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Throat: Smile Less 12"
Smiles are contagious, so in these troubled times Throat urge you to smile less
Throatās third album, āSmile Lessā carries a significantly darker tone compared to the bandās previous output albeit the light at the end of the tunnel has always been dim. While the foundation of Throatās sound remains in 90s noise rock, āSmile Lessā pushes its way through all boundaries, starting off with cold post-punk vibes and ending in a wall of harsh noise. The space between those moments is stuffed with noisy rock music offering the listener the odd chance for groovy booty shake before throwing a curve ball with some industrial sound experiments. The first impression may not be as jarring as on their earlier recordings, but āSmile Lessā is still a demanding listen as Throat have never been poster boys for entertainment value.
Just like āBarebackā (2018), the bandās second album and first one for Svart Records, āSmile Lessā was recorded at Tonehaven Recording Studio with Tom Brooke, mixed by Andrew Schneider (Unsane, Cult of Luna, Cave In) and mastered by Carl Saff (Big Business, KEN Mode, Young Widows). Artwork was designed by Canadian artist Paul Van Trigt.
Since āBarebackā, Throat has toured the U.S., played a handful of shows in Finland, celebrated their 10 year anniversary with a double-CD compilation, recruited a new drummer in their ranks and also released an industrial/noise remix version of āBarebackā.
Throatās third album, āSmile Lessā carries a significantly darker tone compared to the bandās previous output albeit the light at the end of the tunnel has always been dim. While the foundation of Throatās sound remains in 90s noise rock, āSmile Lessā pushes its way through all boundaries, starting off with cold post-punk vibes and ending in a wall of harsh noise. The space between those moments is stuffed with noisy rock music offering the listener the odd chance for groovy booty shake before throwing a curve ball with some industrial sound experiments. The first impression may not be as jarring as on their earlier recordings, but āSmile Lessā is still a demanding listen as Throat have never been poster boys for entertainment value.
Just like āBarebackā (2018), the bandās second album and first one for Svart Records, āSmile Lessā was recorded at Tonehaven Recording Studio with Tom Brooke, mixed by Andrew Schneider (Unsane, Cult of Luna, Cave In) and mastered by Carl Saff (Big Business, KEN Mode, Young Widows). Artwork was designed by Canadian artist Paul Van Trigt.
Since āBarebackā, Throat has toured the U.S., played a handful of shows in Finland, celebrated their 10 year anniversary with a double-CD compilation, recruited a new drummer in their ranks and also released an industrial/noise remix version of āBarebackā.
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Throat: Smile Less 12"
Throat: Smile Less 12"
Smiles are contagious, so in these troubled times Throat urge you to smile less
Throatās third album, āSmile Lessā carries a significantly darker tone compared to the bandās previous output albeit the light at the end of the tunnel has always been dim. While the foundation of Throatās sound remains in 90s noise rock, āSmile Lessā pushes its way through all boundaries, starting off with cold post-punk vibes and ending in a wall of harsh noise. The space between those moments is stuffed with noisy rock music offering the listener the odd chance for groovy booty shake before throwing a curve ball with some industrial sound experiments. The first impression may not be as jarring as on their earlier recordings, but āSmile Lessā is still a demanding listen as Throat have never been poster boys for entertainment value.
Just like āBarebackā (2018), the bandās second album and first one for Svart Records, āSmile Lessā was recorded at Tonehaven Recording Studio with Tom Brooke, mixed by Andrew Schneider (Unsane, Cult of Luna, Cave In) and mastered by Carl Saff (Big Business, KEN Mode, Young Widows). Artwork was designed by Canadian artist Paul Van Trigt.
Since āBarebackā, Throat has toured the U.S., played a handful of shows in Finland, celebrated their 10 year anniversary with a double-CD compilation, recruited a new drummer in their ranks and also released an industrial/noise remix version of āBarebackā.
Throatās third album, āSmile Lessā carries a significantly darker tone compared to the bandās previous output albeit the light at the end of the tunnel has always been dim. While the foundation of Throatās sound remains in 90s noise rock, āSmile Lessā pushes its way through all boundaries, starting off with cold post-punk vibes and ending in a wall of harsh noise. The space between those moments is stuffed with noisy rock music offering the listener the odd chance for groovy booty shake before throwing a curve ball with some industrial sound experiments. The first impression may not be as jarring as on their earlier recordings, but āSmile Lessā is still a demanding listen as Throat have never been poster boys for entertainment value.
Just like āBarebackā (2018), the bandās second album and first one for Svart Records, āSmile Lessā was recorded at Tonehaven Recording Studio with Tom Brooke, mixed by Andrew Schneider (Unsane, Cult of Luna, Cave In) and mastered by Carl Saff (Big Business, KEN Mode, Young Widows). Artwork was designed by Canadian artist Paul Van Trigt.
Since āBarebackā, Throat has toured the U.S., played a handful of shows in Finland, celebrated their 10 year anniversary with a double-CD compilation, recruited a new drummer in their ranks and also released an industrial/noise remix version of āBarebackā.
$385.20
Original: $1,284.00
-70%Throat: Smile Less 12"ā
$1,284.00
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Description
Smiles are contagious, so in these troubled times Throat urge you to smile less
Throatās third album, āSmile Lessā carries a significantly darker tone compared to the bandās previous output albeit the light at the end of the tunnel has always been dim. While the foundation of Throatās sound remains in 90s noise rock, āSmile Lessā pushes its way through all boundaries, starting off with cold post-punk vibes and ending in a wall of harsh noise. The space between those moments is stuffed with noisy rock music offering the listener the odd chance for groovy booty shake before throwing a curve ball with some industrial sound experiments. The first impression may not be as jarring as on their earlier recordings, but āSmile Lessā is still a demanding listen as Throat have never been poster boys for entertainment value.
Just like āBarebackā (2018), the bandās second album and first one for Svart Records, āSmile Lessā was recorded at Tonehaven Recording Studio with Tom Brooke, mixed by Andrew Schneider (Unsane, Cult of Luna, Cave In) and mastered by Carl Saff (Big Business, KEN Mode, Young Widows). Artwork was designed by Canadian artist Paul Van Trigt.
Since āBarebackā, Throat has toured the U.S., played a handful of shows in Finland, celebrated their 10 year anniversary with a double-CD compilation, recruited a new drummer in their ranks and also released an industrial/noise remix version of āBarebackā.
Throatās third album, āSmile Lessā carries a significantly darker tone compared to the bandās previous output albeit the light at the end of the tunnel has always been dim. While the foundation of Throatās sound remains in 90s noise rock, āSmile Lessā pushes its way through all boundaries, starting off with cold post-punk vibes and ending in a wall of harsh noise. The space between those moments is stuffed with noisy rock music offering the listener the odd chance for groovy booty shake before throwing a curve ball with some industrial sound experiments. The first impression may not be as jarring as on their earlier recordings, but āSmile Lessā is still a demanding listen as Throat have never been poster boys for entertainment value.
Just like āBarebackā (2018), the bandās second album and first one for Svart Records, āSmile Lessā was recorded at Tonehaven Recording Studio with Tom Brooke, mixed by Andrew Schneider (Unsane, Cult of Luna, Cave In) and mastered by Carl Saff (Big Business, KEN Mode, Young Widows). Artwork was designed by Canadian artist Paul Van Trigt.
Since āBarebackā, Throat has toured the U.S., played a handful of shows in Finland, celebrated their 10 year anniversary with a double-CD compilation, recruited a new drummer in their ranks and also released an industrial/noise remix version of āBarebackā.











