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Smirk: EP 12"
Smirk is a solo project from Nic Vicario (Crisis Man, Public Eye, Cemento). Following the release of āLPā on Feel It (US) and Drunken Sailor (EU/UK) earlier this year, Smirk is back with a brand new 12ā EP on Total Punk. While āLPā compiled Smirkās two limited run cassettes, āEPā is seven fresh tracks of wiry well-crafted punk with heaps of hooks. Sharp guitars and anxious one note leads adding tension to the locked in propulsive groove of the bass and drums. Nic Vicario, doing his best āman on wireā routine, exudes cool confidence while poking at the anxieties of modern life. Strutting his way to the apocalypse one jittery jam at a time, āEPā is agitated, catchy, and bouncy as hell. 100% TOTAL PUNK.
Our take: With this new EP, Smirk has the unique distinction of having a simultaneous release on Iron Lung Records (cassette) and Total Punk Records (vinyl). That should be a clue for you that this EP is special. As Dominic mentioned in his staff pick a few weeks ago, Smirkās EP offers seven crackling tracks of punk-infused pop. Not pop-punk, of course, but something far less stylized. While they donāt have the faux-English qualities of bands that emulate their style, Smirk reminds me of Cleaners from Venus, Television Personalities, and the Times, all of whom made homespun pop music informed by punkās DIY aesthetics and emphasis on energy and drive. While I am, of course, a punk to my bone, itās the poppiest moments of EP that hit the hardest, like the wistful closing track āLost Citiesā and the bouncy and sunny āSo Original,ā with its cool Wilko Johnson-esque rockabilly riff. Each track feels like its own little universe though, and the EPās variety and brevity is an infectious combination.
Our take: With this new EP, Smirk has the unique distinction of having a simultaneous release on Iron Lung Records (cassette) and Total Punk Records (vinyl). That should be a clue for you that this EP is special. As Dominic mentioned in his staff pick a few weeks ago, Smirkās EP offers seven crackling tracks of punk-infused pop. Not pop-punk, of course, but something far less stylized. While they donāt have the faux-English qualities of bands that emulate their style, Smirk reminds me of Cleaners from Venus, Television Personalities, and the Times, all of whom made homespun pop music informed by punkās DIY aesthetics and emphasis on energy and drive. While I am, of course, a punk to my bone, itās the poppiest moments of EP that hit the hardest, like the wistful closing track āLost Citiesā and the bouncy and sunny āSo Original,ā with its cool Wilko Johnson-esque rockabilly riff. Each track feels like its own little universe though, and the EPās variety and brevity is an infectious combination.
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Smirk: EP 12"
Smirk: EP 12"
Smirk is a solo project from Nic Vicario (Crisis Man, Public Eye, Cemento). Following the release of āLPā on Feel It (US) and Drunken Sailor (EU/UK) earlier this year, Smirk is back with a brand new 12ā EP on Total Punk. While āLPā compiled Smirkās two limited run cassettes, āEPā is seven fresh tracks of wiry well-crafted punk with heaps of hooks. Sharp guitars and anxious one note leads adding tension to the locked in propulsive groove of the bass and drums. Nic Vicario, doing his best āman on wireā routine, exudes cool confidence while poking at the anxieties of modern life. Strutting his way to the apocalypse one jittery jam at a time, āEPā is agitated, catchy, and bouncy as hell. 100% TOTAL PUNK.
Our take: With this new EP, Smirk has the unique distinction of having a simultaneous release on Iron Lung Records (cassette) and Total Punk Records (vinyl). That should be a clue for you that this EP is special. As Dominic mentioned in his staff pick a few weeks ago, Smirkās EP offers seven crackling tracks of punk-infused pop. Not pop-punk, of course, but something far less stylized. While they donāt have the faux-English qualities of bands that emulate their style, Smirk reminds me of Cleaners from Venus, Television Personalities, and the Times, all of whom made homespun pop music informed by punkās DIY aesthetics and emphasis on energy and drive. While I am, of course, a punk to my bone, itās the poppiest moments of EP that hit the hardest, like the wistful closing track āLost Citiesā and the bouncy and sunny āSo Original,ā with its cool Wilko Johnson-esque rockabilly riff. Each track feels like its own little universe though, and the EPās variety and brevity is an infectious combination.
Our take: With this new EP, Smirk has the unique distinction of having a simultaneous release on Iron Lung Records (cassette) and Total Punk Records (vinyl). That should be a clue for you that this EP is special. As Dominic mentioned in his staff pick a few weeks ago, Smirkās EP offers seven crackling tracks of punk-infused pop. Not pop-punk, of course, but something far less stylized. While they donāt have the faux-English qualities of bands that emulate their style, Smirk reminds me of Cleaners from Venus, Television Personalities, and the Times, all of whom made homespun pop music informed by punkās DIY aesthetics and emphasis on energy and drive. While I am, of course, a punk to my bone, itās the poppiest moments of EP that hit the hardest, like the wistful closing track āLost Citiesā and the bouncy and sunny āSo Original,ā with its cool Wilko Johnson-esque rockabilly riff. Each track feels like its own little universe though, and the EPās variety and brevity is an infectious combination.
$242.40
Original: $808.00
-70%Smirk: EP 12"ā
$808.00
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Description
Smirk is a solo project from Nic Vicario (Crisis Man, Public Eye, Cemento). Following the release of āLPā on Feel It (US) and Drunken Sailor (EU/UK) earlier this year, Smirk is back with a brand new 12ā EP on Total Punk. While āLPā compiled Smirkās two limited run cassettes, āEPā is seven fresh tracks of wiry well-crafted punk with heaps of hooks. Sharp guitars and anxious one note leads adding tension to the locked in propulsive groove of the bass and drums. Nic Vicario, doing his best āman on wireā routine, exudes cool confidence while poking at the anxieties of modern life. Strutting his way to the apocalypse one jittery jam at a time, āEPā is agitated, catchy, and bouncy as hell. 100% TOTAL PUNK.
Our take: With this new EP, Smirk has the unique distinction of having a simultaneous release on Iron Lung Records (cassette) and Total Punk Records (vinyl). That should be a clue for you that this EP is special. As Dominic mentioned in his staff pick a few weeks ago, Smirkās EP offers seven crackling tracks of punk-infused pop. Not pop-punk, of course, but something far less stylized. While they donāt have the faux-English qualities of bands that emulate their style, Smirk reminds me of Cleaners from Venus, Television Personalities, and the Times, all of whom made homespun pop music informed by punkās DIY aesthetics and emphasis on energy and drive. While I am, of course, a punk to my bone, itās the poppiest moments of EP that hit the hardest, like the wistful closing track āLost Citiesā and the bouncy and sunny āSo Original,ā with its cool Wilko Johnson-esque rockabilly riff. Each track feels like its own little universe though, and the EPās variety and brevity is an infectious combination.
Our take: With this new EP, Smirk has the unique distinction of having a simultaneous release on Iron Lung Records (cassette) and Total Punk Records (vinyl). That should be a clue for you that this EP is special. As Dominic mentioned in his staff pick a few weeks ago, Smirkās EP offers seven crackling tracks of punk-infused pop. Not pop-punk, of course, but something far less stylized. While they donāt have the faux-English qualities of bands that emulate their style, Smirk reminds me of Cleaners from Venus, Television Personalities, and the Times, all of whom made homespun pop music informed by punkās DIY aesthetics and emphasis on energy and drive. While I am, of course, a punk to my bone, itās the poppiest moments of EP that hit the hardest, like the wistful closing track āLost Citiesā and the bouncy and sunny āSo Original,ā with its cool Wilko Johnson-esque rockabilly riff. Each track feels like its own little universe though, and the EPās variety and brevity is an infectious combination.











