C.O.F.F.I.N.: Children of Finland Fighting In Norway 12"
*Note: some of our copies have corner damage from traveling overseas.
Children Of Finland Fighting In Norway aka C.O.F.F.I.N is an Australian punk band who have accepted the mental of their nationâs long legacy of greasy-haired, outback-scrounging, garage rock rumblers, blowing out eardrums and amps one stage at a time, while chiseling their name below those of Radio Birdman and The Hard-Ons in petrol station bathroom stalls across New South Wales and beyond.
C.O.F.F.I.Nâs were planning on taking their sweaty, slug-trailed tunes and cracked cavalcade on the road this year, hell-bent on mopping up the USA while on tour with Amyl and the Sniffers, but due to COVID, those plans had to take a short dirt nap. The record they were planning to tour on is out though, and it is a bar-none, bar-room crashing, banger!
The latest self-titled album from C.O.F.F.I.Nâs is their fourth LP overall and retains a lot of the attitude from their previous releases. It unleashes a raging rip of rock fury that blazes like a wildfire, kept alive and deadly by the bellow-like thump and growl of drummer and vocalist Ben Portnoy whirlwind conjuring percussion and libido-pumping leads and grooves of the bandâs three guitarists, Abijah Rado, Arthur Flanders, and Aaron Moss.
Not unsurprisingly, C.O.F.F.I.N shares a lot in common stylistically with angst-primed, countryfied garage of groups like The Murder Junkies. To that point, theyâll often close out sets with a GG Allin song and the original cover of their 2018 Pissâ~âUp depicted the band peeing into their own mouths (and the alternative cover isnât much better). But itâs on matters of ethics and principals, rather than style and image, where the C.O.F.F.I.N diverges from many of their influences. What may appears on the outside like a bunch of boys having a gay old-time while playing recklessly loud and loose rock ân roll, is in reality a layered experience of conscientiousness and social engagement (in addition to a bunch of guys messing around and making a god damned racket!).
Case in point, C.O.F.F.I.Nâs track âDead Land,â which takes up the issues of environmental degradation, the encroachment development on wildlife habitats, and the devastating impacts of global warming, all with the fires that nearly consumed their native country this past year, billowing at the top of mind, with its lusty appetite for destruction in the foreground. If the land dies, it will be humanityâs fault, and presently we as a species show no signs of abating our march towards a fallow Earth.
Socials issues are of great concern to the band as well. In interviews, Portnoy and other band members will speak candidly about the need to confront homophobia and end racism in Australia and around the world. C.O.F.F.I.N may take the piss (literally) when it comes to themselves and their music, but when it comes to the subject matter of their songs, they clearly intend to inspire reflection and action, as much, or more, than simply a rowdy, good time.
As guitarist Abijah Rado told Monster Children back in July, âNow is a time that, through collective unity, peopleâs voices are finally being heard and acknowledged. The whole system needs to change and that will never happen overnight, but itâs good to see that the ball has started rolling towards implementing these necessary adjustments.â
Product Information
Product Information
Shipping & Returns
Shipping & Returns

C.O.F.F.I.N.: Children of Finland Fighting In Norway 12"
C.O.F.F.I.N.: Children of Finland Fighting In Norway 12"
*Note: some of our copies have corner damage from traveling overseas.
Children Of Finland Fighting In Norway aka C.O.F.F.I.N is an Australian punk band who have accepted the mental of their nationâs long legacy of greasy-haired, outback-scrounging, garage rock rumblers, blowing out eardrums and amps one stage at a time, while chiseling their name below those of Radio Birdman and The Hard-Ons in petrol station bathroom stalls across New South Wales and beyond.
C.O.F.F.I.Nâs were planning on taking their sweaty, slug-trailed tunes and cracked cavalcade on the road this year, hell-bent on mopping up the USA while on tour with Amyl and the Sniffers, but due to COVID, those plans had to take a short dirt nap. The record they were planning to tour on is out though, and it is a bar-none, bar-room crashing, banger!
The latest self-titled album from C.O.F.F.I.Nâs is their fourth LP overall and retains a lot of the attitude from their previous releases. It unleashes a raging rip of rock fury that blazes like a wildfire, kept alive and deadly by the bellow-like thump and growl of drummer and vocalist Ben Portnoy whirlwind conjuring percussion and libido-pumping leads and grooves of the bandâs three guitarists, Abijah Rado, Arthur Flanders, and Aaron Moss.
Not unsurprisingly, C.O.F.F.I.N shares a lot in common stylistically with angst-primed, countryfied garage of groups like The Murder Junkies. To that point, theyâll often close out sets with a GG Allin song and the original cover of their 2018 Pissâ~âUp depicted the band peeing into their own mouths (and the alternative cover isnât much better). But itâs on matters of ethics and principals, rather than style and image, where the C.O.F.F.I.N diverges from many of their influences. What may appears on the outside like a bunch of boys having a gay old-time while playing recklessly loud and loose rock ân roll, is in reality a layered experience of conscientiousness and social engagement (in addition to a bunch of guys messing around and making a god damned racket!).
Case in point, C.O.F.F.I.Nâs track âDead Land,â which takes up the issues of environmental degradation, the encroachment development on wildlife habitats, and the devastating impacts of global warming, all with the fires that nearly consumed their native country this past year, billowing at the top of mind, with its lusty appetite for destruction in the foreground. If the land dies, it will be humanityâs fault, and presently we as a species show no signs of abating our march towards a fallow Earth.
Socials issues are of great concern to the band as well. In interviews, Portnoy and other band members will speak candidly about the need to confront homophobia and end racism in Australia and around the world. C.O.F.F.I.N may take the piss (literally) when it comes to themselves and their music, but when it comes to the subject matter of their songs, they clearly intend to inspire reflection and action, as much, or more, than simply a rowdy, good time.
As guitarist Abijah Rado told Monster Children back in July, âNow is a time that, through collective unity, peopleâs voices are finally being heard and acknowledged. The whole system needs to change and that will never happen overnight, but itâs good to see that the ball has started rolling towards implementing these necessary adjustments.â
Original: $24.00
-70%$24.00
$7.20Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
*Note: some of our copies have corner damage from traveling overseas.
Children Of Finland Fighting In Norway aka C.O.F.F.I.N is an Australian punk band who have accepted the mental of their nationâs long legacy of greasy-haired, outback-scrounging, garage rock rumblers, blowing out eardrums and amps one stage at a time, while chiseling their name below those of Radio Birdman and The Hard-Ons in petrol station bathroom stalls across New South Wales and beyond.
C.O.F.F.I.Nâs were planning on taking their sweaty, slug-trailed tunes and cracked cavalcade on the road this year, hell-bent on mopping up the USA while on tour with Amyl and the Sniffers, but due to COVID, those plans had to take a short dirt nap. The record they were planning to tour on is out though, and it is a bar-none, bar-room crashing, banger!
The latest self-titled album from C.O.F.F.I.Nâs is their fourth LP overall and retains a lot of the attitude from their previous releases. It unleashes a raging rip of rock fury that blazes like a wildfire, kept alive and deadly by the bellow-like thump and growl of drummer and vocalist Ben Portnoy whirlwind conjuring percussion and libido-pumping leads and grooves of the bandâs three guitarists, Abijah Rado, Arthur Flanders, and Aaron Moss.
Not unsurprisingly, C.O.F.F.I.N shares a lot in common stylistically with angst-primed, countryfied garage of groups like The Murder Junkies. To that point, theyâll often close out sets with a GG Allin song and the original cover of their 2018 Pissâ~âUp depicted the band peeing into their own mouths (and the alternative cover isnât much better). But itâs on matters of ethics and principals, rather than style and image, where the C.O.F.F.I.N diverges from many of their influences. What may appears on the outside like a bunch of boys having a gay old-time while playing recklessly loud and loose rock ân roll, is in reality a layered experience of conscientiousness and social engagement (in addition to a bunch of guys messing around and making a god damned racket!).
Case in point, C.O.F.F.I.Nâs track âDead Land,â which takes up the issues of environmental degradation, the encroachment development on wildlife habitats, and the devastating impacts of global warming, all with the fires that nearly consumed their native country this past year, billowing at the top of mind, with its lusty appetite for destruction in the foreground. If the land dies, it will be humanityâs fault, and presently we as a species show no signs of abating our march towards a fallow Earth.
Socials issues are of great concern to the band as well. In interviews, Portnoy and other band members will speak candidly about the need to confront homophobia and end racism in Australia and around the world. C.O.F.F.I.N may take the piss (literally) when it comes to themselves and their music, but when it comes to the subject matter of their songs, they clearly intend to inspire reflection and action, as much, or more, than simply a rowdy, good time.
As guitarist Abijah Rado told Monster Children back in July, âNow is a time that, through collective unity, peopleâs voices are finally being heard and acknowledged. The whole system needs to change and that will never happen overnight, but itâs good to see that the ball has started rolling towards implementing these necessary adjustments.â











