?ââthe lyrical content of which remains as shocking today as it was back then. Intelligent and visceral in equal measure, itâs a record that offers up one of the most vicious indictments of American (and, to be fair, Western) imperialism ever committed to tape.
But the band was never quite happy with how the album turned out. It was better than it was given credit for. While the pieces were all there, the album lacked sonically in a way the band was never satisfied with. Fast forward almost two decades, when Propagandhi was in the studio with Jason Livermore mixing Victory Lap, and Hannah brought up the issues with Todayâs Empires, Tomorrowâs Ashes. Right there they decided that with a remix the album could be shaped into the masterpiece they intended way back in 2001. Finally, 20 years later, Propagandhi can say they are happy with how Todayâs Empires, Tomorrowâs Ashes (Reissue) turned out.
The result was an album that, despite singer Chris Hannahâs reservations, truly set the benchmark back then, and does so even more in its new sonic form. Just listen to what opener âMate Ka Moris Ukun Rasik Anâ or the caustic title track sound like now, not to mention the still-eye-opening blast of âWith Friends Like These Who the Fuck Needs COINTELPRO?ââthe lyrical content of which remains as shocking today as it was back then. Intelligent and visceral in equal measure, itâs a record that offers up one of the most vicious indictments of American (and, to be fair, Western) imperialism ever committed to tape.
But the band was never quite happy with how the album turned out. It was better than it was given credit for. While the pieces were all there, the album lacked sonically in a way the band was never satisfied with. Fast forward almost two decades, when Propagandhi was in the studio with Jason Livermore mixing Victory Lap, and Hannah brought up the issues with Todayâs Empires, Tomorrowâs Ashes. Right there they decided that with a remix the album could be shaped into the masterpiece they intended way back in 2001. Finally, 20 years later, Propagandhi can say they are happy with how Todayâs Empires, Tomorrowâs Ashes (Reissue) turned out.
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Propagandhi: Today's Empires, Tomorrow's Ashes 12"
Propagandhi: Today's Empires, Tomorrow's Ashes 12"
REMIXED AND REISSUED!!! After 1993âs How To Clean Everything and 1996âs Less Talk, More Rock, Todayâs Empires, Tomorrowâs Ashes was Propagandhiâs third and penultimate album on FAT. It marked a transition period for the band. Not only was it their first record after the departure of bassist/vocalist John K. Sampsonâwho was replaced by Todd Kowalskiâbut it also saw the start in the shift towards the sound that has now come to define them.
The result was an album that, despite singer Chris Hannahâs reservations, truly set the benchmark back then, and does so even more in its new sonic form. Just listen to what opener âMate Ka Moris Ukun Rasik Anâ or the caustic title track sound like now, not to mention the still-eye-opening blast of âWith Friends Like These Who the Fuck Needs COINTELPRO?ââthe lyrical content of which remains as shocking today as it was back then. Intelligent and visceral in equal measure, itâs a record that offers up one of the most vicious indictments of American (and, to be fair, Western) imperialism ever committed to tape.
But the band was never quite happy with how the album turned out. It was better than it was given credit for. While the pieces were all there, the album lacked sonically in a way the band was never satisfied with. Fast forward almost two decades, when Propagandhi was in the studio with Jason Livermore mixing Victory Lap, and Hannah brought up the issues with Todayâs Empires, Tomorrowâs Ashes. Right there they decided that with a remix the album could be shaped into the masterpiece they intended way back in 2001. Finally, 20 years later, Propagandhi can say they are happy with how Todayâs Empires, Tomorrowâs Ashes (Reissue) turned out.
The result was an album that, despite singer Chris Hannahâs reservations, truly set the benchmark back then, and does so even more in its new sonic form. Just listen to what opener âMate Ka Moris Ukun Rasik Anâ or the caustic title track sound like now, not to mention the still-eye-opening blast of âWith Friends Like These Who the Fuck Needs COINTELPRO?ââthe lyrical content of which remains as shocking today as it was back then. Intelligent and visceral in equal measure, itâs a record that offers up one of the most vicious indictments of American (and, to be fair, Western) imperialism ever committed to tape.
But the band was never quite happy with how the album turned out. It was better than it was given credit for. While the pieces were all there, the album lacked sonically in a way the band was never satisfied with. Fast forward almost two decades, when Propagandhi was in the studio with Jason Livermore mixing Victory Lap, and Hannah brought up the issues with Todayâs Empires, Tomorrowâs Ashes. Right there they decided that with a remix the album could be shaped into the masterpiece they intended way back in 2001. Finally, 20 years later, Propagandhi can say they are happy with how Todayâs Empires, Tomorrowâs Ashes (Reissue) turned out.
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REMIXED AND REISSUED!!! After 1993âs How To Clean Everything and 1996âs Less Talk, More Rock, Todayâs Empires, Tomorrowâs Ashes was Propagandhiâs third and penultimate album on FAT. It marked a transition period for the band. Not only was it their first record after the departure of bassist/vocalist John K. Sampsonâwho was replaced by Todd Kowalskiâbut it also saw the start in the shift towards the sound that has now come to define them.
The result was an album that, despite singer Chris Hannahâs reservations, truly set the benchmark back then, and does so even more in its new sonic form. Just listen to what opener âMate Ka Moris Ukun Rasik Anâ or the caustic title track sound like now, not to mention the still-eye-opening blast of âWith Friends Like These Who the Fuck Needs COINTELPRO?ââthe lyrical content of which remains as shocking today as it was back then. Intelligent and visceral in equal measure, itâs a record that offers up one of the most vicious indictments of American (and, to be fair, Western) imperialism ever committed to tape.
But the band was never quite happy with how the album turned out. It was better than it was given credit for. While the pieces were all there, the album lacked sonically in a way the band was never satisfied with. Fast forward almost two decades, when Propagandhi was in the studio with Jason Livermore mixing Victory Lap, and Hannah brought up the issues with Todayâs Empires, Tomorrowâs Ashes. Right there they decided that with a remix the album could be shaped into the masterpiece they intended way back in 2001. Finally, 20 years later, Propagandhi can say they are happy with how Todayâs Empires, Tomorrowâs Ashes (Reissue) turned out.
The result was an album that, despite singer Chris Hannahâs reservations, truly set the benchmark back then, and does so even more in its new sonic form. Just listen to what opener âMate Ka Moris Ukun Rasik Anâ or the caustic title track sound like now, not to mention the still-eye-opening blast of âWith Friends Like These Who the Fuck Needs COINTELPRO?ââthe lyrical content of which remains as shocking today as it was back then. Intelligent and visceral in equal measure, itâs a record that offers up one of the most vicious indictments of American (and, to be fair, Western) imperialism ever committed to tape.
But the band was never quite happy with how the album turned out. It was better than it was given credit for. While the pieces were all there, the album lacked sonically in a way the band was never satisfied with. Fast forward almost two decades, when Propagandhi was in the studio with Jason Livermore mixing Victory Lap, and Hannah brought up the issues with Todayâs Empires, Tomorrowâs Ashes. Right there they decided that with a remix the album could be shaped into the masterpiece they intended way back in 2001. Finally, 20 years later, Propagandhi can say they are happy with how Todayâs Empires, Tomorrowâs Ashes (Reissue) turned out.











