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Mundo Primitivo: Paisaje Interior cassette
As Australia gets a head start with the first green shoots of post-(?)pandemic punk, MUNDO PRIMITIVO set it off with some vertigo-inducing bar-setting on this sensational eight track tape. Melissa (of Colombiaās ABUSO) touches down in Sydney and starts this band. It sounds like you getting moshed right out of the fire escape of a Bowls Club in Wollongong and head first into the window of an anarchist squat in BogotĆ”. And back again!
Itās hardcore, so the inventive riff buffet on offer here tastes a bit like Oliās previous shred stint in another hands-across-the-Pacific supergroup MORTE LENTA, but the immediacy here is straight outta the New South Wales basement multiverse, which figures as bass is held down by Allie of PHOTOGENIC and MUM infamy, while roiling tom stomps could only be worthy of esteemed local corelord SeƱor Coyle of ILL BRIGADE. As cocktails go⦠itās a strong one, so order a tray for your mates then throw them at a cop.
āPaisaje Interiorā takes a defiant lyrical stance, asking us who will we decide to be after what we have been through? This is a bold decree to hold ourselves together in grief and rage, to stay very much alive in spite of the best efforts of so many evil forces. āHoy quiero vivir y gritar la verdad!ā If this tape had to be compared to a four band bill weād book OLHO SECO for mood, LOOK BACK AND LAUGH for speed, SIAL for vibe and ā¦CHAIN OF STRENGTH for cruciality. El Mundo contains multitudes though so thereās even a propulsive RAKTA-esque haunting to close things out.
This wicked fusion dish is a timely reminder of the explosive musical friendships that punks of every stripe cannot help but build whenever we discover each other in the same space or a new place. If that thought alone brings a tear to your bleary eyes, then hereās one to blast as the community puts its arms around our Colombian siblings. (Bryony Beynon)
Our take: Paisaje Interior is the debut release from this new band on Static Shock, one of our favorite labels here at Sorry State. While Mundo Primitivo is based in Australia, their singer is from Colombia and sang for the band Abuso, and to my ears Mundo Primitivo has more in common with the raw and urgent punk thatās been coming out of Colombia for the past several years than the more considered and cosmopolitan Australian hardcore scene. Whatās it sound like? Raw fucking hardcore punk with elements from catchier punk and a little goth. The tape starts with an instrumental track whose riff sounds suspiciously like Fucked Upās song āGenerationā (itās a great fucking riff, why not?) then segues into several tracks of killer, catchy punk. Itās hardcore, but with a sense of drive and bounce rather than an emphasis on heaviness or brutality. The songs feel unique from one another, not just iterating the same ideas and motifs again and again. This culminates on the tapeās last track, āMedium,ā which has a spookier, more spacious goth sound that reminds me of Kurraka. The songs are superb and I love the gritty recording, killer artwork, and that thereās a solid 12ā EP worth of music here. One of the strongest demos weāve seen in 2021 so far.
Itās hardcore, so the inventive riff buffet on offer here tastes a bit like Oliās previous shred stint in another hands-across-the-Pacific supergroup MORTE LENTA, but the immediacy here is straight outta the New South Wales basement multiverse, which figures as bass is held down by Allie of PHOTOGENIC and MUM infamy, while roiling tom stomps could only be worthy of esteemed local corelord SeƱor Coyle of ILL BRIGADE. As cocktails go⦠itās a strong one, so order a tray for your mates then throw them at a cop.
āPaisaje Interiorā takes a defiant lyrical stance, asking us who will we decide to be after what we have been through? This is a bold decree to hold ourselves together in grief and rage, to stay very much alive in spite of the best efforts of so many evil forces. āHoy quiero vivir y gritar la verdad!ā If this tape had to be compared to a four band bill weād book OLHO SECO for mood, LOOK BACK AND LAUGH for speed, SIAL for vibe and ā¦CHAIN OF STRENGTH for cruciality. El Mundo contains multitudes though so thereās even a propulsive RAKTA-esque haunting to close things out.
This wicked fusion dish is a timely reminder of the explosive musical friendships that punks of every stripe cannot help but build whenever we discover each other in the same space or a new place. If that thought alone brings a tear to your bleary eyes, then hereās one to blast as the community puts its arms around our Colombian siblings. (Bryony Beynon)
Our take: Paisaje Interior is the debut release from this new band on Static Shock, one of our favorite labels here at Sorry State. While Mundo Primitivo is based in Australia, their singer is from Colombia and sang for the band Abuso, and to my ears Mundo Primitivo has more in common with the raw and urgent punk thatās been coming out of Colombia for the past several years than the more considered and cosmopolitan Australian hardcore scene. Whatās it sound like? Raw fucking hardcore punk with elements from catchier punk and a little goth. The tape starts with an instrumental track whose riff sounds suspiciously like Fucked Upās song āGenerationā (itās a great fucking riff, why not?) then segues into several tracks of killer, catchy punk. Itās hardcore, but with a sense of drive and bounce rather than an emphasis on heaviness or brutality. The songs feel unique from one another, not just iterating the same ideas and motifs again and again. This culminates on the tapeās last track, āMedium,ā which has a spookier, more spacious goth sound that reminds me of Kurraka. The songs are superb and I love the gritty recording, killer artwork, and that thereās a solid 12ā EP worth of music here. One of the strongest demos weāve seen in 2021 so far.
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Mundo Primitivo: Paisaje Interior cassette
Mundo Primitivo: Paisaje Interior cassette
As Australia gets a head start with the first green shoots of post-(?)pandemic punk, MUNDO PRIMITIVO set it off with some vertigo-inducing bar-setting on this sensational eight track tape. Melissa (of Colombiaās ABUSO) touches down in Sydney and starts this band. It sounds like you getting moshed right out of the fire escape of a Bowls Club in Wollongong and head first into the window of an anarchist squat in BogotĆ”. And back again!
Itās hardcore, so the inventive riff buffet on offer here tastes a bit like Oliās previous shred stint in another hands-across-the-Pacific supergroup MORTE LENTA, but the immediacy here is straight outta the New South Wales basement multiverse, which figures as bass is held down by Allie of PHOTOGENIC and MUM infamy, while roiling tom stomps could only be worthy of esteemed local corelord SeƱor Coyle of ILL BRIGADE. As cocktails go⦠itās a strong one, so order a tray for your mates then throw them at a cop.
āPaisaje Interiorā takes a defiant lyrical stance, asking us who will we decide to be after what we have been through? This is a bold decree to hold ourselves together in grief and rage, to stay very much alive in spite of the best efforts of so many evil forces. āHoy quiero vivir y gritar la verdad!ā If this tape had to be compared to a four band bill weād book OLHO SECO for mood, LOOK BACK AND LAUGH for speed, SIAL for vibe and ā¦CHAIN OF STRENGTH for cruciality. El Mundo contains multitudes though so thereās even a propulsive RAKTA-esque haunting to close things out.
This wicked fusion dish is a timely reminder of the explosive musical friendships that punks of every stripe cannot help but build whenever we discover each other in the same space or a new place. If that thought alone brings a tear to your bleary eyes, then hereās one to blast as the community puts its arms around our Colombian siblings. (Bryony Beynon)
Our take: Paisaje Interior is the debut release from this new band on Static Shock, one of our favorite labels here at Sorry State. While Mundo Primitivo is based in Australia, their singer is from Colombia and sang for the band Abuso, and to my ears Mundo Primitivo has more in common with the raw and urgent punk thatās been coming out of Colombia for the past several years than the more considered and cosmopolitan Australian hardcore scene. Whatās it sound like? Raw fucking hardcore punk with elements from catchier punk and a little goth. The tape starts with an instrumental track whose riff sounds suspiciously like Fucked Upās song āGenerationā (itās a great fucking riff, why not?) then segues into several tracks of killer, catchy punk. Itās hardcore, but with a sense of drive and bounce rather than an emphasis on heaviness or brutality. The songs feel unique from one another, not just iterating the same ideas and motifs again and again. This culminates on the tapeās last track, āMedium,ā which has a spookier, more spacious goth sound that reminds me of Kurraka. The songs are superb and I love the gritty recording, killer artwork, and that thereās a solid 12ā EP worth of music here. One of the strongest demos weāve seen in 2021 so far.
Itās hardcore, so the inventive riff buffet on offer here tastes a bit like Oliās previous shred stint in another hands-across-the-Pacific supergroup MORTE LENTA, but the immediacy here is straight outta the New South Wales basement multiverse, which figures as bass is held down by Allie of PHOTOGENIC and MUM infamy, while roiling tom stomps could only be worthy of esteemed local corelord SeƱor Coyle of ILL BRIGADE. As cocktails go⦠itās a strong one, so order a tray for your mates then throw them at a cop.
āPaisaje Interiorā takes a defiant lyrical stance, asking us who will we decide to be after what we have been through? This is a bold decree to hold ourselves together in grief and rage, to stay very much alive in spite of the best efforts of so many evil forces. āHoy quiero vivir y gritar la verdad!ā If this tape had to be compared to a four band bill weād book OLHO SECO for mood, LOOK BACK AND LAUGH for speed, SIAL for vibe and ā¦CHAIN OF STRENGTH for cruciality. El Mundo contains multitudes though so thereās even a propulsive RAKTA-esque haunting to close things out.
This wicked fusion dish is a timely reminder of the explosive musical friendships that punks of every stripe cannot help but build whenever we discover each other in the same space or a new place. If that thought alone brings a tear to your bleary eyes, then hereās one to blast as the community puts its arms around our Colombian siblings. (Bryony Beynon)
Our take: Paisaje Interior is the debut release from this new band on Static Shock, one of our favorite labels here at Sorry State. While Mundo Primitivo is based in Australia, their singer is from Colombia and sang for the band Abuso, and to my ears Mundo Primitivo has more in common with the raw and urgent punk thatās been coming out of Colombia for the past several years than the more considered and cosmopolitan Australian hardcore scene. Whatās it sound like? Raw fucking hardcore punk with elements from catchier punk and a little goth. The tape starts with an instrumental track whose riff sounds suspiciously like Fucked Upās song āGenerationā (itās a great fucking riff, why not?) then segues into several tracks of killer, catchy punk. Itās hardcore, but with a sense of drive and bounce rather than an emphasis on heaviness or brutality. The songs feel unique from one another, not just iterating the same ideas and motifs again and again. This culminates on the tapeās last track, āMedium,ā which has a spookier, more spacious goth sound that reminds me of Kurraka. The songs are superb and I love the gritty recording, killer artwork, and that thereās a solid 12ā EP worth of music here. One of the strongest demos weāve seen in 2021 so far.
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As Australia gets a head start with the first green shoots of post-(?)pandemic punk, MUNDO PRIMITIVO set it off with some vertigo-inducing bar-setting on this sensational eight track tape. Melissa (of Colombiaās ABUSO) touches down in Sydney and starts this band. It sounds like you getting moshed right out of the fire escape of a Bowls Club in Wollongong and head first into the window of an anarchist squat in BogotĆ”. And back again!
Itās hardcore, so the inventive riff buffet on offer here tastes a bit like Oliās previous shred stint in another hands-across-the-Pacific supergroup MORTE LENTA, but the immediacy here is straight outta the New South Wales basement multiverse, which figures as bass is held down by Allie of PHOTOGENIC and MUM infamy, while roiling tom stomps could only be worthy of esteemed local corelord SeƱor Coyle of ILL BRIGADE. As cocktails go⦠itās a strong one, so order a tray for your mates then throw them at a cop.
āPaisaje Interiorā takes a defiant lyrical stance, asking us who will we decide to be after what we have been through? This is a bold decree to hold ourselves together in grief and rage, to stay very much alive in spite of the best efforts of so many evil forces. āHoy quiero vivir y gritar la verdad!ā If this tape had to be compared to a four band bill weād book OLHO SECO for mood, LOOK BACK AND LAUGH for speed, SIAL for vibe and ā¦CHAIN OF STRENGTH for cruciality. El Mundo contains multitudes though so thereās even a propulsive RAKTA-esque haunting to close things out.
This wicked fusion dish is a timely reminder of the explosive musical friendships that punks of every stripe cannot help but build whenever we discover each other in the same space or a new place. If that thought alone brings a tear to your bleary eyes, then hereās one to blast as the community puts its arms around our Colombian siblings. (Bryony Beynon)
Our take: Paisaje Interior is the debut release from this new band on Static Shock, one of our favorite labels here at Sorry State. While Mundo Primitivo is based in Australia, their singer is from Colombia and sang for the band Abuso, and to my ears Mundo Primitivo has more in common with the raw and urgent punk thatās been coming out of Colombia for the past several years than the more considered and cosmopolitan Australian hardcore scene. Whatās it sound like? Raw fucking hardcore punk with elements from catchier punk and a little goth. The tape starts with an instrumental track whose riff sounds suspiciously like Fucked Upās song āGenerationā (itās a great fucking riff, why not?) then segues into several tracks of killer, catchy punk. Itās hardcore, but with a sense of drive and bounce rather than an emphasis on heaviness or brutality. The songs feel unique from one another, not just iterating the same ideas and motifs again and again. This culminates on the tapeās last track, āMedium,ā which has a spookier, more spacious goth sound that reminds me of Kurraka. The songs are superb and I love the gritty recording, killer artwork, and that thereās a solid 12ā EP worth of music here. One of the strongest demos weāve seen in 2021 so far.
Itās hardcore, so the inventive riff buffet on offer here tastes a bit like Oliās previous shred stint in another hands-across-the-Pacific supergroup MORTE LENTA, but the immediacy here is straight outta the New South Wales basement multiverse, which figures as bass is held down by Allie of PHOTOGENIC and MUM infamy, while roiling tom stomps could only be worthy of esteemed local corelord SeƱor Coyle of ILL BRIGADE. As cocktails go⦠itās a strong one, so order a tray for your mates then throw them at a cop.
āPaisaje Interiorā takes a defiant lyrical stance, asking us who will we decide to be after what we have been through? This is a bold decree to hold ourselves together in grief and rage, to stay very much alive in spite of the best efforts of so many evil forces. āHoy quiero vivir y gritar la verdad!ā If this tape had to be compared to a four band bill weād book OLHO SECO for mood, LOOK BACK AND LAUGH for speed, SIAL for vibe and ā¦CHAIN OF STRENGTH for cruciality. El Mundo contains multitudes though so thereās even a propulsive RAKTA-esque haunting to close things out.
This wicked fusion dish is a timely reminder of the explosive musical friendships that punks of every stripe cannot help but build whenever we discover each other in the same space or a new place. If that thought alone brings a tear to your bleary eyes, then hereās one to blast as the community puts its arms around our Colombian siblings. (Bryony Beynon)
Our take: Paisaje Interior is the debut release from this new band on Static Shock, one of our favorite labels here at Sorry State. While Mundo Primitivo is based in Australia, their singer is from Colombia and sang for the band Abuso, and to my ears Mundo Primitivo has more in common with the raw and urgent punk thatās been coming out of Colombia for the past several years than the more considered and cosmopolitan Australian hardcore scene. Whatās it sound like? Raw fucking hardcore punk with elements from catchier punk and a little goth. The tape starts with an instrumental track whose riff sounds suspiciously like Fucked Upās song āGenerationā (itās a great fucking riff, why not?) then segues into several tracks of killer, catchy punk. Itās hardcore, but with a sense of drive and bounce rather than an emphasis on heaviness or brutality. The songs feel unique from one another, not just iterating the same ideas and motifs again and again. This culminates on the tapeās last track, āMedium,ā which has a spookier, more spacious goth sound that reminds me of Kurraka. The songs are superb and I love the gritty recording, killer artwork, and that thereās a solid 12ā EP worth of music here. One of the strongest demos weāve seen in 2021 so far.











